Archives For George Orwell

Aldous Huxley, author of Brave New World wrote a fan letter to George Orwell after reading a copy of 1984. While he enjoyed, if that’s the right word for these two extreme pessimists, Orwell’s vision of the collapse of society, he didn’t think it was quite bleak enough.


Image Credit: Letters of Note

These guys aren’t the type to invite along to a dinner party.

“Within the next generation I believe that the world’s rulers will discover that infant conditioning and narco-hypnosis are more efficient, as instruments of government, than clubs and prisons, and that the lust for power can be just as completely satisfied by suggesting people into loving their servitude as by flogging and kicking them into obedience. In other words, I feel that the nightmare of Nineteen Eighty-Four is destined to modulate into the nightmare of a world having more resemblance to that which I imagined in Brave New World. The change will be brought about as a result of a felt need for increased efficiency. “

I’m thankful that God is sovereign, not these guys.

George Orwell was a good writer. I’ve shared six of his tips for writing before. Here are six questions he says you should ask of every sentence you produce…

  1. What am I trying to say?
  2. What words will express it?
  3. What image or idiom will make it clearer?
  4. Is this image fresh enough to have an effect?
  5. Could I put it more shortly?
  6. Have I said anything that is avoidably ugly?

This is from this feature – writing tips from six greats.
I also love these 11 tips from Elmore Leonard.

1. Never open a book with weather.
2. Avoid prologues.
Which can be annoying, especially a prologue following an introduction that comes after a foreword. A prologue in a novel is back-story, and you can drop it in anywhere you want.
3. Never use a verb other than ”said” to carry dialogue.
Said is far less intrusive than grumbled, gasped, cautioned, lied.
4. Never use an adverb to modify the verb ”said” . . .
5. Keep your exclamation points under control.
6. Never use the words ”suddenly” or ”all hell broke loose.”
7. Use regional dialect, patois, sparingly.
8. Avoid detailed descriptions of characters.
9. Don’t go into great detail describing places and things.
10. Try to leave out the part that readers tend to skip.
For example, thick paragraphs of prose.
11. If it sounds like writing, I rewrite it.

And I love this quote… it reminds me of Jed Bartlett’s “next ten words” debate speech in the West Wing…


“Poor Faulkner. Does he really think big emotions come from big words? He thinks I don’t know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.”
– Earnest Hemingway after he was told that Faulkner said he “had never been known to use a word that might send the reader to the dictionary.”

Orwell on Writing

Nathan Campbell —  September 30, 2009

A while back I quoted George Orwell on writing clearly. The link to that article is now broken – but the ABC’s Mark Colvin has taken a stab at some problems with modern English – and included Orwell’s tips in a handy list form… it’s worth repeating.

1. Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
2. Never use a long word where a short one will do.
3. If it is possible to cut a word out, always cut it out.
4. Never use the passive where you can use the active.
5. Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent.
6. Break any of these rules sooner than say anything outright barbarous.

Timeless.

And thanks to Angela for the link.

Brave new 1984

Nathan Campbell —  August 16, 2009


Orwell v Huxley – one of the great philosophical literary battles of our time – a tale of two writers, both with grand visions of a terrible future. This battle, this age old dispute, has been recreated in comic book form featuring arguments from a book called”Amusing Ourselves To Death” so that you can better understand it…

Gordo posted a simple summary of an article by George Orwell about how to write better. It’s pure gold. You should read his summary. Or the article.

Orwell on metaphors

A newly invented metaphor assists thought by evoking a visual image, while on the other hand a metaphor which is technically ‘dead’ (e. g. iron resolution) has in effect reverted to being an ordinary word and can generally be used without loss of vividness. But in between these two classes there is a huge dump of worn-out metaphors which have lost all evocative power and are merely used because they save people the trouble of inventing phrases for themselves. Examples are: Ring the changes on, take up the cudgel for, toe the line, ride roughshod over, stand shoulder to shoulder with, play into the hands of, no axe to grind, grist to the mill, fishing in troubled waters, on the order of the day, Achilles’ heel, swan song, hotbed. Many of these are used without knowledge of their meaning (what is a ‘rift’, for instance?), and incompatible metaphors are frequently mixed, a sure sign that the writer is not interested in what he is saying. Some metaphors now current have been twisted out of their original meaning without those who use them even being aware of the fact. For example, toe the line is sometimes written as tow the line. Another example is the hammer and the anvil, now always used with the implication that the anvil gets the worst of it. In real life it is always the anvil that breaks the hammer, never the other way about: a writer who stopped to think what he was saying would avoid perverting the original phrase.

Those of you who don’t already check out Gordo’s blog regularly should do so. He works for AFES (with Izaac) at Cumberland College.