Archives For advertising

Facebook is changing. Again.

The newsfeed is getting more compelling. It’s getting a facelift. The dross is being cut, and that mostly means that pages will suffer because people’s profiles will trump them. Very few people (I’d say “nobody”) join Facebook because they want to follow brands.

Fresh Feeds

Such is the way of Facebook.

They have no business model if they can’t entice people to spend money on advertising, and if they can’t keep users interested and on the site. They’re already losing out to other sites because they’re a little more boring than your average social media platform.

The key to success on Facebook is being interesting. Getting people talking about your brand.

Facebook has this thing called “EdgeRank” – it’s an algorithm they use to decide what gets into newsfeeds and what gets edited out. You’ll see stuff you want to see because Facebook tracks who you interact with, and tracks what other people are interacting with. This doesn’t seem to be changing in the new newsfeed – pictures, check-ins, and video get interacted with (shared, liked, and commented on) more than text. The changes are emphasising what is already popular.

This means, if you’re running a page, there’s more value in multimedia content than text updates.

But the key for pages is as it always has been – producing good content.

I feel like I’ve said this all before. Because I have.

What do these changes mean for your church?

We’ve been thinking about how we use social media as a church as part of thinking about how we use the web. Here’s our Facebook page.

We’re interested in sharing stories, and sharing this sort of multimedia content – at the moment, we’re especially interested in sharing videos.

The key, as far as I’m concerned, to succeeding on social media – and in most PR – is getting other people endorsing your product, talking about you, and pushing your agenda. I’m convinced almost nobody listens to anything that sounds “corporate” or like advertising. But people do listen to other people. Especially other people they trust. The real power and value of social media is in people talking about and sharing things.

Our strategy is to get other people sharing the content we’re created. People who are bought into the idea of using Facebook for Jesus.

These changes mean this is even more important than ever. Because as a page you need people who come to your page, without being hooked, in order to share the content you’re producing.

It works. We’re in pretty early days of our strategy of asking people to share our content (offline as well as online), and it seems to be working. Here are some stats from recent posts on our church page. We were starting from a relatively low base in terms of sharing and views per post, and we have less Facebook likers than we’d like.

On the 31st of December – our last post for last year – a link to our podcast (coincidentally, one I preached) scored 152 “organic” views on Facebook – that’s 152 views where the link made it into the newsfeed of people who already like the page, or where people came to the page.

A month later, on the 30th of January, we posted a promo poster thing to announce the launch of our new 4:30 service, it was shared 10 times, but only liked twice – it scored 141 organic views, and 4 “viral views” – where people saw it beyond the “organic” process, because it showed up in their newsfeed when a friend shared it.

We posted another post card type picture for our big term 1 teaching series “Got Questions” – it was shared 37 times, liked 10 times, but was only seen by 213 people.

We started sharing our vodcast instead of a podcast – and the numbers began a steady increase. A video of our podcast on Hell was viewed 503 times, 356 of those times were “viral”…

A video post featuring a friend of mine from our church wondering if the Bible was anti-gay was shared by 8 people and scored 684 “viral” views. Then, last week, a young woman from our church anonymously shared her testimony as a story on our page, which was shared 6 times and scored 50+ likes and was seen by 1500 “viral” viewers, and 300 organic viewers.

In the same time this was happening – a business I do some social media consulting for spent $200 on advertising on Facebook to reach about 21,000 people a day during the 6 day campaign, and increase likes on the page by 145 people (in a targeted demographic based on a location).

We could start paying for advertising for church – but because I’m a PR type not an advertising type – I’m biased towards not paying and trying to get people talking about our product – the good news about Jesus. I think this fits with our message too. It’s a person-driven message and anybody who becomes a follower of Jesus has their own story of transformation to share. That covers our “content”…

One of the other big markers for communicators/advertisers is the ability to “convert” messages into results. A “conversion” for us, online, is getting someone to church in the real world, or seeing someone come to know Jesus. When it comes to conversations with our friends - the real power of social media rests in the ability of Christians to engage in gospel conversation online that they take offline.

I think our non-paid model is a good long term strategy. It’s a better fit with who we are and what we’re on about.

Getting people to like and share our content has seen our reach on Facebook increase by a multiple of seven. The only way Facebook is going to work for your page – if you’re not going to pay to promote it – in the long term is by encouraging real people to share your content and to discuss it with each other on social media.

If your social media isn’t “social” you’re doing it wrong.

We have a pretty great story to tell. And telling real stories of real transformation – especially our own stories of transformation, offered by Jesus – like the story the girl from Creek Road shared – is something that can work in just about any platform. Social media or otherwise.

The Facebook newsfeed changes mean we need to think about how we’re sharing our message – the media types we use – so pictures and images are in, and text is mostly out. But the method and content is the same – we’re ambassadors for Jesus sharing the good news about what he means for us and can mean for others.

2 Cor 5:17 Therefore, if anyone is in Christ, the new creation has come: The old has gone, the new is here! 18 All this is from God, who reconciled us to himself through Christ and gave us the ministry of reconciliation: 19 that God was reconciling the world to himself in Christ, not counting people’s sins against them. And he has committed to us the message of reconciliation. 20 We are therefore Christ’s ambassadors, as though God were making his appeal through us. We implore you on Christ’s behalf: Be reconciled to God. 21 God made him who had no sin to be sin for us, so that in him we might become the righteousness of God.”

This is brilliant. From DumbWaysToDie.com

 

You can download the song as an MP3.

Thanks to @stemcd for tipping me off on Twitter
 

This is possibly the best political ad ever produced, featuring possibly the greatest television show cast ever assembled.

So sad. Can’t wait until the Newsroom is available on DVD.

Comic book ads always promised so much. But given my collection (other than my Phantom comics) came from second hand shops, I was never really in a position to partake of the goodness they offered.

Allegedly the ads didn’t really deliver on the promise. So says Kirk Demarais who has made tracking down the products sold in the back pages of his favourite comic books his life’s work. That’s a link to a thoroughly interesting link where you’ll learn more than you ever thought necessary about the products sold in the back of a comic.

He exposes the secret of X-ray specs below (Spoiler alert)…

“The lens is made up of two pieces of thin cardboard, more like cardstock, with a hole in the center, and in between those cardboard pieces is an actual feather. It’s hard to explain how it works. I have the book here. Let me read. I said, “In the original Spex, the X-ray illusion occurs as the viewer looks through genuine feathers which are embedded between the cardboard. … The feathers’ veins diffract light, creating the appearance of two offset images. A darker area forms where the images overlap which can be interpreted as bone in your hand or the curves of a lady.”

This Nandos ad* is probably the finest example of the power of the meme to get an advertisement to cross from the commercial break to program content. It is beautifully produced. Clever. And controversial enough that for a while it was dominating the news cycle in South Africa, and around the world.

The ad got media coverage because it’s against the law to criticise Mugabe in Zimbabwe, and it doesn’t name him, there’s plenty of wink-wink-nudge-nudge references to the dictators who have propped up his reign over the years. It is finger licking good…

I will eat Nandos to thank them for their delicious campaign, and their delicious chicken.

*This was a scheduled post that didn’t go out last week – I just found it in my post queue and I think the ad is too good not to have posted here.

Chicken Dictators

Nathan Campbell —  November 28, 2011

Loving this Nandos ad. Thanks to Brother Mike for sharing on Facebook (and the entire internet). It’s nice to see a clever ad getting attention, gives me faith in the interwebs again…

I like this marketing campaign. It’s Japanese. It’s for Star Wars, for a new boxed set. What a clever use of everyday items…

Some details here.

There were two moments that I smiled in this video, and one that I chuckled. It’s a nice little ad though…

I love this story. Partly because it’s about zombies. I haven’t written about zombies for a long time. Partly because it’s one of those advertising placement stories that is almost too good to be true.

A billboard ad for a zombie TV show, The Walking Dead, was placed on the external wall of a funeral parlour.

“An advertising firm has apologised for placing a billboard for a TV show called The Walking Dead on the side of a funeral parlour.

The unintended, “unfortunate juxtaposition” caused raised eyebrows in Consett, County Durham.

The roadside advert for the Channel 5 post-apocalyptic drama has since been removed from the exterior wall of the Co-operative Funeralcare premises.”

There are very few shows that I actively go out of my way to watch bits of just so that I can hate on them in an educated fashion. Biggest Loser and Two and a Half Men.

One is finally dead. Charlie Sheen’s self-destructing antics were finally enough to kill it. Though I doubt that will stop Channel 9 showing endless reruns in Australia. He has these odd delusions of grandeur too – this quote, from the Time magazine story:

“”Last I checked, Chaim [the Jewish writer of his series he also said some anti-Semitic stuff about], I spent close to the last decade effortlessly and magically converting your tin cans into pure gold. And the gratitude I get is this charlatan chose not to do his job, which is to write…”

That’s one down.

The Biggest Loser used to be good. It’s a reality show with real promise, and real benefit, to its contestants and its viewers. But not anymore. Now it’s a cash cow that Channel 10 is milking, Master Chef style. With scant regard to its viewers. Never has the statement that the audience is not the customer, but the commodity, rung more true than when Channel 10, seeking to wring every last dollar out of its advertisers, featured a challenge last night that gratuitously featured contestants chucking 600mL Mount Franklin water bottles onto a cart that was then pulled across a field. This exercise didn’t look like exercise at all. I am not going to go and buy a tonne of water bottles and pull them around by rope on an oval to get fit. And the contestants shouldn’t have to lose their dignity in order to shift a few more units of water. I hope Mount Franklin paid a mint for that placement.

But that’s not the worst of it. The worst of it is how contrived and over-produced the show has become. The producers are trying to milk every little bit of emotion from the contestants with these bisarre, clearly set-up, monologues. And these contestants are dumb. You have to be a little on the less than intelligent side to grow to 200kg. Surely. But the Red team in this series can’t string a cohesive sentence together to save themselves. So last night, when one guy won a challenge that would see his morbidly obese brother re-enter the competition after they’d tactically put him up for elimination thinking nobody would vote for the fattest guy, walked into the middle of the room and said “I dedicate this win to my brother” – and it was just an odd bit of over dramatisation with no sense of timing. I challenge you to watch every statement those guys say and find something that isn’t repeated, at the behest of a producer, with some overly dramatic affection, or just bumblingly incoherent. It’s a train wreck.

Then, we had the cancer survivor saying that she had never been happier than she was now – and that she’d never really opened up about her cancer until she had the chance to talk to her personal trainer in front of a national audience. Dumb. Really dumb. It’s like the producers said to themselves. You know what. This contestant mentioned that she had cancer in her application to come on the show, so in weeks 3, 6 and 7 we’re going to ham that up a little and get her to film a vignette about what being a cancer survivor is like. We’ll get people to cry. And then they’ll watch more and we can roll around in piles of monies. New bills only. Crisp. Like lettuce. And we will eat caviar and drink sparkling Mount Franklin while our audience gets dumber.

The worst, and most cynical move, from the producers is, I think, new this season. They now end every episode on a cliffhanger. Mid challenge. So you don’t know who wins unless you tune in the next day. This flagrant disregard to viewers, and their decision to invest time watching the ads that companies have chosen to purchase in the scheduled timeslot, is just nasty. And it’s sure to backfire. They’ve jumped the shark. The only way they could jump the shark more obviously would be to take the fat contestants to Sea World. Ostensibly because of the joke about always taking a fat person swimming. And then to, in a slow montage, get each contestant to waterski in a shark infested pool and take them over a jump to show them how far they’ve come. That they’re no longer fatties, but that they can fly. The saddest part is that these contestants are losing their beef while becoming pieces of meat for the populace to enjoy in snack sized bites.

Censoring John 3:16

Nathan Campbell —  February 18, 2011

The Superbowl. Watched by millions. For the ads. American Football is a commercial juggernaut. They pause play for ads (they do this in Aussie Rules too). The Superbowl regularly features big budget advertising blockbusters. They don’t necessarily steal the show. But they go close.

This year a group of Christians decided they wanted a slice of the Superbowl action. So they produced an ad, and booked a slot, and the broadcaster decided to turn the ad down. They didn’t want anybody being offended by a religious ad. And this is in a nation that prides itself on its Christian heritage.

Here’s the ad.

There’s not a lot in there that’s offensive. It’s pretty clever. The website is nice. The ad, at the time of writing, has been viewed by 300,000 people (approximately) on YouTube – a far cry from the millions who would have tuned in on the day, but at least the producers are getting some benefit for their efforts.

This, friends, is why we shouldn’t be kicking up a stink and trying to get atheist bus ads pulled. What goes around comes around. If we’ve got truth on our side – what have we to fear from other voices being heard in the marketplace of ideas so long as we can put our side of the story out as well. Now we may not be able to do either – because if they can’t show an ad like that in America, what are the chances of similar decisions being made by TV networks in the rest of the world?

Here’s a New York Times article on the fiasco which again goes to show that the ad wasn’t wasted – when was the last time a major newspaper ran a verse from the Bible as the second par of a news story?

The ad’s producer Larry Taunton had this to say about his motives:

“Corporate America uses its creativity and millions of dollars to come up with 30-second blasts to get you to buy a beer or Coke or tennis balls… Last year, as I began to reflect on this, I thought, ‘If I had 30 seconds to speak to a billion people, what would I say?’”

What would you say?

So. I just thought I should make this clear. I don’t have ads on my blog (unless you count the occassional reference to my T-Shirt store on Cafepress (currently with one T-Shirt, possibly with more during the holidays), or the plugging of my coffee roasting services (I just got a fresh 10kg of Green Beans to roast – hit up the order form…).

Sometimes, if I remember, mentions of a book will also take you to Amazon in a way that would, if you purchased something, result in a small commission for me. I don’t do that often. Because Book Depository is cheaper.

Anyway, when I installed Google’s search thing in the header, it came bundled with adwords. So now, if you search for something, you’ll notice there are ads with the search results. Click them and I get a few cents. I’m still opposed to the idea of having ads all over the site. I don’t know why.

This Old Spice campaign is going to be dissected by social marketing students for years to come. It is almost perfectly executed (I can’t actually think of a flaw yet).

It all started with this critically successful commercial launched during this year’s Superbowl. A commercial which has now had more than 13 million views on YouTube.

It’s a one shot shoot, here’s the explanation of the process:

Here’s the accompanying 15 second ad.

Then there was an equally well executed follow up (with 7 million views).

That was apparently also shot in one take. Isaiah Mustafa, the actor (an ex NFL player) explains…

This was the point at which the Old Spice campaign went from well executed and hilarious commercial to social media phenomenon. They organised an online campaign where the Old Spice Guy responded, in video, to interactions from around the internet. Here he responds to popular tech blog Gizmodo:

Here he helps someone propose to his girlfriend:

Here he, as Old Spice Guy, responds to himself, Isaiah Mustafa…

Here’s a great article unpacking the process of responding in real time (it’s obviously a massive, and very impressive, task).

“In the room there are two social media guys and a tech guy who built a system pulling in comments from around the web all together in real time… We’re looking at who’s written those comments, what their influence is and what comments have the most potential for helping us create new content. The social media guys and script writers are collaborating to make that call in real time. We have people shooting and we’re editing it as it happens. Then the social media guys are looking at how to get that back out around the web…in real time.”

Here’s his sign off from a day of answering the audience:

It’s a campaign where everybody wins. Old Spice, the Creative company Wieden + Kennedy, the writers, Craig Allmen and Eric Kallman, the director and production company, and finally the actor himself.

Successful viral campaigns strike the right balance of humour, production quality, strategy, and level of interaction with the audience. If they’re pitched right they become juggernauts – like this one has – inspiring users to generate their own content. This is the Holy Grail of viral marketing. Getting people past talking about your product and into participating in your conversation.

Here’s an almost equally well produced parody.

This campaign, coupled with Tourism Queensland’s “Best Job in the World” campaign from last year, will set the bar for thinking about integrating marketing campaigns across traditional and new media. It’s an amazingly well executed feat. To close, here’s an analysis of where advertising might go from this point, complete with a nice little quote about the social medium:

“Start here: as it became apparent that this wasn’t just a one-time media drop, but instead an ongoing live performance—a spectacle in progress—I was reminded of some thing that I heard Rex Sorgatz say years ago. I’ll paraphrase, broadly: blogs are actually more related to live theatre than they are to, say, newspapers. The things that make a blog good are almost exactly the things that make a live performance good—and the most important, the magic cata­lyst, is the interplay with the audience.”

Scent branding is taken to a whole new level with this billboard advertising a steakhouse – during peak hour it pumps the smell of delicious steak into the streets

Australians make the best beer ads.