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This is a nice little segment from a TV show where one of the UK’s most famous Christians – Bear Grylls, has a conversation with one of the UK’s most famous atheists – Stephen Fry. And they are respectful. And civil. And that’s why adversarial debates are a stupid model of apologetics (well, that and they’re usually disconnected from the Gospel).

Overthinking Community

community header

Over at the Creek Road blog I’ve started a little series overthinking my favourite TV series - Community.

Community gives us a picture of a group of people coming together at Greendale Community College, initially united through selfishness and a desire to further their own agendas, but eventually staying together because they love one another and are prepared to make sacrifices. The show celebrates community, but it also shows that there are natural limits to this sort of community without Jesus, without a substantial community-defining act of sacrificial love to turn to when community life gets hard.

The community in Community is a genuine community, it can teach us some lessons for how we think of church community, but it’s a community that is limited in scope – and there are some ways church is ultimately a much greater form of community than anything a bunch of people can imagine or create without the cross of Jesus.”

While I was looking for some nice quotes from Community that had already been transcribed, I came across this cracker of a post from elsewhere that has nailed exactly what it is that makes Community hum. Especially when Dan Harmon is in control.

“In the best Community episodes, the show doesn’t pull its punches: characters end up hurting each other, sometimes deeply. And the best resolutions are the ones in which its characters can’t just shrug off each other’s problems as trivial, acknowledge that everybody’s secretly good and wonderful, hug! kiss! let’s forget this ever happened! Community’s ideal resolution is darker than that: it’s the one in which people face each other and say, I’m f**** up. I hurt people. And if I’m given another reason to hurt you again, I’ll do it, unless I make an active effort not to do that. Heck, even then I’ll probably hurt you still.

This is what makes the twee-ness of the music, the over-sweetness of the visuals (in which colors are rich and everything’s well-composed and characters have nary a hair out of line), acceptable, what saves Community from being sickening or intolerable. The sweetness is there to soften the sting. Community is a show about how hard communities are, how hard it is to make people behave well towards each other when sometimes there’s seemingly no reason to behave. “

This emphasis on the brokenness people bring to their relationships is a profound realisation about human nature – normally reserved for Christians with a high view of the fall, or for people exploring the selfish gene…

“Dan Harmon liked to describe Community, in interviews and on his blog, as having a “humanist” message. It always felt like that description, much like Community itself, was a pointed one, and one with a bit of a sting to it as well. Was Community heartwarming? Sure. Was it optimistic? Well, it seemed positive that people could do things despite themselves – but it always acknowledged the “despite”. If Community was a successfully humanist show, it was because it held no illusions about what “human” meant – and it wasn’t all good. In fact, much or most of humanity was rotten awful, which was what made it so funny to watch, and what made its occasional triumphs feel so rewarding…”

“…That talent, though, that ability to look at the worst parts of people and to see in them the seeds of humanity at its very best… that is crucial. That is rare. Now that I can see it for what it really is, I think it’s as important as I felt it was when I first found this show, and I can understand why that earlier Community held an appeal to me that nothing else on TV seemed to touch. It’s the harder routes, the difficult paths, the roads less taken, that force us to see the world around us for what it really is, rather than what we pretend it to be for our own convenience. Dan Harmon lives in a world of selfishness and loneliness and suffering, and he learned how to write that world in a way that felt truer, sharper, more hurtful, more honest. “

This is great trainwreck style television. A zookeeper is trying to explain the circle of life to an increasingly indignant interviewer.

“But one does not tend to be dismembered after a vaccination.”

I missed the Flappy Bird juggernaut. In fact. Completely. The developer is killing it tonight because it is stressing him out.

Poor guy. The internet doesn’t like that idea very much.

But if you’re addicted – you’ve got to know when to hold them, know when to fold them… There’s a language warning here…

Know when to walk away. And know when to hit your stupid phone with a hammer.

Hot air tightroping

Crazy. I love that they feel the need to tell us no to try at home.

The Balloon Highline from sebastien montaz-rosset on Vimeo.

One man ukelele band

This is supremely good (thanks to Peter B who shared it on Facebook).

Making (indoor) Clouds

I love this. A Dutch artist, Berndnaut Smilde, makes clouds inside rooms.

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makingclouds

He uses a smoke machine – but he controls the temperature and humidity in the room to get the clouds to form a particular way. Before they dissipate.

Berndnaut Smilde – Making Clouds from The Avant/Garde Diaries on Vimeo.

Via Yatzer.

One more sleep

Remember that time I posted stuff about starting a church in South Bank. Well. That happens tomorrow. If you’re the praying type – could you pray for us?

If you’re not the praying type – and you live in Brisbane – you should come, find out what it means to be the praying type.

Here’s a video with some details.

Creek Road – A new church in South Bank from Creek Road on Vimeo.

Also – that post about starting a church in Brisbane’s inner city led to an interview with the Sunday Mail – you can read the interview and see the story here – turns out South Bank is the most ‘godless’ part of Brisbane.

This is the book I would write about how we think about media as Christians if I was going to write a book about how we think about and use media as Christians.

It is exceptional, and if you have any respect for how I’ve approached this sort of topic on this blog over the past however many years I’ve been banging on about this stuff – you should stop reading this review and buy the book, its title, in full, is: TheoMedia: The Media of God and the Digital Age.

I’m glad Andy Byers has written it for me, and for others. I will be effusive in my praise of this book (though I think there are definitely stones left unturned should I ever actually want to write a book). I will praise it to the hills because I believe it is essential reading for Christians who want to take the Gospel into new mediums using new technologies with a strong theological foundation.

It is methodologically sensible, theologically invigorating, and practically stimulating. It is the best book on thinking about the intersection of theology and media studies that I have read, and I have read all the others. Well. Maybe not all the others. But lots.

Like any book – this one should be assessed on its own terms. So Byers says:

“The conviction underlying this book is that Christian scripture is not only the best source for understanding Jesus but also the best source for understanding Google.”

And later…

“This book is a hermeneutical project in the church’s wider efforts of trying to understand the technological mediascape of the twenty-first century. The purpose is not to offer a how-to guidebook to help churches incorporate communications technology into their worship and witness. I am hoping to provide something more foundational. The point is to make some headway in constructing a theological frame of reference for understanding and appropriating media in the digital age and in the ages to come.”

His argument is:

“First: if God himself creates and employs media, then there must be a theological logic that can guide how we produce and use media and communications technology today. Here is the second claim: Christians are called to media saturation, but the primary media that are to shape, form, and saturate our lives are the media of God—TheoMedia, the communicative and revelatory means God employs to share himself and to influence humankind as his image bearers.”

His treatment of the unfolding Biblical saga is exceptional, and the touch points he selects and unpacks in this story are spectacular. His definition of media is broad – anything that is a “means to communicate” – and that is how I think it should be. Just about every ‘thing’ can function as media. His definition of TheoMedia is equally broad.

“… although there is such a thing as “new media,” the actual concept of media is as old as the hills. This is true literally, because the hills themselves are a form of media. God’s media. Or, we could say, “TheoMedia.” Media production began with God. The aesthetic media of God’s creation was produced by another form of divine media. The slope of the valleys and the rise of hills beneath glorious sky blue all came about through the medium of holy speech. Divine words addressed the primordial cosmic blankness, and ever since “let there be…” sounded in the dark, creation has served as a means of divine revelation and divine self-communication.”

I’m increasingly convinced that something akin to media studies is vital for good exegesis – knowing how a type of text functioned in its context is as important for interpretation as figuring out how the content of the text would have been understood in its context – indeed, you can’t do one without the other. I love how Byer’s approach to the question of media is driven by Biblical Theology – by unpacking how the media of God develops over the trajectories of the Biblical story.

“So to retrain what we think about “media,” we are going to make a pilgrimage of sorts throughout the entire biblical saga, tracing the narrative plotlines of the epic story of Creation, Fall, Redemption, and Re-Creation to show that the idea of media is a central theme of the church’s most sacred text.”

His understanding of this story is Christ centred, so his conclusions are also Christological, which, again, I think makes this book a must read.

The Good

I’m especially thrilled at his anthropology – his understanding of the role communication plays in what it means to be human. It’s all about humans being made in the image of God. More than any other work in this area, Byers gets that bearing an image involves communication (I’m pretty passionate about this).

“The most fundamental vocation of humanity is a media vocation, that of divine image bearing. Though the rest of creation reflects divine glory and beauty, Adam and Eve were endowed with an even more intrinsic capacity for conveying God’s character and intentions in the world.”

Byer’s description of how sin smashed this function, and how it is ultimately dealt with, and restored for us, in and through Jesus, is great. It is the theological basis for our participation in media use.

“Originally destined as the bearers of God’s image in the world, humanity—both Gentile and Jewish—had become shaped by the world’s unwholesome images and untruthful words. The once uninterrupted interaction with God was now clouded; the transmission was lost in the distracting white noise of worldly media. Such a disastrous media situation required a media “eucatastrophe,” to borrow a term coined by J. R. R. Tolkien. That media “eucatastrophe” (an event of catastrophically good proportions) finally took place. It was the Incarnation. The TheoMedium of God’s Word became flesh. The public announcement of what Jesus has done on our behalf as the God who took on flesh is called “gospel.” It is a media term. In the genre of a eucatastrophic newsflash, the TheoMedium of the gospel is the breaking news that our King has arrived and conquered, that the mediated distance between humanity and God is to be bridged through the work of the Incarnate Christ, a new Mediator who has come from offstage as abruptly as that serpent of old. And this Mediator is hailed as the untainted “image of the invisible God” (Col 1:15)… In the wake of bloodied cross and vacated tomb, a new TheoMedium was formed. Indwelled by the Spirit, that society we call “church” was created as a new TheoMedium in the world in the sense that we as the church are now being restored as bearers of God’s image.”

Byer’s is sensitive to the function of images in the Ancient Near East – a big part of my Masters Thesis, so very exciting for me. In the Ancient Near East kings held on to political power by building images of themselves as gods, fusing the royal with the divine – such imagery (which was later applied to coins and all sorts of multi-media) functioned as a powerful communication tool. Images of God-Kings communicated just by being. So did idols in a temple – which were ‘activated’ by a mouth washing ceremony by a river in a temple so that they would ‘speak for’ the god (just like Adam in Eden in Genesis 2 if you buy the theory that Eden is a proto-temple).

These images communicated something – by being representatives of the god-king. Byers shares this quote:

“Social space—the areas in which life was lived—for pagans was thus in a sense alive with images, mythologized. The statues in the temples and around the cities, the reliefs on the altars, the busts and statuettes of the home, etc. all, with varying degrees of intensity to be sure, figured the divine or, better for ancient polytheism, the divinities. The notion of a secular, separate realm devoid of religious penetration is of course a modern invention (if not itself a fiction). For ancient pagans, space was religious.” — KAVIN ROWE

But these images of god-kings and gods didn’t speak – nor did the gods behind the purely religious images. Image bearers of the God who does speak also speak, but we also communicate by being representatives of God, scattered around his world. Byers notes – from Israel’s history – that the media we soak ourselves in will end up shaping us.

“Choosing God’s words crafts us into a certain type of person. Choosing idolatry turns us into a vastly different sort of person. Media preferences alter who we are. Moses finds this painful story of the stone words and the metal calf to be gravely instructive for the Israelites who are about to make their fateful river crossing. They are a people shaped by certain media that cannot abide certain other types of media. The program of Canaan’s media displacement must therefore begin immediately. Hence the charge to physically mark their entry into Canaan with those plastered rocks. Think of the contrast in media form and content that will instantly take place once God’s people set foot onto their new land. Rather than images carefully crafted through metallurgy and woodworking, Israel will pile up twelve rocks and cover them with script. Stone words.”

We communicate by doing – but as people made in the image of the God who speaks, we represent him best when we bear his image (in what we do) and we use words. We need words to truly bear God’s image. Because God speaks. That’s what gives words priority. But words can never be separated from how they are delivered. This slight distinction plays out in Byer’s application – which seeks to resolve what I think should be a dichotomous tension – suggesting that TheoMedia makes words a priority. This is probably the only weakness I see in TheoMedia, and one of the coolest things about the Christian bookosphere overlapping with the Christian blogosphere is that we’ve been able to chat about my questions over email. I love that. It makes reading books so much more relationally connected.

Byer urges Christians to learn from the way God dealt with an increasingly complex media landscape for Israel – who were confronted by images (idols and temples) wherever they looked as they left Egypt and fought their way to the Promised Land. So he sees the shema as profoundly important. The idea that in a media saturated world we should spend our time soaking ourselves in God’s media, in order to approach other media from a more healthy perspective.

Here’s what he says about the shema…

“The words of God were to saturate the daily grind of the Israelite family. They were to feature orally in conversations in the fields and in the home. Bound to the hand, stuck between the eyes, and emblazoned on the entranceways of the home, the TheoMedia of God’s words were also to occupy the visual space of God’s people. In a world rife with unauthorized media sources, the Israelites were commanded to esteem their God as their primary media source, holding fast to the TheoMedia of divine words, embracing a life saturated by holy speech.”

And later…

“The greatest commandment in scripture—the highest demand on our lives—encourages a set of media practices by which our lives are saturated with verbal TheoMedia. The Shema should be recognized as a central text as the church negotiates twenty-first-century media. It is a passage that reminds Christians in the digital age and every age that we are called to media saturation, but the media that are to so thoroughly permeate every dimension of our lives are the media of God.”

Byers argues that we should prioritise ‘word’ media over all other forms – in part on the basis of the Shema, but because he’s serious about Biblical Theology this is a thread he carries through into the New Testament (more below).

“If oral and textual TheoMedia are indeed prioritized, then it is incumbent on us to retain and strengthen the skills of hearing and reading. If the burden of the previous chapters on the sights and sounds of God was to argue that TheoMedia are various and multisensory, the burden of this chapter and the next is to show that they are subordinate to logocentric media, that is, the word-oriented media of prophetic discourse and holy text.”

But first – my slight critique.

Words never occur in a vacuum – they always come with the context provided by the speaker – even in creation itself, when God spoke into the void (arguably, literally, a vacuum) – it was who was speaking that made stuff happen.

Byers is well aware of the trouble with dichotomies – he spends significant time showing that there’s often a false dichotomy presented between the idea that Scripture functions propositionally vis a vis narratively, when it should be both, held in tension.

When it comes to the verbal v visual dichotomy he acknowledges the multimedia nature of God, so he’s already pretty nuanced in his approach to the dichotomy, I just don’t think he should resolve it.

“We have seen that God is a multimedia God and that his words are also multimedia in nature. Like fire in the prophet’s bones, they are hard to contain, bursting the limits of our dichotomies and bursting the limits of every media format that would communicate them. Verbal TheoMedia cannot be safely locked within ink or confined within chiseled inscriptions. They are living words, words that can be seen as well as heard, tasted as well as touched.”

The big problem I have with his treatment of the Old Testament – and it’s only minor – is that I don’t think you can actually separate the words of the Shema from the visual communication effect that the Shema being carried out was intended to have on both people in Israel, and the nations. You can’t split cause and effect in this way by placing the emphasis on cause – because the effect is necessary, and part of the intended function of the law.

I like what Wenham says about the performance aspect of the entirety of Torah:

But not only is the Old Testament ritual law central to theological understanding of scripture; I also want to suggest it is a model of modern communication technique. For a long time Christians have imagined that communication between God and man is essentially verbal, merely a matter of words. God speaks to man through the prophets or through the Bible: man replies in prayer. We view communication with God as a sort of two-way radio. But God does not restrict himself to words, he uses ritual such as sacraments: ritual is more like colour TV than radio. Ideas are made visible… Educational psychologists tell us that we remember 10% of what we hear, 30% of what we see but 70% of what we do. Modern preachers put most of their effort into teaching by hearing, though 90% of what they say will be forgotten. Moses put his main effort into teaching through ritual, a wise move if he wanted the people to remember such fundamental truths, for ritual is a kind of doing and therefore sticks in the mind much better than words…But I believe we should go further: not simply act out the ceremonies of the Old Covenant, but in our post-literate age devise dramatic rites that teach the fundamental truths of the new covenant as effectively as the Pentateuch teaches those of the old. This will require imagination and sensitivity, but I think would be worth the effort.”

If Wenham’s correct – part of the power of the Shema was in the doing, and part was in the watching – more than in the hearing (even if doing involved speaking the words). My argument is these things are so interconnected it is silly to try to prioritise one aspect of the communicative act above another aspect of the same part, and in this case, the communicative act is “image bearing for the God who speaks”… Anyway. This is a minor criticism and has only relatively small real world applications (except that it doesn’t undermine the humanity or worth of people who can’t use words as well as others).

The Gold

Byers presents his argument in a theologically rich and thoroughly engaged way… I love the way he speaks about the Incarnation. God entering the stage, tearing the sky apart…

“And now we come to the point in the Bible’s salvation-history when the sky gets ripped apart. The Bible opens with what appears to be a calm, peaceful scene: “The Spirit of God was hovering over the face of the waters” (Gen 1:2). The Gospel of Mark opens in similar fashion. The Spirit is portrayed as a dove hovering above the waters of the River Jordan. This violent puncturing of the sky is a decisive moment in the biblical plot of redemption for Mark. It is the moment when it becomes clear that our God will tolerate no longer the divine-human alienation, when he will content himself no more with the mediation of prior centuries: “In Mark, then, God has ripped the heavens irrevocably apart at Jesus’ baptism, never to shut them again. Through this gracious gash in the universe, he has poured forth his Spirit into the earthly realm.” It is not just the sky that gets torn in Mark. The verb schizō reappears at the end of the Gospel, forming what biblical scholars call an inclusio, the dual use of a word or theme that encloses or bookends a larger body of text to serve as an interpretive frame. Mark is to be read within the frame of divine-human boundaries being torn and ripped apart: “Then Jesus gave a loud cry and breathed his last. And the curtain of the temple was torn in two, from top to bottom” (Mark 15:37–38).”

So good.

I love his use of John the Baptist as a model for using mediums that are wired to try to turn you into the centre of attention.

…Jesus called him the greatest man born of a woman (Luke 7:28; Matt 11:11). It makes good sense to give a little attention to the man Jesus himself called the greatest. But what we find when we look to John is that the all-consuming vocation of the greatest man born of woman was to point to someone greater, and then fade away: “He must increase, but I must decrease” (John 3:30). There was absolutely no self-orientation to John’s celebrity status in the fourth Gospel (or in the other Gospels, for that matter): “In order that he may not be in any sense the object of his own preaching and action, he disowns every kind of movement towards himself.”

What a guide to participating in the online world. But Byer’s conviction (and mine) is that it’s Jesus who is the best model for participating in media.

“In all his flesh and blood reality, we could say that Jesus is the “Multimedium of God.” We could also understand Jesus—speaking, touching, imaging, embodying—as the most significant and the most multisensory TheoMedium of all… Just as the medium and message of the gospel informs our media practices, so also does the Incarnation of Christ.”

He suggests one of the implications of the incarnation is that we value presence over mediated absence, which is a handy tip, but he also suggests we should be seeking to take that presence wherever we can, wherever it’s needed…

“We should honour Christ’s Incarnation by infiltrating multiple communications realms but with a high valuation of embodied presence, refusing to treat social media as a fitting replacement for face-to-face interaction, but enjoying its capabilities for enabling interaction with those who are not across the table or in our living room.”

The climax of the incarnation – the cross – is equally important in framing how we participate in media.

“The cross of Christ opposes self-orientation in any and every setting, online or offline. The motivations behind my status updates are often suspect. My heart vainly flutters a bit when there is a sudden spike in the traffic on my blog. At times I resonate a bit too happily with that exclamation mark when Twitter informs me, “You were mentioned in a Tweet!” The point here is that Christ’s call to selflessness, visually depicted in the cross, extends to any and all realms, even the new realm of the Internet. We need to carry the determinative force of the optical medium of the cross symbol into that realm and comport our media practices accordingly”

This is another point where I feel like TheoMedia may have been strengthened slightly, if the emphasis wasn’t placed on word ministry quite so much, but included the possibility that visual image bearing was a factor in the acting out of the written word (beyond the sacraments). It’s a quibble, but here’s a worked example…

“I am suggesting that the church understand media through the person of Jesus and through the ancient media practices his saving work encourages. Our verbal interactions are to be informed by the verbal proclamation of the gospel. And if we are going to inhabit a visual culture, then we should draw on the visual media legacies of the cross. Some sort of cross-visuality is affirmed when Paul writes to the Galatians that “it was before your eyes that Jesus Christ was publicly exhibited as crucified” (Gal 3:1 ESV). Now, the Galatians were not present at Golgotha on that fateful day. But Paul’s prior preaching ministry had presented such a “vivid, verbal portrait of the event of Jesus’ crucifixion” that the scene could be understood as having occurred “before your eyes.””

I don’t think Paul just uses vivid spoken words for this – but his scars and suffering too… I think there’s a link between 2 Corinthians 4, (and Paul’s list of suffering for others in 11), and Galatians 6.

We always carry around in our body the death of Jesus, so that the life of Jesus may also be revealed in our body. For we who are alive are always being given over to death for Jesus’ sake, so that his life may also be revealed in our mortal body.” – 2 Corinthians 4:10-11

“May I never boast except in the cross of our Lord Jesus Christ, through which the world has been crucified to me, and I to the world. Neither circumcision nor uncircumcision means anything; what counts is the new creation. Peace and mercy to all who follow this rule—to the Israel of God. From now on, let no one cause me trouble, for I bear on my body the marks of Jesus. – Galatians 6:14-17

This potentially expands his conclusion – but only slightly, because his conclusion is tops (I’m running out of superlatives and trying not to sound like an Apple product launch).

“We ourselves are TheoMedia. The church comprises fractured image bearers who are being restored to the image of Jesus, the perfect image of God. By the indwelling presence of Christ’s Spirit, every Christian is now a communicative means by whom God communicates within the church and reveals himself to the world.”

The control he suggests, for not being overwhelmed by the communication mediums of the world, and competing messages, is to soak yourself in TheoMedia… which, usefully, combats the “myths” packaged up in the mediums we use (as we’ll see when I finally write part four of my unfinished series on Facebook/social media and your brain).

“When it comes to spiritual gifts, the source of communication is God himself. When it comes to spiritual disciplines, we are giving God our attention and asking how he wants to influence our thoughts and alter our actions. There is this simple little policy I try to abide by after I wake up to face a new day. Before opening a screen, my plan is to open my Bible; and before listening to any voice online or on TV, I want to listen out for God’s voice through prayer… As the page has turned to this concluding chapter, my hope is that we are now dripping wet with biblical ink. In order to understand media in the digital age, we have plunged into the sacred texts of the church with the hope of having our perspectives reoriented around biblical wisdom. Reading scripture trains us for certain “habits of thought—habitual ways of viewing or making sense of the world.” This immersing of ourselves in the Bible’s theological vision cultivates “cognitive skills and sensibilities, and hence the ability to see, feel, and taste the world as disclosed in the diverse biblical texts.”

I don’t want to turn you off buying the book by giving away the ending – because 90% of the joy is in the journey to get there… but Byer’s conclusion is so sensible and theologically coherent that it seems obvious.

“We need to be drawing on cultural studies, research data, personal experiences, and practical wisdom for faithful living in the digital age; but not without our sacred “script” as a foundational resource. Here is the second overarching thesis: Christians are called to media saturation, but the primary media that are to shape, form, and saturate our lives are the media of God…we need an external media source to crack the soundscape and penetrate our field of vision. We need TheoMedia, the revelatory and communicative means of the One who is the wisest and best.”

He provides a summary of the argument of the book in eight thesis, and this is where the spoilers stop. Buy it. Read it. Give it to anybody who wants to use new mediums thoughtfully to communicate the Gospel. Get this book out there.

Tweet, oh people of God. Blog, text, and type status updates. But linger in the TheoMedia domain of the church and cling to the media legacies of Christ’s Incarnation, crucifixion, resurrection, Ascension, and return. Hear the gospel. Look to the cross. Feel the embrace of brothers and sisters. Smell the aroma of bread broken and taste the sweet wetness of wine outpoured. Preach and baptize. Exercise spiritual gifts and practice spiritual disciplines that poise our senses before the media of God. – Andy Byers, TheoMedia

 

Making NFL funn(i)er

British commentary and bad lip reading. Ahh.

 

It sounds as good as it tastes…

This is a stunning advert for a foodstuff (an oil based spice range).

The Sound of Taste from Grey London on Vimeo.

Slow Wes.

A mashup of Wes Anderson slow motion scenes.

WES from Alejandro Prullansky on Vimeo.

A Tumblr dedicated to remixing Peanuts strips with Smiths lyrics.

A sample…

Ahh. I love a good timelapse video…

If you want more like this – there are plenty of timelapses in the ol’ archives, and even another one from the International Space Station.