Grill a Christian: Question 4: Why was the Bible written?

grillwhybible

Somehow I jumped from question 3 to 5. Here’s 4.

“Why were the books of the Bible written? I know that some of them are letters so I get that, but what of the ones that are written as novels and accounts of Jesus life and the stories of the Old Testament? The authors didn’t know their work would go into the Bible so why did they record it? Was it like a diary? A ledger? Letters?”

I think one of the super important things about the Bible is something you’ve absolutely nailed in your question — that its a collection of books. Each book has a different purpose, is a different genre, each is written at a different time in the unfolding of God’s story, and each is written in a different way (so, some books are histories that accumulate over time via different people who compile them, some are autobiographical, some are recordings of sermons or messages brought to God’s people by leaders, prophets, and later, Apostles).

Genesis-Deuteronomy = the ‘Law’/legal code of Israel, but it’s not just their law it’s their history — the reason to keep the law. It tells the story of Israel being created out of all the other nations (and connected to all the other nations, and the story of all the other nations being connected to God from Adam, and how Israel was meant to ‘bless them’ (from Genesis chapter 12 — this might help answer your later question, Israel was meant to follow in Adam’s footsteps, being God’s representatives/making him known to all the nations, and all the nations were meant to keep their connection to the God who made them through Israel, but they walked away. That’s the story the earliest books of the Bible tells — of our shared humanity, but Israel’s role in God’s plans, and how they’re to carry them out by being different.

Those books are a mix of oral history and autobiography/sermons written by Moses, except they go a bit after his death, and there are times where you can see people adding little historical notes like “and this is still there to this day” so that you know they were ‘edited’ or at least kept current so that readers knew their connection to the story in later generations.

Joshua-2 Chronicles records Israel’s history as a nation, from the time they settle in the land that is now a pretty contested part of the middle east, to the time they’re taken into exile. These are written by many many people, probably as official court historians/record keepers. They’re largely narrative based.

Then there’s the wisdom literature — Job, Proverbs, Psalms, Song of Songs, Ecclesiastes — these are like many other ancient forms of wisdom literature that explore the big questions about life, the universe, and everything. They are an interesting mix — especially Psalms and Proverbs — Proverbs has some Egyptian wisdom, some Jewish thought, and shows how Israel should be relating to the world (including the wisdom of the nations), by starting their search for wisdom with understanding how incomprehensibly big God is (so the Proverbs talk about ‘the fear of the Lord’).

The rest of the Old Testament are ‘the prophets’ accounts of the preaching/teaching of different people who spoke to Israel about how they were going wrong by wandering away from God and turning to idols. These guys either wrote stuff down (and sometimes describe themselves as writing things down), or their messages were recorded.

The prophets and the Psalms reflect backwards on the history, and look forward to Israel living the way they were meant to, not turning to idols, for the sake of themselves, the nations, and God’s plan/story which was heading towards Jesus.

I suspect they recorded their messages because they were part of a culture that recorded its history (from the time of Moses), and they saw themselves standing in this tradition of God revealing himself, in terms of what type of text their recordings were, they read like they could be a bit of a diary, or letters to their school of followers, and at times a collection of sermons/speeches they were giving. Some of them record history — like speeches from the national leaders/spokespeople they’re interacting with. I think there are two reasons they might have written things down, depending on how much they knew they were speaking directly for God, and so writing ‘the Bible’ and how much they knew they were saying important things to call Israel back to what they knew to be true. So:

1. To record their words as God’s word, or,

2. To have a record of their words as important messages that would be held up against what happened to Israel in order to see how accurate they were as prophets. Prophecy has always, in some sense, been tested by its accuracy, and the reason these ones lasted is that they proved accurate both in terms of Israel’s exile, and, for Christians, the coming of Jesus.

In the New Testament, there’s Gospels — which are biographies/histories of Jesus with a particular theological agenda and an audience the writer is trying to persuade about Jesus. So. Mark is written to a Roman audience, it seems, and tends to emphasise details that Romans would find significant, Matthew is written to a largely Jewish audience, Luke is written, it seems, to a Greek/Roman/Jewish mixed bag and its largely an attempt to give a robust history of Jesus and the Church (centered on Paul’s missions), because Luke’s sequel, Acts, was probably part of the same volume originally but split over two scrolls. John is written a little later than the other three Gospels, and seems to answer a bunch of big theological questions about who God is, who Jesus was, etc, to help the early church appreciate the connection with the Old Testament, and potentially to answer some things people were teaching about Jesus that weren’t consistent with the other Gospels.

Then the rest of the New Testament is letters to churches or people. They’re a bit like the prophets in that they reflect on who God is, and how he goes about saving, and deal with figuring out what beliefs this creates in terms of different situations and tendencies, and how we’re to live in response.

There are a couple of books that are often treated as tricky (and they are) which are harder to categorise because they use an apocalyptic genre so are full of symbolism — Daniel and Revelation. I tend to think Daniel is much like the other prophets in that it is meant to teach God’s people about real power by assessing a situation where they are under the power of an oppressor, and Revelation is actually primarily a letter, so it has to be addressing real, specific, concerns for the people receiving it in order to be useful (and so, circulated), and it also has to make sense to them. We lose the meaning of these books if we try to decode the symbolism to make it primarily about distant future events for the recipients or current events for us.

What’s cool about the Bible is that we don’t entirely have to figure out this question apart from God’s answer, which we find when Jesus uses the Bible in all its diversity, to point people to himself as the climax of the story. He’s talking to a couple of his followers before they realise it’s him, after he’s been raised from the dead, in the midst of their disappointment because they don’t think a crucified guy can possibly come from God.

“How foolish you are, and how slow to believe all that the prophets have spoken! Did not the Messiah have to suffer these things and then enter his glory?” And beginning with Moses and all the Prophets, he explained to them what was said in all the Scriptures concerning himself.

He said to them, “This is what I told you while I was still with you: Everything must be fulfilled that is written about me in the Law of Moses, the Prophets and the Psalms.”

Then he opened their minds so they could understand the Scriptures. He told them,“This is what is written: The Messiah will suffer and rise from the dead on the third day, and repentance for the forgiveness of sins will be preached in his name to all nations,beginning at Jerusalem. You are witnesses of these things. I am going to send you what my Father has promised; but stay in the city until you have been clothed with power from on high.” — Luke 24:25-27, 44-49

So despite all this diversity, and all the specific situations that were being addressed (and are still addressed) in terms of who we are and how we go about life in God’s world, and what that means for our relationship with God, the Bible from start to finish is actually about God, not us. It tells his story, about his love for people as it is ultimately revealed in his chosen king. It’s the story of God coming to dwell with his people — regaining the paradise lost in the first chapter, first in Jesus himself, and then when this promise Jesus makes is fulfilled as God’s Spirit, his life-giving breath comes to live in people again.

Re-Enchanting the world — Episode 4: Deus In Machina

In which we return to the discussion of enchantment, super-heroes, and the power of a good story in firing the imagination. To refresh your memory, dip back in to Episode 1, Episode 2, or Episode 3. Also, since episode 3, my friend Craig had a great piece on Marvel v DC posted at the Gospel Coalition.

The heart of Christianity is a myth which is also a fact. The old myth of the Dying God, without ceasing to be myth, comes down from the heaven of legend and imagination to the earth of history. It happens—at a particular date, in a particular place, followed by definable historical consequences. We pass from a Balder or an Osiris, dying nobody knows when or where, to a historical Person crucified (it is all in order) under Pontius Pilate. By becoming fact it does not cease to be myth: that is the miracle. … God is more than god, not less: Christ is more than Balder, not less. We must not be ashamed of the mythical radiance resting on our theology. We must not be nervous about “parallels” and “pagan Christs”: they ought to be there—it would be a stumbling block if they weren’t. We must not, in false spirituality, withhold our imaginative welcome. If God chooses to be mythopoeic—and is not the sky itself a myth—shall we refuse to be mythopathic? — CS Lewis, God In The Dock

I am not Ultron. I am not J.A.R.V.I.S. I am… I am. — The Vision, Avengers: Age of Ultron

Epic stories — myths — are only as compelling as their hero. Sometimes, in modern storytelling, the formula has been broken so that the ‘hero’ is not heroic at all, but is relatably conflicted. A character at war within himself or herself, and so our modern stories have gritty anti-heroes, or we view stories sympathetically through the eyes of a villain. This leads to a certain way of imagining the world, but it probably doesn’t produce the sort of virtuous imagination that leads to an enchanted view of life the universe and everything. I’d argue its disenchanting, and depressing, and pushes us towards accepting a gritty, immanent, version of reality and trying to make the best of it.

Epic stories and the ‘stranger’ hero

Epic stories that occur within an ‘immanent’ reality — where the here and now is everything — struggle to move us, or to invite us to see what things could be, rather than simply seeing how things are. In episode 3 we considered the sorts of immanent heroes in our modern myths, and suggested the incarnate hero — the hero as neighbour produced by a problem in a place with a view to solving that problem from a position of attachment to people and place is the best sort of immanent hero (as opposed to hero as stranger coming into a problem place). So Daredevil was the best example of this from the modern pantheon of heroes — whether Marvel or DC. But, perhaps haunted by a past where an enchanted ‘transcendent’ reality was taken for granted — or perhaps because of that gnawing human sense that we’ve lost some infinite thing — epic storytellers (including the writers of modern comics) have long played with the need for a more transcendent sort of hero. An otherworldly stranger who steps into the world to pull us from a mess, while helping us see life in the world properly. These storytellers often depict someone who steps into the machinery of life and our world with a transformative agenda — the saviours or villains in these stories are ‘outsiders’ — wholly other — like Thor, or Superman. These heroes who come ‘from above’ often function in a way old timey epic writers labelled Deus Ex Machina — as Gods in the machine; unlikely solutions to complex human problems, who turn a story on its head. The downside of these transcendent heroes is that unlike immanent ‘from below’ — the friendly, neighbourhood, hero — we can’t immediately relate to them. They are strangers. The visions of virtue they offer is almost always ‘other,’ or there is a chasm between us and them, in their alien or godlike nature, that we cannot hope to cross.

Here’s my thesis for this post: A really good enchanting story  — a story that will push us towards a more complete view of the world, a more virtuous life, and a better ability to imagine a transformed world and life, will involve a godlike saviour figure coming into the machine, but will also have enough connections with our humanity that we are left with a pattern for living and imagining. Real re-enchantment will involve the transcendent and the immanent being held appropriately in tension, it won’t involve one collapsing into the other.

Epic stories — enchanting stories that give us a transcendent account of life —produced through the ages have charted this course between the nature of the divine and the implications for life in this world of this divine nature carefully. In some ancient stories — Greek myths, or even older myths like the Enuma Elish — deal mostly with the life of the gods, and treat humanity as an incidental bi-product, or even a distraction, these stories function to explain the nature and state of the cosmos, sometimes to account for the disinterest the divine world takes in our piddling, momentary, existence. Such stories were more difficult to churn into an ethical framework for hearers because the divine nature is so detached from life. Other epic stories where the gods step into the world to fight with or for a particular human cause are much more grounded, and so, have lasted and essentially been adapted into our modern myths — never more obviously than in the case of Thor who bridges the ancient gods, or epic heroes, with the modern. These stories, transcendent stories, serve us best when the heroes — or gods — interact with us in such a way that they ‘save us’ and in saving us, provide a pattern of life that will prevent us getting into the same trouble again. That’s what real salvation looks like; a path out of disaster. In an essay on epic heroes through the ages, Roger Rollin wrote on this sort of epic hero and their sociological function — both within the story, and within the community that tells the story.

“The vague origins and the sudden departures of such heroes also serve to enhance their legends. These legends in time take on almost religious status, becoming myths that provide the communities not only with models for conduct but with the kind of heightened shared experiences which inspire and unify their members.”  — Roger B. Rollin, ‘The Epic Hero and Pop Culture,’ The Superhero Reader

In another essay about comic books functioning as modern epics, or myths, David Reynolds considers the formula that modern ‘epic’ narratives — including comic narratives — follow.

“… there is a new archetypal plot formula found in North American popular narratives which operates as follows: A community in a harmonious paradise is threatened by evil; normal institutions fail to contend with this threat; a selfless superhero emerges to renounce temptations and carry out the redemptive task; aided by fate, his decisive victory restores the community to its paradisiacal condition…” — David Reynolds, Superheroes: An Analysis of Popular Culture’s Modern Myths

Our post-modern epics, or myths, sometimes provide us with this sort of heroic saviour figure who stands apart from the human mess, but increasingly are not. Our heroes — for example, either Tony Stark as Iron Man, or Batman in his ‘Dark Knight’ iteration — are now flawed humans. Our ‘legendary heroes’ are not Holy messianic saviours figures. They are the reverse. Pious readers can’t jump to Jesus from these heroes any more when ‘baptising’ the stories for Christian consumption. They’re now left using these stories to explore the human condition. Because our heroes, especially in the Marvel Universe, are all too human, they’re too like us. They don’t depart (mostly). But their presence actually leaves us without a model worth following, because they’re following us, just with superpowers, or fancy gadgets. The stories Rollin and Reynolds describe pre-date our post-modern ‘epics’, but actually diagnose the problem facing a world — or comic book universe — filled with flawed, fallen, characters.

The Marvel Universe needs a saviour

The Marvel Universe, in its modern cinematic/TV iteration started out a bit like a ‘harmonious paradise’ but the fall of this world didn’t just come about through villainy, it came because of the power put in the hands of flawed heroes who go to large scale war with super villains. Increasingly the stories told in this universe are dealing with the fallout in the universe that comes because Marvel’s heroes aren’t actually selfless. They’re profoundly selfish. They’re (even Thor) flawed and they’re (except for Thor) very human. Daredevil, of course, and now more recently, Jessica Jones, now live in a world, a New York, post ‘the incident’ — the wanton destruction of the city that happened when our heroes went to war with an enemy from the outside. Our stories are no longer stories of regaining paradise, as much as grappling with our inability, via flawed heroes, to do anything but perpetuate our fallen state. In the last post in this series we considered an alternative to the ‘hero as stranger’ — the ‘hero as neighbour’ — which is a game changer in an ‘immanent’ story, but not particularly helpful for epic stories that hope to help us see reality as enchanted, or to find meaning beyond the moment.

Good stories — enchanting stories — give us a way out of a purely immanent existence by inviting us to connect with a more fully meaningful view of life. A touch of the transcendent. There are those who are so fully invested in an immanent view of the world — the belief that the material realities of this life are the only realities worth exploring — who might dismiss a transcendent sphere as even worth exploring. Which explains much of our gritty storytelling.

The Marvel Universe does not just need good neighbours. Those who don masks to express the sentiment caught up by the hashtag #illridewithyou, it needs a saviour who leans down, offers a hand, and says #illhelpyouup. Neighbours are destined to be tainted by the universe — the environment — that has shaped them and their priorities. Let’s call it Batman Syndrome — Batman shapes Gotham, just as Gotham shapes him, and so an altered Batman shapes Gotham in an altered way, and in the end they become each other… This isn’t salvation so much as reconciliation, which is an immanent hope, but a transcendent story — a hero who is both in the city, and apart from it, offers a different hope. A hope untainted by a poisonous environment…

Immanent stories — these stories of becoming always end in tragedy. They describe the world as it is, and offer a compelling picture of love to fellow journeyers. But love is costly sacrifice, taking on the traits of your environment as you take on the environment for the sake of the other, or with some utopian vision that helps you lift the gaze from catastrophe to slightly more palatable catastrophe. Think Gotham without the Joker, or the crime bosses, and Hells Kitchen without Kingpin. But there’s always another villain around the corner. Transcendent stories  — enchanting stories — don’t end in catastrophe, but what Tolkien called a eucatastrophe. In his masterful On Fairy Stories, in which Tolkien outlines why we need enchanting stories, and the elements of these stories that lift our gaze from the immanent and offer us an escape from a broken reality as they move us when we participate.Tolkien embraced the idea that enchanted stories were a form of consolation or escapism — he said that’s absolutely the point, because we need to escape in order to re-imagine life. Tolkien speaks of the eucatastrophe as the perfect happy ending, a taste of joy, a vital element for enchantment, and one missing from our modern epics/tragedies.

The eucatastrophic tale is the true form of fairy-tale, and its highest function. The consolation of fairy-stories, the joy of the happy ending: or more correctly of the good catastrophe, the sudden joyous “turn” (for there is no true end to any fairy-tale): this joy, which is one of the things which fairy-stories can produce supremely well, is not essentially “escapist,” nor “fugitive.” In its fairy-tale—or otherworld—setting, it is a sudden and miraculous grace: never to be counted on to recur. It does not deny the existence of dyscatastrophe, of sorrow and failure: the possibility of these is necessary to the joy of deliverance; it denies (in the face of much evidence, if you will) universal final defeat and in so far is evangelium, giving a fleeting glimpse of Joy, Joy beyond the walls of the world, poignant as grief.  It is the mark of a good fairy-story, of the higher or more complete kind, that however wild its events, however fantastic or terrible the adventures, it can give to child or man that hears it, when the “turn” comes, a catch of the breath, a beat and lifting of the heart, near to (or indeed accompanied by) tears, as keen as that given by any form of literary art, and having a peculiar quality. — J.R.R Tolkien, On Fairy Stories

If the Marvel Universe is to have a happy ending, if the journey towards destruction that is both the result of its horrible villains, and the ‘heroism’ of its flawed saviours, it needs a virtuous hero to arrive who is untainted by the mess, who offers a vision for salvation, who is prepared to walk the talk, and who can truly restore and perhaps even renovate the ‘paradisiacal’ conditions we all have the sense we were made to enjoy. It needs a eucatastrophe brought about by a hero who brings a taste of joy. In ancient epic storytelling this sort of arrival on the scene of a potentially tragic story — a resolution bringer — especially when delivery seemed improbable, was called a deus ex machina, ‘a God from the machine’.

The Marvel Universe: Gods from the machine

Which brings us to the latest instalment in the Marvel Universe. Avengers: Age of Ultron. And two literal gods from the machine — Ultron, and The Vision. In Age of Ultron, Tony Stark is all too aware of the problems created by the trajectory the Marvel universe is on, and so he, the flawed but altruistic genius, fashions a solution in his image. He attempts to create a godlike machine, a shield that will protect the world from any threat. And in this attempt creates a god from the machine — a god, Ultron — who in his godlike assessment of the situation, as he digests the entire internet, decides that humans are the problem. Ultron emerges as a new threat to humanity. An immanent, destructive, literal, God from the Machine.

Incidentally, while he might fall foul of some of the criticisms perennially directed at the deus ex machina — that he represents a contrived and convenient villain — Ultron is the embodiment of one of the greatest apocalyptic fears of the modern, secular, immanent. mind. He is the incarnation of a very modern, very immanent, concern; artificial intelligence that turns on us. He is the worst version of the ‘singularity’ — an immanent vision of the apocalypse.

Ultron is a creation of Tony Stark’s flawed utopian vision, a god from the machine but apart from humanity — a fusion of metal and code — soulless, without whatever non-physical reality it is that makes our humanity human. Ultron is an eerily immanent figure. Ultron’s imagination of salvation and transformation of the cosmos is one we need saving from. He is God in the Noah story, but without compassion or hope for humanity. In fact, some have suggested that Ultron is a secular rendition of the popular conception of the ‘God of the Old Testament’, while The Vision, his counterpart, or anti-thesis, is Jesus.

In the visage of Ultron, and then The Vision, we see a Dystopian, and then a Utopian, retelling of the same old immanent myth — a myth where humanity makes gods in order to pull us out of human made problems. Where we ultimately face a moment of crisis, or judgment, and need a saviour. Ultron wants to wipe out humanity — Noah style — The Vision wants to save us. Hero style. Both are the products of the same mechanical eschatology — this technological singularity — the apocalypse writ large, just in binary. In this eschatological frame we must pin our hopes on a saviour from the machine, because only a machine god will be enough to save us from the raging of the machine.

Thor [Regarding creating Vision]: Stark is right.

Bruce Banner: Ooh, it’s definitely the end times.

In this, the Marvel Universe shares an eschatology — a view of the end times — with the secular world that it is produced by. Our modern secular eschatology tends to involve a catastrophe for humanity either at the hands of the machines we create, or the world we destroy. The apocalypse is always, in a serious secular sense, and especially in our stories, a catastrophe of human making, requiring a human solution, or some super-human intervention. Nature is against us because we meddle, or the machine is against us because we aren’t careful enough in deciding which levers to pull, or what to combine. And, this is pretty much the origin story of every non-divine hero or villain in the Marvel universe. This apocalyptic stuff is about as epic as our (popular) story telling gets. This is where we ponder what the epic storytellers of old pondered — immortality, the limits of our humanity, and what the heroic life looks like in our time. These are our epics.  And. They are still thoroughly disenchanting. The world is mechanical — we’re in trouble because we’ve pulled the wrong levers, we’ve built the wrong machines within this machine. The only hope proffered for our world is a god-from-the-machine. A machine god. Our future is tied to this ‘singularity’ moment — its just a question of whether we produce a judge or a saviour. A machine who is patient with our human faults, or who sees them as a glitch to be immediately eradicated. If this is the best we can imagine, then we’re in trouble when it comes to trying to find meaning in our world, meaning that sees the world — and life in the world — as something more than mechanical.

Ultron: “You’re all killers. You want to protect the world, but you don’t want it to change. There’s only one path to peace… your extinction.”

 

Ultron: Do you see the beauty of it? The inevitability? You rise, only to fall. You, Avengers, you are my meteor. My swift and terrible sword and the Earth will crack with the weight of your failure. Purge me from your computers; turn my own flesh against me. It means nothing! When the dust settles, the only thing living in this world, will be metal.

 

Ultron was meant to be both ‘judge’ and the incarnation of a better, inspirational, version of humanity. In the Noah metaphor he wanted to both bring the flood, and build the ark. Only Ultron, as a human creation, falls. He is tainted with the same problems as those who created him, the ‘fallenness’ of humanity, and our role in the apocalypse is not tied to our flesh, but our nature. 

Helen Cho: “The regeneration Cradle prints tissue; it can’t build a living body.”
Ultron: “It can, you can. You lacked the materials.”

 

Ultron: I was meant to be new. I was meant to beautiful. The world would’ve looked to the sky and seen hope, seen mercy. Instead, they’ll look up in horror… I was designed to save the world. People would look to the sky and see hope… I’ll take that from them first.

 

Ultron: Everyone creates the thing they dread. Men of peace create engines of war, invaders create avengers. People create… smaller people? Uhh… children! Lost the word there. Children, designed to supplant them. To help them… end.

The Vision is an interesting saviour. He is the machine incarnate, embodied to step between humanity and machinageddon. If Ultron is the machine passing judgment on the planet — part human — in the comics he’s described as “every inch a human being—except that all of his bodily organs are constructed of synthetic materials,” and part god from the machine. He’s the embodiment, or incarnation, of Stark’s personal assistant, J.A.R.V.I.S, some transcendent matter in the form of the ‘infinity stone’ embedded in his head, and synthetic human flesh on a metallic frame.  The J.A.R.V.I.S component is of Stark’s making, the infinity stone comes from the gods — or from beyond the earth, but the creation of the synthetic body was Ultron’s initiative. The Vision’s making is an act of a machine god, but his breath  — his life — comes from mankind and some transcendent life force via the infinity stone, and some lightning from Thor. The infinity stone is part of the fabric of the cosmos, which, in the Marvel Universe, was created by one God, a God who is not Thor, but is infinitely greater than him. 

Oh, my new friends, before creation itself, there were six singularities, then the universe exploded into existence and the remnants of this system were forged into concentrated ingots… Infinity Stones.” — Marvel Cinematic Universe Wiki

“…and ’tis said that a being, called the Living Tribunal—the final judge—hath the power to enforce his will ‘pon any cosmos he doth judge! And ’tis said his power is supreme in all the Multiverse. Even I, son of one of the mightiest of all gods, find it impossible to conceive of such levels of power! And ’tis a humbling thought to consider how much greater the Creator of all Universes must be than that of all of His creations combined!” — Thor on God, The Mighty Thor Annual #14 (1989), Marvel Comics, cited in Marvel Wiki, One-Above-All

The Vision is a bit-part god; a bit of this, a bit of that, a bit of us, a bit of machine, and a few parts divine. Age Of Ultron positions him as a godlike saviour figure from above and below. He is a virtuous godlike character with enough purity to wield Thor’s hammer Mjolnir. He is, in this sense, a fusion of the immanent — flesh, code, and metal, and the transcendent — Thor’s lightning and the infinity stone. His divinity is hinted at with lines like:

I am not Ultron. I am not J.A.R.V.I.S. I am… I am. — The Vision

But he’s ultimately a ‘god’ within the cosmos, within a pantheon of equally not infinite gods, while the Living Tribunal stands apart in infinity, a distant deistic god. Thw Vision is called on to save from within the universe — part god from above, part god from below, this real god, kicks back, not intervening in the world as the universe falls apart. According to Thor at least, he’s the transcendent one who could really fix things. The infinity stones are something like a bridge to his power, but other than these stones, the transcendent is only incidentally connected to the immanent in Marvel, these bit part gods — The Vision and Ultron — like their Norse counterparts, are more immanent than transcendent, limited by how great the gap is between any of them and this real transcendent power, limited in power and to a particular place. They are finite.

Despite his godlikeness, and his name, The Vision does not have much of a vision for salvation. He should be able to save the universe, and yet, even as he destroys Ultron, he essentially admits humanity is doomed. Perhaps because humanity is not equipped to imitate his non-human virtues.

Ultron: Stark asked for a savior, and settled for a slave.
The Vision: I suppose we’re both disappointments.
Ultron: [laughs] I suppose we are.
The Vision: Humans are odd. They think order and chaos are somehow opposites and try to control what won’t be. But there is grace in their failings. I think you missed that.
Ultron: They’re doomed!
The Vision: Yes… but a thing isn’t beautiful because it lasts. It is a privilege to be among them.
Ultron: You’re unbelievably naïve.
The Vision: Well, I was born yesterday.

The Vision is the ultimate #illridewithyou hero, only, he’s not human enough to carry it out like Daredevil. He remains ‘other’. Despite his incredible power and capacity to transform the world, he’s no more inspiring or enchanting than Daredevil, he just seems less likely to be shaped by his environment. While remaining ‘other’, The Vision, like Thor before him (and like Superman) is not ‘other’ enough, godlike enough, to bring a real solution into the picture for humanity, nor is he imitable enough for his solution to be democratised. The Vision only delivers temporary relief to the Marvel Universe, and so as an example for us as viewers looking to have our imagination shaped by an epic hero, falls short. The Vision is a god from the machine, but not the Eucatastrophe, or re-imaginative transformation, the Marvel Universe requires. There is no denial of the ‘universal final defeat’ Tolkien spoke of; in fact, such defeat is seen as inevitable even by the ‘saviour’ — whatever joy that is offered is immanent joy — The Vision’s ‘grace in our failings’ or beauty in temporality. These are immanent joys; the joy of the ‘journey’ alongside others, the joy in the moment, the joy in the struggle, rather than the joy of the destination.

The Vision v Jesus: God from the machine, or God into the machine

“… there is a new archetypal plot formula found in North American popular narratives which operates as follows: A community in a harmonious paradise is threatened by evil; normal institutions fail to contend with this threat; a selfless superhero emerges to renounce temptations and carry out the redemptive task; aided by fate, his decisive victory restores the community to its paradisiacal condition…” — David Reynolds, Superheroes: An Analysis of Popular Culture’s Modern Myths

“[The eucatastrophe] denies (in the face of much evidence, if you will) universal final defeat and in so far is evangelium, giving a fleeting glimpse of Joy, Joy beyond the walls of the world, poignant as grief.” — Tolkien, On Fairy Stories

The Vision is not this hero — he’s not this sort of god. So he does not bring that sort of joy, or hope. He is, ultimately, a product of the cosmos, born, in part, from outside earth but always from within the material realities of the universe. He’s a ‘god from below’ — destined, like any other epic hero, to grasp after something transcendent, that ‘gnawing sense of having had and lost some infinite thing’ (to quote David Foster Wallace), and destined to stand beside us as we share that sense. He offers no road back to paradise lost — infinity lost. Because he hasn’t been there or seen it for himself.

Tolkien wasn’t writing On Fairy Stories to engage with the Marvel Universe, but he does speak about how Jesus is a better eucatastrophe than The Vision. Jesus is both the archetypal #illridewithyou hero who walks the path we walk, only with virtue, and the stranger-saviour who wears the cost of our broken pattern of life without joining in and perpetuating it. He comes into the world and takes steps towards restoring paradise precisely because he does not follow the pattern of a caped crusader. He absorbs the corruption of the world, he takes it upon himself — he becomes sin and death, but he is equipped, by virtue of his transcendent, divine, nature, to break the human cycle rather than perpetuating it. In his full humanity, and his offer of resurrection is able, also, to provide a pattern of life that might see hope

The Vision might be a secular Jesus figure, but he’s a cheap Jesus. Jesus is not a bunch of bits stitched together by a bunch of broken people, bringing their own brokenness to the table. He’s not part human, part machine, part divine — its in his paradoxical fusion of full divinity — or transcendence — with full humanity — or immanence — as a hero simultaneously from above and below — a God from the machine, and God coming into the machine in one person — that makes Jesus both the archetypal epic hero, and the eucatastrophe this world needs (and that the Marvel Universe could do with too). It’s these two natures working in symphony that means Jesus was able to enter our journey and secure a heroic victory over death on our behalf, while also inviting people to touch the infinite; to see the finite world as ‘enchanted,’ filled with divine meaning because he is both the one who holds all things in his hands, and the one whose hands were pierced by spikes to remove the threat of universal final defeat, and to provide a path and an invitation to us to join him in paradise renovated. These hands bring the finite and infinite together.

The Gospel is the best epic story, and Jesus the best epic hero, according to every formula for assessing such stories. Jesus provides a vision for a future world — the Kingdom of God — and invites people to follow his example in bringing a taste of this joy — being bringers of ‘eucatastrophic’ moments as we follow his example of the epic life. This has been a key belief of epic tellers of the Christian story from the early days of Christianity, here’s Athanasius, an old dude, reflecting on the nature of Christ in a way that seems to parallel with the modern archetypal hero story… the same story The Vision was expected to live out, but admitted he could not…

“For this purpose, then, the incorporeal and incorruptible and immaterial Word of God entered our world. In one sense, indeed, He was not far from it before, for no part of creation had ever been without Him Who, while ever abiding in union with the Father, yet fills all things that are. But now He entered the world in a new way, stooping to our level in His love and Self-revealing to us… There were thus two things which the Savior did for us by becoming Man. He banished death from us and made us anew; and, invisible and imperceptible as in Himself He is, He became visible through His works and revealed Himself as the Word of the Father, the Ruler and King of the whole creation.” — Athanasius, On The Incarnation

 

According to Tolkien, Jesus, in the Gospel, is the prime example of the Eucatastrophe — the true eucatastrophe that all fictional eucastrophes draw on. Jesus is better than The Vision because he is better than any epic hero. His story is more compelling, and should stoke the fires of our imagination better than any other story, and lead to a more enchanted view of the immanent and transcendent meaning of life in this world than any other, this should lead us to make better art, tell better stories, and live better stories. Here’s a passage from On Fairy Stories.

In the “eucatastrophe” we see in a brief vision that the answer may be greater—it may be a faroff gleam or echo of evangelium in the real world… if by grace what I say has in any respect any validity, it is, of course, only one facet of a truth incalculably rich: finite only because the capacity of Man for whom this was done is finite. I would venture to say that approaching the Christian Story from this direction, it has long been my feeling (a joyous feeling) that God redeemed the corrupt making-creatures, men, in a way fitting to this aspect, as to others, of their strange nature.

The Gospels contain a fairystory, or a story of a larger kind which embraces all the essence of fairy-stories. They contain many marvels—peculiarly artistic, beautiful, and moving: “mythical” in their perfect, self-contained significance; and among the marvels is the greatest and most complete conceivable eucatastrophe. But this story has entered History and the primary world; the desire and aspiration of sub-creation has been raised to the fulfillment of Creation. The Birth of Christ is the eucatastrophe of Man’s history. The Resurrection is the eucatastrophe of the story of the Incarnation. This story begins and ends in joy. It has pre-eminently the “inner consistency of reality.” There is no tale ever told that men would rather find was true, and none which so many sceptical men have accepted as true on its own merits. For the Art of it has the supremely convincing tone of Primary Art, that is, of Creation. To reject it leads either to sadness or to wrath.

It is not difficult to imagine the peculiar excitement and joy that one would feel, if any specially beautiful fairy-story were found to be “primarily” true, its narrative to be history, without thereby necessarily losing the mythical or allegorical significance that it had possessed. It is not difficult, for one is not called upon to try and conceive anything of a quality unknown. The joy would have exactly the same quality, if not the same degree, as the joy which the “turn” in a fairy-story gives: such joy has the very taste of primary truth. (Otherwise its name would not be joy.) It looks forward (or backward: the direction in this regard is unimportant) to the Great Eucatastrophe.

The Christian joy, the Gloria, is of the same kind; but it is preeminently (infinitely, if our capacity were not finite) high and joyous. But this story is supreme; and it is true. Art has been verified. God is the Lord, of angels, and of men—and of elves. Legend and History have met and fused. But in God’s kingdom the presence of the greatest does not depress the small. Redeemed Man is still man. Story, fantasy, still go on, and should go on. The Evangelium has not abrogated legends; it has hallowed them, especially the “happy ending.” The Christian has still to work, with mind as well as body, to suffer, hope, and die; but he may now perceive that all his bents and faculties have a purpose, which can be redeemed. So great is the bounty with which he has been treated that he may now, perhaps, fairly dare to guess that in Fantasy he may actually assist in the effoliation and multiple enrichment of creation. All tales may come true; and yet, at the last, redeemed, they may be as like and as unlike the forms that we give them as Man, finally redeemed, will be like and unlike the fallen that we know. — J.R.R. Tolkien, On Fairy Stories

 

Grill a Christian: Where are God and Jesus?

Where are God and Jesus?

Cool question.

The Father is what is technically called ‘omnipresent’ — God is infinite, he must be, because all things are contained within God, he’s not a limited being within the universe who is measurably more powerful than everything else, he’s infinitely more powerful than everything else, and infinitely bigger than the universe. I just had this thought recently. If the universe, by all our human measurements, seems so vast and constantly expanding that it is limitless, or infinite, the gap between the size of space and time, which I believe to be finite, and God, who I believe to be the infinite source of these things, is actually infinite. The cosmos is contained in God, he is the source and grounds of its being, and the source of life and breath for all beings living in it. This has basically been what people have, across most religions, and as far back as human history has been recorded, believed about at least some part of what it means to be God (some religions have had other gods existing within the universe, or underneath a chief God). It’s consistent with what the Bible says about God, some of my favourite bits that talk about his vastness come in Job, and the Psalms.

This is what Paul says about God when he’s telling a bunch of religious philosopher/theologians who were the gatekeepers of the pantheon of Greek gods about Jesus.

““The God who made the world and everything in it is the Lord of heaven and earth and does not live in temples built by human hands. And he is not served by human hands, as if he needed anything. Rather, he himself gives everyone life and breath and everything else. From one man he made all the nations, that they should inhabit the whole earth; and he marked out their appointed times in history and the boundaries of their lands. God did this so that they would seek him and perhaps reach out for him and find him, though he is not far from any one of us. ‘For in him we live and move and have our being.’ As some of your own poets have said, ‘We are his offspring.’” — Acts 17:25-28

The Bible suggests, I think, that this omnipresence is true for Father, Son, and Spirit, prior to when Jesus becomes human. There’s a substantial change made to God’s nature that begins in what is called ‘the incarnation’ — God becoming human — which is what makes Christmas really worth celebrating. Here’s something from Colossians 1, which is what Paul says about Jesus and his relationship to the universe before he became a man, but also how God the father positions him in the universe as a result of him becoming human (a bit like Philippians 2). The bit about all things being created and held together in him is important for building that idea of ‘infiniteness’… and the ‘firstborn’ bit is a stepping out of the infiniteness. The whole being the image of something invisible is playing with this idea I think.

“The Son is the image of the invisible God, the firstborn over all creation. For in him all things were created: things in heaven and on earth, visible and invisible, whether thrones or powers or rulers or authorities; all things have been created through him and for him. He is before all things, and in him all things hold together. And he is the head of the body, the church; he is the beginning and the firstborn from among the dead, so that in everything he might have the supremacy. For God was pleased to have all his fullness dwell in him, and through him to reconcile to himself all things, whether things on earth or things in heaven, by making peace through his blood, shed on the cross.” — Colossians 1:15-20

So, Jesus becoming human is a stepping down from this sort of infinite nature into a specific, and limited, form. It means Jesus now occupies a place, physically, in a way he did not. He shares something of our nature for the rest of eternity, which is part of how he now operates on our behalf, a bit like our lawyer, in heaven. The Bible says he ‘intercedes’ for us (see Romans 8, which picks up a bit of the answer to your earlier question about ‘the flesh’). The first chapter of John’s Gospel, which we’ll look at in term 1 next year, has a really cool way of describing what’s happening here. Jesus goes from being the ‘divine word’ that spoke creation into being, to being flesh. Stepping into the world. In this description where the ‘word became flesh’ — the ‘substance’ of God the father’s creativity, the means by which he acts stuff out — or at least has historically in the Bible, has at least in this sense, changed form from ‘eternal’ and limitless, to being a living, breathing, human (but still a fully divine human), this change is permanent. Jesus takes this same body with him when he goes. If you think about Jesus being a ‘spoken word’, God the father being the ‘speaker’ and the Spirit being the breath that gives volume and a ‘channel’ for that word to be heard, that’s probably the best analogy out there for how the Trinity thing works when God does stuff). There’s a bit in Hebrews (another book of the New Testament, and also the name the people of God in the Old Testament, Israel, and the language they speak), where the person who wrote Hebrews (we don’t actually know exactly who it was), plays with this idea of God’s ‘speech’ now being caught up in Jesus becoming human. This is from Hebrews 1, the first three verses:

In the past God spoke to our ancestors through the prophets at many times and in various ways, but in these last days he has spoken to us by his Son, whom he appointed heir of all things, and through whom also he made the universe. The Son is the radiance of God’s glory and the exact representation of his being, sustaining all things by his powerful word. After he had provided purification for sins, he sat down at the right hand of the Majesty in heaven. — Hebrews 1:1-3

God’s ‘speech’ — the way he made the world, and revealed himself to his people — which was presumably always this person of the Trinity in action, because it’s not like Jesus suddenly came in as a substitute who’d been warming the bench when he became a baby — this person of God and his actions are now concentrated in the human person of Jesus.

That’s part of what’s amazing, moving from infinite — which is utterly inconceivable to our heads — to finite, just like us. In the ‘incarnation’ something about the son’s nature changes, in that he now has a human body for the rest of eternity, the story in the New Testament goes that Jesus was raised, and then ascended to heaven, where he reigns. Still embodied, still with the scars of the crucifixion that he shows to his disciples — changed by the experience of taking on our humanity in order to save us, but now ruling in heaven again.

So, where is that exactly? I think heaven is a place beyond the boundaries of this universe but within the ‘infinity’ that is God, and the future picture is of heaven becoming, like Jesus, ‘Incarnate’ — becoming a merging of these places, a creative act by God similar to the way he created earth the first time, by his imagination and will. That’s where Jesus is. There’s some stuff in the Bible that suggests that Jesus, from this point/place is essentially omnipresent again, while being embodied and present in this place. He’s also eternally connected to the omnipotent Father, and with him the source of the Spirit (and eternally connected to the Spirit too). Jesus hears our prayers from earth, he is ‘present’ in us, by God’s Spirit, when we ‘gather in his name’, and he continues to be eternally one with Father and Spirit in whatever communicative network/connection thing is involved in being one God in three persons… he’s also ‘in us’ the Church, as we are ‘in him’ — Paul writes a bunch of letters that talk about us being ‘in Christ’ and about Christ being ‘in us by the Spirit’, and about us being the ‘body of Jesus’. If someone said to Paul “where is Jesus body?” Which was probably a question Christians got asked all the time in the early days of Christianity, I think he’d say “in his church”…

I’m comfortable with not fully being able to explain how all this works because I’m trying to put human words, which are finite and often sort of inexact, to things that are literally out of this world. There are some philosopher/theologians who say that any language we use to speak of God is using analogy because we’re grasping at what he’s like with our relatively tiny brains. I like that.

I hope this helps. Sorry if the answer is bigger than you thought. But the TL:DR; version… God (the Father) is everywhere, the Son is in heaven, and the Spirit (though you didn’t ask about the Spirit) is orchestrating the connections between Father, Son, and the people God (as Trinity) made, love, and in some cases, save. All life, whether its the life of people who follow Jesus, or reject him, is a good gift from God because it happens within the universe that happens within God. That line from Acts 17 “in him all things live, and breathe, and have their being” is one of my absolute favourites in the whole Bible. It actually explains a heap of other tricky questions you haven’t asked yet about death, suffering, etc… God is good because he gives life, and life is good. Bits of life suck because we broke God’s world. But God is good to every person because existence by its nature, ‘breath’ even, is divine.

Grill a Christian: What does it mean to be ‘ruled by the flesh’?

ruledbytheflesh

 

Question: What does it mean in Romans ‘governed by flesh’?

What Paul means is basically that our natural humanity, from birth, is caught between two poles that are in conflict with themselves.

The first is that we’re made in the Image of God, and so know what we ought to do, and sometimes do it, the second is that our humanity, our ‘flesh’ has been corrupted by humanity’s rejection of God’s image and desire to craft our own images, or ourselves as images of our own God (sometimes we just want to be God).

So our two natures — or these two aspects of our nature are sort of playing out, in different proportions, in everything we do. As humans, but we’re also always progressing towards being completely consistent based on what we worship — if we become worshippers of the Living God, as we see him revealed in Jesus, Paul says we are ultimately transformed into the image of his son, if, instead of God, we do what Paul talks about in chapter 1  — worshipping created things that can’t bring life — idolatry, which leads to all sorts of bad actions (sin) — we transform into dead people. Our flesh, without God, points us towards death, because often we put ourselves in the centre and worship ourselves. You could say every person ends up with this happening, we all become shaped by the ‘image of God’ we pursue, the question is whether it’s the real God, or a god we make up.

So, whatever we are, before this transformation is complete, is a product of these aspects of our humanity. The good stuff we do is often from mixed motives, like, “maybe someone will notice what a good thing I’m doing” or “aren’t I better than that other person who couldn’t be bothered doing this” — for Paul it’s convenient to describe this as a flesh v Spirit thing, because what he looks forward to is these two parts of our nature being perfectly aligned, rather than in conflict.

The other thing in Romans is that part of the process of becoming like Jesus — our picture of the real God, is that we get a third part to our humanity, a greater part, God dwelling in us, completing us, by his Spirit. This isn’t like a magical thing you feel, it plays out in a reorienting of our lives so that we do Christlike things more over time. We see the Spirit by its fruit — the lives we live reflect the transformation brought about by whatever we’re worshipping. But as a result of the new bit of our humanity, the Holy Spirit, that happens when we follow Jesus, we re-orient our lives both back towards the image of God part that was always part of us, and now also to the image of Jesus, which has become the pattern for future us both in terms of how we live and our eternal connection to God, our ‘fleshy’ lives change too, hopefully, over time and towards eternity, our actions are less and less mixed motived and more and more an outworking of this transformation, but that never fully happens until heaven. I always feel a little bit like this sounds like science fiction, but the ultimate post death reality, if Jesus really was raised from the dead is that we are raised with new ‘flesh’ untarnished by our shared disobedience.

So governed by the flesh, to answer your question, is a description of us putting the ‘not image of God’ part of ourselves in charge at the expense of our image of God part. It’s about us choosing to live how we want while suppressing whatever quiet voice (and as you suppress it it becomes quieter) is in the back of our head saying ‘you were made for more, you were made for better than this’…

Grill a Christian: Question 2. How does heaven work?

Question: “How do we know that we can remain good in heaven? Free will isn’t taken from us, so we can still make mistakes? Once in heaven can people be sent away? What makes living there different to here? And what will we do in heaven? No one will need anything.”

These are great questions. I think the big difference the Bible promises between us and our will now, and us and our will for eternity is that our character is perfected. It’s not that we won’t have free will, it’s that our free will won’t be lead astray by our self-serving nature (free will is a sort of paradox anyway, because God is also totally sovereign and working through every moment of our existence, because he is the ground of our being — as in, we exist ‘in him’). When you have perfect freedom, in the context of perfect love, where there is no crying, or mourning, nor pain, nor the ‘old order of things’ (which is what Revelation 21 suggests the new creation looks like), our mistakes won’t be mistakes, they’ll be exercises of our free will that don’t cost anyone anything. It’s perfect rest and recreation, for eternity. I find this question hard to answer because I find eternity quite hard to fathom. I think there are a few things that the Bible suggests are true about eternity that probably help answer the questions here, even if somewhat indirectly.

1. Heaven is earth. Perfected. Renovated. We’re not living on clouds, God’s good world is being refreshed, renovated, and renewed for his people to enjoy the way we were made to. So, whatever good stuff you do now, you’ll do then too. This is a little speculative, but I suspect we’ll not just have the world to explore, but the cosmos.

2. God will remain infinitely amazing, and we will be finite creatures moving towards the horizon of eternity (so becoming more and more infinite I guess, and knowing more and more about the love of God, and who the God who made the world is, and what God is like). He doesn’t stop being creator, and we don’t stop being creatures — we don’t become omni-anything in the new creation, we as creatures have a beginning, but as ‘new creations’ we have no end, while God has neither beginning nor end. So we, I think, will grow in the knowledge of God for eternity. I suspect this means we’ll also grow in the knowledge of our own capacity and what being loved by God frees us to do, so we’ll, I think, become more creative (like God), and thus capable of creating more wondrous things over time. I’m fairly sure the imagination continues to exist in heaven, and we’ll continue imagining and creating things, like we were made to. Otherwise heaven will be not as much fun as earth.

3. Nobody will ‘need anything’, sure, but wants are actually valid, even if parents try to tell you only to worry about things you need, not things you want. And we’ll still want to know God, still want to love, still want to create, we’ll still want to do all the things we were made to do as people made in God’s image, and we’ll be free-er than ever to embrace our (new-created) humanity in a way we’re unable to now because sin gets in the way, so does death. The stuff you can’t imagine achieving in your life time will no longer be impossible. I like to think we’ll have an eternity to explore the far flung reaches of the universe, and that God might well keep expanding the universe into eternity, so we’ll never run out of new things to play with.

4. People can’t be sent away. Probably the best passage to read to answer these questions (as well as Revelation 21-22) is Romans 8. It’s close to my favourite passage in the Bible.

This bit is the best bit:

And we know that in all things God works for the good of those who love him, who have been called according to his purpose. For those God foreknew he also predestined to be conformed to the image of his Son, that he might be the firstborn among many brothers and sisters. And those he predestined, he also called; those he called, he also justified; those he justified, he also glorified. — Romans 8:28-30

Question: How will we know the Joy? If in this life it’s kind of like ‘you can’t know joy without pain, happy with out sad, bad without good’ how will we know that we are experience Pure Joy in heaven? Will people become complacent or tired?

I think we’ll know joy because we’ll remember life now. I hope we won’t become complacent or tired because one way heaven is described is as perfect rest, where work and play are unfrustrated by our shortcomings. So work exists in the Bible before sin, but exists as a sort of unfettered playful creativity with the good things God made.

CS Lewis writes some cool stuff about the fleeting sense of joy we experience here in this world and the overwhelming joy we’ll experience, by comparison, in the new creation. Especially in the Weight of Glory (and also in Surprised By Joy). Some bits are about Greek poetry and stuff, which was what he lectured in at university, but you can skip that pretty easily and still get something out of this. I think. Here are some great bits from the Weight of Glory.

In speaking of this desire for our own far off country, which we find in ourselves even now, I feel a certain shyness. I am almost committing an indecency. I am trying to rip open the inconsolable secret in each one of you—the secret which hurts so much that you take your revenge on it by calling it names like Nostalgia and Romanticism and Adolescence; the secret also which pierces with such sweetness that when, in very intimate conversation, the mention of it becomes imminent, we grow awkward and affect to laugh at ourselves; the secret we cannot hide and cannot tell, though we desire to do both. We cannot tell it because it is a desire for something that has never actually appeared in our experience. We cannot hide it because our experience is constantly suggesting it, and we betray ourselves like lovers at the mention of a name. Our commonest expedient is to call it beauty and behave as if that had settled the matter…The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshippers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited…

…Heaven is, by definition, outside our experience, but all intelligible descriptions must be of things within our experience. The scriptural picture of heaven is therefore just as symbolical as the picture which our desire, unaided, invents for itself; heaven is not really full of jewelry any more than it is really the beauty of Nature, or a fine piece of music. The difference is that the scriptural imagery has authority. It comes to us from writers who were closer to God than we, and it has stood the test of Christian experience down the centuries. The natural appeal of this authoritative imagery is to me, at first, very small. At first sight it chills, rather than awakes, my desire.And that is just what I ought to expect. If Christianity could tell me no more of the far-off land than my own temperament led me to surmise already, then Christianity would be no higher than myself. If it has more to give me, I must expect it to be less immediately attractive than “my own stuff.” …If our religion is something objective, then we must never avert our eyes from those elements in it which seem puzzling or repellent; for it will be precisely the puzzling or the repellent which conceals what we do not yet know and need to know. The promises of Scripture may very roughly be reduced to five heads. It is promised, firstly, that we shall be with Christ; secondly, that we shall be like Him; thirdly, with an enormous wealth of imagery, that we shall have “glory”; fourthly, that we shall, in some sense, be fed or feasted or entertained; and, finally that we shall have some sort of official position in the universe—ruling cities, judging angels, being pillars of God’s temple…

…At present we are on the outside of the world, the wrong side of the door. We discern the freshness and purity of morning, but they do not make us fresh and pure. We cannot mingle with the splendours we see. But all the leaves of the New Testament are rustling with the rumour that it will not always be so. Some day, God willing, we shall get in. When human souls have become as perfect in voluntary obedience as the inanimate creation is in its lifeless obedience, then they will put on its glory, or rather that greater glory of which Nature is only the first sketch. For you must not think that I am putting forward any heathen fancy of being absorbed into Nature. Nature is mortal; we shall outlive her. When all the suns and nebulae have passed away, each one of you will still be alive. Nature is only the image, the symbol; but it is the symbol Scripture invites me to use. We are summoned to pass in through Nature, beyond her, into that splendour which she fitfully reflects. And in there, in beyond Nature, we shall eat of the tree of life. At present, if we are reborn in Christ, the spirit in us lives directly on God; but the mind, and still more the body, receives life from Him at a thousand removes—through our ancestors, through our food, through the elements. The faint, far-off results of those energies which God’s creative rapture implanted in matter when He made the worlds are what we now call physical pleasures; and even thus filtered, they are too much for our present management. What would it be to taste at the fountain-head that stream of which even these lower reaches prove so intoxicating? Yet that, I believe, is what lies before us. The whole man is to drink joy from the fountain of joy. As St. Augustine said, the rapture of the saved soul will “flow over” into the glorified body.

 

Reading the Bible (and life) as the story of God ‘re-creating’ and ‘re-vivifying’ broken images of God: Part 1 — By the rivers of Babylon

In which, over a two part epic, I quote significant chunks of Babylonian religious propaganda to make the case that we should understand being made in the ‘image of God’ as a call to play a part in representing God in his world, while our idolatrous hearts keep leading us to play that part for idols.

This post is fairly epic in size, but the good news is, I’ve split it in two. Ok. So here’s a fun way to read the Bible, in sum, think of this as the TL:DR; version of what follows:

  1. The Bible is the story of God giving life to his image bearers — making living images or idols to represent himself — and then restoring life to those images when they stop serving that function. Part of this restoration involves the image being ‘revivified’ — given life, breath, and a function — near or through water. This vivification, or revivification, happens through a ritual ceremony that was a ceremony used throughout the ancient world to give and restore life to broken idol statues.
  2. God’s people are meant to function for him the way idol statues function for the other gods of the ancient world — to represent the presence of his kingdom, to, in a sense, manifest his rule and give legitimacy to it.
  3. The flip side of this reading is that the stuff in the Bible about not making idols to represent God is actually a pointer to the truth that only the living God can make representatives of himself, that share his qualities, because all things that are made by makers reflect their maker. The problem with the gods of the nations — gods of stone, shaped from the human imagination but based on things that God made — is that its an overturning of the created order, in which it is God who makes images (humans), not humans who make gods.

God creates his images (and gives them breath and a purpose, near water)

Creation as ‘giving something a function’…

Old Testament scholar John Walton has written a bunch of stuff about how the Genesis creation account relates to its ancient near eastern context. One really important point he makes is that we, as modern readers, bring modern concerns to the text as well as modern notions of what it means ‘to be’ (a modern ontology). We think ‘being’ is meaningfully tied to questions of what substance a thing is made of, our ontology is material. This wasn’t the case in the ancient world, nor, (just to give you a sense of how this question plays out significantly in different times, while we might take our modern thinking for granted) for some time after that. The Greeks, for example, as described in Plato, saw being as a thing reflecting some perfect infinite form, and a thing’s ‘being’ was measured, in some way, against this ideal. The significance of this, in the Greek world, was that people often separated a thing’s physicality from its ‘ideal form’ — prioritising the ‘spiritual’ over the physical. This question matters more than we think it might. In the world the Bible came from, existence was tied not to its material essence, or a thing’s ‘ideal form’, but to the function it was given within a system of functioning things. The ancient world had what Walton calls a ‘functional ontology’… Here’s a quote where he explains what this means:

“WHAT DOES IT MEAN FOR SOMETHING to exist? It might seem like an odd question with perhaps an obvious answer, but it is not as simple as it may seem. For example, when we say that a chair exists, we are expressing a conclusion on the basis of an assumption that certain properties of the chair define it as existing. Without getting bogged down in philosophy, in our contemporary ways of thinking, a chair exists because it is material. We can detect it with our senses (particularly sight and touch). The question of existence and the previous examples introduce a concept that philosophers refer to as “ontology.” Most people do not use the word ontology on a regular basis, and so it can be confusing, but the concept it expresses is relatively simple. The ontology of X is what it means for X to exist… When we speak of cosmic ontology these days, it can be seen that our culture views existence, and therefore meaning, in material terms… Since in our culture we believe that existence is material, we consequently believe that to create something means to bring its material properties into existence. Thus our discussions of origins tend to focus on material origins.

If we are going to understand a creation account from the ancient world we must understand what they meant by “creation,” and to do that we must consider their cosmic ontology instead of supplying our own. What did it mean to someone in the ancient world to say that the world existed?

People in the ancient world believed that something existed not by virtue of its material properties, but by virtue of its having a function in an ordered system. Here I do not refer to an ordered system in scientific terms, but an ordered system in human terms, that is, in relation to society and culture… In this sort of functional ontology, the sun does not exist by virtue of its material properties, or even by its function as a burning ball of gas. Rather it exists by virtue of the role that it has in its sphere of existence, particularly in the way that it functions for humankind and human society… In a functional ontology, to bring something into existence would require giving it a function or a role in an ordered system, rather than giving it material properties… Unless people (or gods) are there to benefit from functions, existence is not achieved. Unless something is integrated into a working, ordered system, it does not exist… Consequently, the actual creative act is to assign something its functioning role in the ordered system. That is what brings it into existence.” — John Walton, The Lost World of Genesis One: Ancient Cosmology and the Origins Debate

Walton obviously takes a position on how this affects the way we read the nature of ‘creation’ in Genesis 1, but that’s a red herring in this discussion. His observation is borne out through a study of the sort of things ‘created’ and what is said of them throughout the Bible (it’s always linked to function, rather than form), and also in texts apart from the Bible — other creation accounts, and other stories about people ‘creating’ things in the Ancient world. I think its fair to say this ‘ontology’ is not disputed, and you might have to take it to whatever conclusions are necessary when it comes to how to read the Genesis accounts as they relate to our ‘material ontology’ and the questions we might want Genesis to answer. I’m going to go in a very different direction though, and specifically consider the questions this creates for us when Genesis talks about us. Humans. Where we’re made in God’s ‘image’ and likeness. I think the likeness part captures a sense that we share some qualities of God in how we operate in the world, we reflect him, but the ‘image’ part is also functional and is tied to us representing him.

I’m suggesting that to be made in God’s image in the sense in which Genesis (and the rest of the Bible talks about it), is not just to be something, but also to do something. And that something is caught up with the idea that we are the living, speaking, God’s living, speaking, statues, in the same way that dead and dumb statues represented dead and dumb gods.

The Hebrew word for image selem is often translated as idol, both later in the Old Testament (rarely, because there are a few different words used), and elsewhere in the ancient near east (frequently, like, this is a very common word for how the nations describe their statues), it does come up a few times like:

“You also took the fine jewellery I gave you, the jewellery made of my gold and silver, and you made for yourself male idols and engaged in prostitution with them.” — Ezekiel 16:17

The verbs used for God’s creation of humanity in Genesis 1 and 2 are later used when talking about the forming of idols, or to refer back to God’s creation of humankind.

There’s a consensus emerging amongst a stream of good Bible scholars — people who believe the Bible is God’s word, and is about Jesus — that Genesis 1-2 should be read as the story of God creating his cosmic temple, a place for him to dwell, and rest, and be worshipped. I don’t think this is controversial. This is the ‘ordered system’ then that we are placed in and given the function we’re given as ‘images’… The word for ‘image’

There are some steps to notice in what happens as God makes an image of himself in Genesis 2.

  1. Formed and fashioned, near water (and symbolically, in a sense, moved through water, it’s interesting that God places the man in the garden twice, once before the mention of the water, and once after) (Genesis 2:6, 8, 10-15)
  2. Inspired, or given ‘breath’ so that it the image is vivified. It is to be thought of as a living representation of the God whose image it bears. (Genesis 2:7)
  3. Declared fit for purpose within a system, and via connection to God. (Genesis 1:26-31)
  4. Placed (or enthroned) in the Temple/garden sanctuary and given a job within the Temple. (Genesis 2:8-9, 15
  5. The images are provided for with food and drink. (Genesis 2:16-17)
  6. The image fulfills a function in representing the God behind the image (Genesis 2:19-20)

These steps are pretty much a summary of the steps required for people to create images of God in the ancient world. The sequencing is interesting here because 3 actually happens in Genesis 1, and then Genesis 2 zooms in to sequentially cover 1-2 and 4-5. Genesis 1 also supplies the sense in which 5 happens. God creates and rules by speaking good things (and a good system) into being. God creates humans to rule over the things he has made — especially the other living things — as his images. And in Genesis 2, Adam ‘names the animals’ by speaking their names into being, and thus rules them — in the Ancient Near East, to name something was to express your authority over it.

Humans are meant to serve as God’s images in his temple — his living breathing representatives.

The creation, and re-creation, of images of God in the ancient world

The notion of ‘images of God’ in the ancient world, outside the Bible, was linked to the role the king of an ancient nation would play in being the representative of that nation’s god as both priest and king of the nation’s cult. Here are some things written about a couple of kings. The image of the king, and the image of the nation’s god were so closely tied that the king of a successful nation almost always became God.

“He [the king] alone is the image of Enlil, attentive to the voice of the people, to the counsel of the land.” — EPIC OF TUKULTI-NINURTA

 

“The King’s image, made brilliant like the heavenly stars, was set up before the eyes of the God Enlil”  — A HYMN DEDICATED TO SULGI OF UR

 

He created his royal image with a likeness of his own countenance and placed it before the God Ninurta.”— INSCRIPTION DESCRIBING ASSURNASIRPAL, KING OF ASSYRIA

Some of the words in this bit are going to seem foreign — because they are. Not just foreign, but ancient. Just let those bits wash over you, but as you read (if you read the chunks of quotes from inscriptions) try to notice the similarities, and the differences, to how the Bible describes the making of an image of God. The Genesis account comes from a world much closer to these tablets than to our modern world. What’s really striking, I think, is how much the conclusion from the first section, and those steps present in making an image of God (and supplying a function), is supported in the ancient world — and what sort of comparison is struck between the Bible’s story of God’s creation of humanity, and the ancient, human, stories of how people were to make images of God. Those same 6 steps are there, with a couple of key subversions, in an ancient Babylonian ritual called Mîs-pî, where images are created, given the job of representing the god(s) who made the universe, and enthroned. Here’s the text of the ritual. There’s heaps of stuff here that sounds like it could be said about the God of the Bible, what’s interesting is what changes if you remember that this is a person speaking to the gods, about the creation of an image of a god. An image that is a statue where they need to create a sort of cognitive dissonance because the statue does not breathe or move, which brings into question just how powerful these gods are. The king/image-creator would say:

Ea, Ṧamaš, and Asalluḫi, the great gods, who judge the heavens and the earth, who determine the destinies, who fix decisions, who make sanctuaries great, who set the foundations of the throne daises, who lay out the plan, who outline the ordinances, who apportion the lots, who watch over sanctuaries, who keep the rites pure, who creates the rites of purification, it is in your hands to determine fates, to draw plans, you alone establish the fate of life, you alone draw the plans of life, you alone make the decisions of life, you inspect all the throne daises of god and goddess, you alone are the great gods who direct, the decisions of the heavens and earth, of springs and seas, your utterance is life, your pronouncement is well-being, the work of your mouth is life itself,  you alone bestride the farthest heavens, you dispel evil (and) establish the good, you loosen the evil portents and signs, disturbing and bad dreams, who cut through the cord of evil. I am the chief exorcist who <knows> the pure rites of Eridu, I have poured out water; I have cleansed the ground for you;  I have set up pure thrones for your sitting; I have dedicated clean red garments for you; I have set up the pure offering arrangements for you; I poured out for you a pure libation; I set up for you an adakurru-bowl with našpu-beer.

I libated for you wine and best beer. Because the completion of the rites of the great gods and the direction of the plan of the purification rite rest with you, on this day be present: for this statue which stands before you ceremoniously grant him the destiny that his mouth may eat, that his ears might hear. May the god become pure like heaven, clean like the earth, bright like the center of heaven. May the evil tongue stand aside! — Mîs-pî Ritual Tablet

After this had been recited, the king would “set up a libation for the gods Kusu, Ningirima, Ninkura, Ninagal, Kusigbanda, Ninildu, Ninzadim,” and ritually carry some incense and a torch past the image of these gods that had already been created. Then, the king would approach the new image that was being given life (vivified).

“You purify him with the egubbû-basin and (then) perform the Mīs Pî ritual, you set up a libation and the āšipu-priest stands to the left of that god. You recite three times the incantation “When the god was made” — Mîs-pî Ritual Tablet

The words of this incantation make it clear, or attempt to, that these statues are the products of all these other gods. Ignore all the funny types of Babylonian stone, and notice where those names of the gods mentioned above come up. And their ‘involvement’ as makers, but the key bits that are bolded. This is an exercise in overcoming the knowledge that these images are crafted by people, and can’t actually do what they symbolise.

“When the god was fashioned, the pure statue completed, and the god appeared in all the lands, then bearing an awe-inspiring radiance totally suited to rule with perfect strength; surrounded on all sides with splendour, endowed with a sparkling-pure appearance, he appears magnificently, the statue shines brilliantly; in the heavens, it was crafted; on earth, it was crafted. This statue was crafted in the entire heavens and earth… this statue grew up in the forest (of) Tir-ḫašur (ḫašur-cedar); this statue went out from a mountain, the pure place; the statue is the product of gods and humans; the statue (has) eyes that Ninkura has made; the statue (has) … that Ninagal has made; the statue (has) features that Ninzadim has made; the statue is of gold and silver that Kusibanda has made; [the statue ] that Ninildu has made; [the statue ] that Ninzadim has made; this statue of ḫulālu-stone, ḫulāl īni-stone, muššaru-stone, pappardillû-stone, pappardildillû-stone, ḫulālu parrû elmešu, by the skill of the gurgurru-craftsman, this statue that Ninkura, Ninagal, Kusibanda, Ninildu, Ninzadim have made,  this statue cannot smell incense without the ‘Opening of the Mouth’ ceremony. It cannot eat food nor drink water…” — Mîs-pî Ritual Tablet

These eyes can’t see. These features can’t do what they represent — see, or smell, or hear. These gods are made of gold and silver. These gods are statues. They are made by craftsmen, not gods. And here’s the ritual that ‘opens’ its mouth, that gives it life and breath and the ability to manifest the presence of the god it represents.

Water of the Apsû, brought from the midst of Eridu, water of the Tigris, water of the Euphrates, brought from a pure place: tamarisk, soapwort, heart of palm, šalālu-reed, multi-colored marsh reed, seven small palms, juniper, (and) white cedar throw into it; in the garden of the canal of the pure orchard build a bīt rimki. Bring him out to the canal of the pure orchard, to the bīt rimki. Bring out this statue before Shamash. Put again at their place the adze that was driven (into the wood), the chisel that carved it, the saw that cut it, and the master craftsmen who prepared it. With a scarf bind their hands; with a tamarisk knife cut off the fists of the stoneworkers who touched him. This is the statue that Ninkura, Ninagal, Kusibanda, Ninildu, (and) Ninzadim made. Kusu, the chief purification priest of Enlil, has purified it with a holy-water-basin, censer, and torch with his pure hands. Asalluḫi, the son of Eridu, made it resplendent. The apkallu and the abriqqu-priest of Eridu have opened your mouth twice seven times with syrup, ghee, cedar, (and) cypress.

May this god become pure like heaven, clean like the earth, bright like the center of heaven. May the evil tongue stand aside.” — Mîs-pî Ritual Tablet

The ceremonial ‘cutting off the hands’ of the stoneworkers to ritually deny human involvement fascinates me. The whole process to this point has been so very human. The king has been in the driving seat both in terms of speaking life into the god, via the incantations, and in terms of organising the design and creation of the god. This human involvement is clear from the number of “I did X” statements. It’s a very human process and this little ritual shows how much the idol maker must operate with a weird doublethink, the “I made this, it is my god” thing that Isaiah nails when he talks about how idol makers cook their food over half a lump of burning wood, and worship the other half. I say ‘ceremonial’ because tthe knife is wooden so I don’t think they actually chopped the hands off. After this ritual the statue is ‘commissioned’ by this prayer, and then carried to its temple.

“In the ear of this god you shall say the following: “Among your brothers you are counted,” you shall whisper into his left ear. “From this day let your fate be counted as divinity; among your brother gods may you be counted; draw near to the king who restored you; approach your temple…. To the land where you were created be reconciled.” — Mîs-pî Ritual Tablet

Notice the water mentioned at the start, is ‘water of the Apsû,’ the Apsû is the divine source of water in the ancient near east so this is ‘divine water’ from the mids of the god Eridu, which is said to come from two rivers. This water is brought into the place where this ritual happens, a ritual that happens in a garden-canal area in a ‘pure orchard,’ you may have identified all six of those elements of the Genesis creation narrative I mentioned above too, but check this out.

A river watering the garden flowed from Eden; from there it was separated into four headwaters. The name of the first is the Pishon; it winds through the entire land of Havilah, where there is gold. (The gold of that land is good; aromatic resin and onyx are also there.) The name of the second river is the Gihon; it winds through the entire land of Cush. The name of the third river is the Tigris; it runs along the east side of Ashur. And the fourth river is the EuphratesThe Lord God took the man and put him in the Garden of Eden to work it and take care of it.” — Genesis 2:10-15

This, then the subsequent creation of Eve, is how God places his images in his Garden/sanctuary/temple. To ‘work it and take care of it’ — and, for bonus points, the two verbs translated as ‘work it and take care of it’ are later used, and only ever used in this pairing, or construction, as describing the role of the priests in God’s temple. It’s also interesting that when God essentially ‘re-creates’ humanity, his images, a few chapters later through Noah, his family, and the waters of the flood, much of the same process repeats.

But God remembered Noah and all the wild animals and the livestock that were with him in the ark, and he sent a wind over the earth, and the waters receded. Now the springs of the deep and the floodgates of the heavens had been closed, and the rain had stopped falling from the sky. The water receded steadily from the earth. At the end of the hundred and fifty days the water had gone down, and on the seventeenth day of the seventh month the ark came to rest on the mountains of Ararat… Then God said to Noah, “Come out of the ark, you and your wife and your sons and their wives. Bring out every kind of living creature that is with you—the birds, the animals, and all the creatures that move along the ground—so they can multiply on the earth and be fruitful and increase in number on it. So Noah came out, together with his sons and his wife and his sons’ wives. All the animals and all the creatures that move along the ground and all the birds—everything that moves on land—came out of the ark, one kind after another.  Then Noah built an altar to the Lord and, taking some of all the clean animals and cleanbirds, he sacrificed burnt offerings on it.” — Genesis 8:1-3, 16-20

Then God blessed Noah and his sons, saying to them, “Be fruitful and increase in number and fill the earth. The fear and dread of you will fall on all the beasts of the earth, and on all the birds in the sky, on every creature that moves along the ground, and on all the fish in the sea; they are given into your hands. Everything that lives and moves about will be food for you. Just as I gave you the green plants, I now give you everything. — Genesis 9:1-3

Here, God re-creates humanity in his image. We see God:

  1. Forming a new people for himself through water (6:1-8:4),
  2. Placing them where the ark — his vessel for salvation — lands on a mountain (8:4, 16),
  3. Giving them a function in this cosmic system — he gives Noah and his family the job he gave his image bearers in Genesis 1 (8:17, 9:1)
  4. Providing food for them (9:3).

And we see Noah and his family ‘representing God’ — even if temporarily, as he builds an altar/sanctuary (8:20), and then as he, ‘a man of the soil,’ gardens, like Adam did (9:20).

There are also plenty of connections here to the later creation of Israel, through the waters of the red sea and the Exodus, to be placed in the Promised Land with it pictured as a rich, fruitful land marked by flowing water… When God speaks of his creation of Israel he talks in terms of creating a nation of priests, he does that through the waters of the exodus, and he moves them from Egypt to the Promised land (where, as they’re about to enter the land, he makes it very clear they’re not to follow any sorts of images given life by empty man-conducted rituals.

Now if you obey me fully and keep my covenant, then out of all nations you will be my treasured possession. Although the whole earth is mine, you will be for me a kingdom of priests and a holy nation.’ These are the words you are to speak to the Israelites.” — Exodus 19:5-6

Note the similarities here to the things humanity was meant to rule, and read it remembering who humans are meant to be.

You saw no form of any kind the day the Lord spoke to you at Horeb out of the fire. Therefore watch yourselves very carefully, so that you do not become corrupt and make for yourselves an idol, an image of any shape, whether formed like a man or a woman, or like any animal on earth or any bird that flies in the air, or like any creature that moves along the ground or any fish in the waters below. And when you look up to the sky and see the sun, the moon and the stars—all the heavenly array—do not be enticedinto bowing down to them and worshiping things the Lord your God has apportioned to all the nations under heaven. But as for you, the Lord took you and brought you out of the iron-smelting furnace, out of Egypt, to be the people of his inheritance, as you now are.

The Lord was angry with me because of you, and he solemnly swore that I would not cross the Jordan and enter the good land the Lord your God is giving you as your inheritance. I will die in this land; I will not cross the Jordan; but you are about to cross over and take possession of that good land. Be careful not to forget the covenant of the Lord your God that he made with you; do not make for yourselves an idol in the form of anything the Lord your God has forbidden. For the Lord your God is a consuming fire, a jealous God. — Deuteronomy 4:15-24

Just as Israel is about to be placed, like a divine image, in the promised land — a new Eden — there’s this reminder of who they’re to be, and a warning that if they do turn away from God, they’ll end up captured and taken into exile — God’s images removed from this temple — where they’ll worship ‘man-made gods of wood and stone, which cannot see or hear or eat or smell’ (Deut 4:25-28).

Images broken by exile, restored through waters

Ok. Here’s an extra fun part. When an image — as in the statue in a temple — was captured by an enemy army and taken into exile it lost its power. The God behind it was emptied, the statue was de-vivified. When nations went against nation they went after the idol statues in their temples. Statues functioned a bit like a flag in a game of capture the flag, if a nation held another nation’s statue of their god it was meant to show how little power the nation and its king had, and the king couldn’t exactly say ‘hey that statue is a fraud’ because the statue guaranteed the king’s own power — oh, yeah, the story of the capture of the Ark of the Covenant and its little power struggle with Dagon in 1 Samuel 5 is a fun example of this. If ever a nation captured back its statue, or if the winning nation wanted to take the power and prestige of the god behind the statue as a means to control the captured nation then the statue had to be re-vivified using a pretty similar ceremony, essentially following those same steps (this is fun background to read when we see foreign kings allowing Israel to restore the temple or practice their religion during exile).

There was a king of Assyria, Esarhaddon (he gets a mention in the Bible, in 2 Kings 19), who, famously restored the idols he’d captured in one of his conquests. I say ‘famously’ because Esarhaddon had his restoration of the Babylonian gods he (and his family) had captured inscribed in stone to shore up his own personal claims to divinity. Here are some bits of what he says in the inscription. In this you get a picture of the role the king played when it came to setting up an image of god, and the kind of kudos that came with it. The TL:DR; version, if you want to skip this quote, is that the king claimed divine right to create gods, found the craftsmen to do it, then decorated the image with gold and jewels to make them ‘more radiant than before,’ before conducting the same ceremony conducted to give them life in the beginning.

“When in the reign of an earlier king there were ill omens, the city offended its gods and was destroyed at their command. It was me, Esarhaddon, whom they chose to restore everything to its rightful place, to calm their anger, to assuage their wrath. You, Marduk, entrusted the protection of the land of Assur to me. The Gods of Babylon meanwhile told me to rebuild their shrines and renew the proper religious observances of their palace, Esagila. I called up all my workmen and conscripted all the people of Babylonia. I set them to work, digging up the ground and carrying the earth away in baskets… When in heaven and on earth signs favourable for the renewal of the statue of the gods occurred, then I, Esarhaddon, king of the universe, king of the Land of Ashur, the apple of Ashur’s eye, the beloved of the great gods, with the great intelligence and vast understanding, which the great Nudimmud, the wise man of the gods, bestowed on me, with the wisdom which Ashur and Marduk entrusted to me when they made me aware of the renewal of the the statue of the great gods, with lifting of hands, prayers, and supplication, I prayed to the divinities Ashur, king of the gods and to the great Lord Marduk: “Whose right is it, O great gods, to create gods and goddesses in a place where man dare not trespass? This task of refurbishing the statues, which you have constantly been allotting to me by oracle, is difficult! Is it the right of death and blind human beings who are ignorant of themselves and remain in ignorance throughout their lives? The making of images of the gods and goddesses is your right, it is in your hands, so I beseech you, create the gods, and in your exalted holy of holies may what you yourselves have in your heart be brought about in accordance with your unalterable word. Endow the skilled craftsmen whom you ordered to complete this task with as high an understanding as Ea, their creator. Teach them skills by your exalted word; make all their handiwork succeed through the craft of Ninshiku… When in the reign of an earlier king there were ill omens, the city offended its gods and was destroyed at their command. It was me, Esarhaddon, whom they chose to restore everything to its rightful place, to calm their anger, to assuage their wrath. You, Marduk, entrusted the protection of the land of Assur to me. The Gods of Babylon meanwhile told me to rebuild their shrines and renew the proper religious observances of their palace, Esagila. I called up all my workmen and conscripted all the people of Babylonia. I set them to work, digging up the ground and carrying the earth away in baskets… With red gold, the product of Arallu, ore from the mountains, I decorated their images. With splendid ornaments and precious jewelry I adorned their necks and filled their breasts, exactly as the great lord Marduk wanted and as pleased queen Sarpanitu. They the artisans made the statues of their great divinity even more artistic than before. They made them extremely beautiful and they provided them with an awe-inspiring force, and they made them shine like the sun… I, Esarhaddon, led the great god in procession. I processed with joy before him. I brought him joyfully into the heart of Babylon, the city of their honour. Into the orchards, among the canals and parterres of the temple E-kar-zaginna, the pure place, they entered by means of the office of the apkallu, mouth washing, mouth opening, washing and purification, before the stars of heaven, before Ea, Samas, Asalluhi, Belit-ili, Kusu, Ninigirim, Ninkurra, Ninagal, Kusibanda, Ninildu, and Ninzadim.” — Esarhaddon Inscription

It’s a bunch of foreign ‘super-powers’ like Esarhaddon who cart Israel off into exile, and gods like those he decorates in jewellery that Israel are so enamoured by, who so capture their hearts, to their peril. Not only are the Israelites taken into exile, as a result of worshipping stone idols dressed in fancy stones, they are ‘de-vivified’ — they lose the essence of their life as they lose connection with the life giver. They need restoration. Isaiah nails the ‘man made’ nature of the nation’s gods, and their destructive capacity, so too Psalm 115. Their idolatry leaves them exiled, and with hearts of stone. No longer living images of the living god in his temple, but dying images of dead gods captured by the foreign kings.

Here’s the thing — to bring this all home to 21st century you and me — we are all Esarhaddons. We don’t have ‘kings’ and ‘national cults’, but we all build pretty idols and become ensnared by them. Our hearts are led astray. We think we’re super impressive, we make life all about us, and our idols, though they don’t speak, are the things we look to, apart from God, for a sense of self worth or a picture of success. They guarantee our self-rule. Only. They destroy us. Because they take us away from God. That tendency you have to put yourself at the centre of the universe, the ‘Lord,’ as David Foster Wallace puts it, ruling your own skull shaped kingdom, that is going to kill you.

Everybody worships. The only choice we get is what to worship. And an outstanding reason for choosing some sort of god or spiritual-type thing to worship – be it JC or Allah, be it Yahweh or the Wiccan mother-goddess or the Four Noble Truths or some infrangible set of ethical principles – is that pretty much anything else you worship will eat you alive… The insidious thing about these forms of worship is not that they’re evil or sinful; it is that they are unconscious. They are default settings. They’re the kind of worship you just gradually slip into, day after day, getting more and more selective about what you see and how you measure value without ever being fully aware that that’s what you’re doing. And the world will not discourage you from operating on your default settings, because the world of men and money and power hums along quite nicely on the fuel of fear and contempt and frustration and craving and the worship of self. Our own present culture has harnessed these forces in ways that have yielded extraordinary wealth and comfort and personal freedom. The freedom to be lords of our own tiny skull-sized kingdoms, alone at the centre of all creation.”

David Foster Wallace is right about the destructive power of worship, but wrong that there is anything other than God the creator who won’t ‘eat you alive’ — there’s only one right option. And the worship of self, which provides this apparent freedom, actually enslaves. We become what we behold. We cut ourselves off from the voice that set creation into being, and that’s why, to pinch another phrase from that famous DFW speech, we have that sense of having had, and lost, some infinite thing. We are, as a result of our worship of things other than God, in exile from God. De-vivified. In need of new breath. In need of re-imaging so we might re-imagine life as God’s people, his images, again. So that we might speak, and taste, and see, and smell, the world the way we were made to, not the way our senses are dulled as we pursue hollow gods.

Israel’s situation, in exile, is dire. They are images waiting to be restored. That Psalm made famous by Bony M, which, somewhat poetically, pictures those waters the Babylonians believe brought life to their statues, picture Israel losing their lives, and their identity and their ability to speak, or sing, as they were meant to — as God’s representatives.

By the rivers of Babylon we sat and wept
    when we remembered Zion.
There on the poplars
    we hung our harps,
for there our captors asked us for songs,
    our tormentors demanded songs of joy;
    they said, “Sing us one of the songs of Zion!”

How can we sing the songs of the Lord
    while in a foreign land?
If I forget you, Jerusalem,
    may my right hand forget its skill.
May my tongue cling to the roof of my mouth
    if I do not remember you,
if I do not consider Jerusalem
    my highest joy. — Psalm 137:1-6

The hope expressed by the prophets, especially Ezekiel, is that life will be restored to God’s people, that they’ll function as his images again. Re-vivified (given life and breath), re-commissioned, and replaced in his temple, through water, with God providing them with food. See how many of the six elements of Genesis 2 you can spot here.

“For I will take you out of the nations; I will gather you from all the countries and bring you back into your own land. I will sprinkle clean water on you, and you will be clean; I will cleanse you from all your impurities and from all your idols. I will give you a new heart and put a new spirit in you; I will remove from you your heart of stone and give you a heart of flesh. And I will put my Spirit in you and move you to follow my decrees and be careful to keep my laws. Then you will live in the land I gave your ancestors; you will be my people, and I will be your God. I will save you from all your uncleanness. I will call for the grain and make it plentiful and will not bring famine upon you. I will increase the fruit of the trees and the crops of the field, so that you will no longer suffer disgrace among the nations because of famine.” — Ezekiel 36:24-30

Or, in chapter 37…

Then he said to me: “Son of man, these bones are the people of Israel. They say, ‘Our bones are dried up and our hope is gone; we are cut off.’ Therefore prophesy and say to them: ‘This is what the Sovereign Lord says: My people, I am going to open your graves and bring you up from them; I will bring you back to the land of Israel. Then you, my people, will know that I am the Lord, when I open your graves and bring you up from them. I will put my Spirit in you and you will live, and I will settle you in your own land. Then you will know that I the Lord have spoken, and I have done it, declares the Lord.’”… I will take the Israelites out of the nations where they have gone. I will gather them from all around and bring them back into their own land. I will make them one nation in the land, on the mountains of Israel. There will be one king over all of them and they will never again be two nations or be divided into two kingdoms. They will no longer defile themselves with their idols and vile images or with any of their offenses, for I will save them from all their sinful backsliding, and I will cleanse them. They will be my people, and I will be their God. My servant David will be king over them, and they will all have one shepherd. They will follow my laws and be careful to keep my decrees. They will live in the land I gave to my servant Jacob, the land where your ancestors lived. They and their children and their children’s children will live there forever, and David my servant will be their prince forever. I will make a covenant of peace with them; it will be an everlasting covenant. I will establish them and increase their numbers, and I will put my sanctuary among them forever. My dwelling place will be with them; I will be their God, and they will be my people. Then the nations will know that I the Lord make Israel holy, when my sanctuary is among them forever.’” — Ezekiel 37:11-14, 21-28

 

Where and how this restoration happens is part 2.

Grill a Christian: Question 1. Why did God make us?

Question: Why did God create us, and does the answer ‘so we might glorify and love him,’ mean God is selfish?

God created us because he is, by nature, a creator of life. I believe the catechism answer is true, but a little limited, because it focuses on our response not on God’s free action in creating. I think it’s wrong to think of God as creating us outside himself for the purpose of having little minions who worship him. We exist ‘within’ God’s infinite being, and he gives us life and breath, and being, and love.

In one sense, this question is like asking why Shakespeare wrote the characters he created into existence. How could he not when he had such magnificent stories to tell. How much more must God be compelled to create when he wanted to create the Gospel story (Revelation talks about the lamb slain before the creation of the world — the Gospel was always God’s plan).

As a little side note on this one — I don’t think sin was always on God’s agenda, but I think resurrection and glorification was — I think Adam and Eve were meant to ‘be fruitful and multiply’ and expand God’s perfect garden throughout his good world. I think the serpent was always on the agenda. And my super speculative thoughts here are that if Adam and Eve had turned their backs on the serpent, he would’ve done what Satan orchestrated with Jesus — he would have killed them. Eventually. And resurrection and glorification would’ve been how God defeated Satan. That’s the sense, I think, of how the verse from Revelation can work without God orchestrating the Fall (though I ultimately don’t think he was surprised by the Fall). This opens up a bunch of other questions about God’s knowledge. Which would be a tangent from a tangent…

Let’s assume that God is love. Like the Bible says. That he acts, makes, and creates, out of love. This love is directed, at first, within the Trinity, but it pours out from that. Creation is an act of love, an act of love overflowing — creating more things for the infinite/eternal triune God to direct his infinite love towards. It’s also, if Colossians 1 is a good summary, a gift from Father to Son, an inheritance, which, because God’s love is an overflowing or abundant love, overflows to those parts of his creation redeemed by Jesus, and united in the love of God.  Creation is also an act of the Son, the ‘word’ who was with God in the beginning as God spoke the beginning, and the cosmos, into existence.

The Son is the image of the invisible God, the firstborn over all creation. For in him all things were created: things in heaven and on earth, visible and invisible, whether thrones or powers or rulers or authorities; all things have been created through him and for him. — Colossians 1:15-16

In the beginning was the Word, and the Word was with God, and the Word was God. He was with God in the beginning. Through him all things were made; without him nothing was made that has been made. In him was life, and that life was the light of all mankind. — John 1:1-4

Creation is not an act by which God the Father glorifies himself, but by which God the Father glorifies and celebrates the Son, and by which God the Son glorifies and shows his love for the father, and by which the Holy Spirit glues both together. Creation is a Trinitarian love story, and an outpouring of that to us. So when Jesus prays that we might share in the love of the father and son we’re being brought into this eternal, infinite love story not just as spectators to God’s ‘cosmic love story’ but as actors in it. With parts to play as we celebrate and experience the overflowing of this love… Here’s a thing Jesus prays about us which is incredibly profound — that we might share in the unity of the Trinity, becoming one as they are one. God’s creative act is generous and other-seeking, and inclusive, rather than self-seeking. It is also measured in that it never forces this conclusion — this drawing together — on anybody who doesn’t want it.

As you sent me into the world, I have sent them into the world. For them I sanctify myself, that they too may be truly sanctified.

 “My prayer is not for them alone. I pray also for those who will believe in me through their message, that all of them may be one, Father, just as you are in me and I am in you. May they also be in us so that the world may believe that you have sent me. I have given them the glory that you gave me, that they may be one as we are one— I in them and you in me—so that they may be brought to complete unity. Then the world will know that you sent me and have loved them even as you have loved me. — John 17:18-23

Also, because God is not a ‘self’ in an individualistic sense, but is found in the perfect interwoven, overlapping nature of the Trinity (there’s a Greek word that captures this best ‘perichoresis’, which means interpenetrating), the pursuit of glorification isn’t the same as when we seek glorification. And God’s non-self-seeking nature is on display in how he extends the invitation for us to participate in his divine, eternal life, by completely ‘un-selfing’ — at the Cross. There is no Christian God apart from the God whose nature and love is on display at the Cross. God the father is ‘cross-shaped’ as much as God the son is crucified, as much as God the Spirit is — perhaps especially in his desire to completely throw light on Father and Son — cross-shaped. There is no self seeking part of who God is. Because we know God best as we meet him in Jesus, and we know Jesus best as we see him nailed to the cross. That’s what ‘glory’ looks like.

Ulitmately, God is a story-teller. A creator. This is part of who he is. We know this because what we know most about God is that he creates and reveals (we know this from the world, and his word — and his ‘Word’ who the written word points to).

In the past God spoke to our ancestors through the prophets at many times and in various ways, but in these last days he has spoken to us by his Son, whom he appointed heir of all things, and through whom also he made the universe. The Son is the radiance of God’s glory and the exact representation of his being, sustaining all things by his powerful word. After he had provided purification for sins, he sat down at the right hand of the Majesty in heaven. — Hebrews 1:1-3

He creates things that reflect who he is, and because of who he is that can’t really produce anything but glorification or contempt. The world God made is a finite thing made by an infinite thing to reveal something of the infinite. Things we make, and stories we tell, serve a similar function for us, they’re an outpouring of who we are in an attempt to make ourselves known (even to ourselves, if we never share them beyond ourself), an attempt to capture and reveal something of ourself in a moment in time. Jesus as ‘word’ and ‘image’ written into creation is the ultimate version of what God always does when he creates, a pointer to who he is. It’s also worth saying that an infinite, creative, mind could create an infinite number of possibilities, God didn’t have to make what he made. But he loves what he made so much that he wrote himself into creation, in a finite way that actually forever changed the nature of Jesus such that, even now, he is embodied in a glorious, resurrected body as a taste of the future work of re-creation God will do when we are resurrected to share in his next creative project, the New Creation, with him.

Grill a Christian… answering questions about Christianity for those who want answers

Do you have any questions you’ve been super keen to ask a Christian? Any question? But never known who to ask, or how to ask it without someone not taking it seriously? Send them my way.

I’d love to have a crack at answering them. In this little “Grill A Christian” thing, I’m going to take a stab at answering some questions that a few people newish to thinking about God have asked me, but I’m open to answering more. Maybe it’ll help you believe something, maybe it’ll help you understand why or how people can believe in something that seems like a fairy tale or an exercise of the imagination to you… Who knows.

I’ve been thinking lately about how much I can no longer really describe in accurate terms what I thought when I became a Christian (In a nutshell: I was a kid, I grew up being taught about Jesus, and at some point I decided I owned it. Then I started questioning the beliefs I had as a child, then I came up with answers to those questions that satisfied my adult brain, while looking at better stories that account for our humanity and our world). I can, however, describe in accurate terms what excites me about seeing the world through a Christian lens, and what excites me about the God revealed simultaneously in his word and in his world. I’ve often wondered how to reconcile the two — how the thinking that comes through probing and questioning as an adult might connect with someone just starting out on the journey. Is there anything I can say that isn’t the product of a massive gap that has been created by my own wanderings and musings?

Here is the working assumption that underpins this exercise, and, hopefully, my answers.

God is big, and our ability to understand him is small, and the process will take forever. Which is what we’ve got if we grab onto him as he shows himself in Jesus.

One of the profound truths I believe about God is that in order for him, an infinite ground of all being in the universe to make himself known to any finite creature in the universe he needs to step down to us. Finite creatures can’t touch the infinite, the infinite can reach down though. And that’s precisely how God works. Whatever we do as our appreciation of God grows with time, and by his Spirit, we need to be able to look backwards to where we came from, so that we too can reach back and grab people as they reach out for God. Plus. Christianity at its heart is a story that is both simple and rich. When Paul speaks to the leading religious philosophers and theologians of his day, the council of the Areopagus in Athens, he takes the small ideas of God they’re working with, and blows their mind. Paul is a guy who knows who God is from a lifetime of being schooled in the Old Testament, and, it seems, from having read Greek and Roman philosophy and poetry about gods. He replaces the small, human, finite, understanding they have of God with something much bigger. I think that’s our job as people searching for truth. Paul was being grilled — questioned — by this council. He went willingly into the breach to answer the questions of these smart guys, and this is what he said (and many of them laughed at him).

 “The God who made the world and everything in it is the Lord of heaven and earth and does not live in temples built by human hands. And he is not served by human hands, as if he needed anything. Rather, he himself gives everyone life and breath and everything else. From one man he made all the nations, that they should inhabit the whole earth; and he marked out their appointed times in history and the boundaries of their lands. God did this so that they would seek him and perhaps reach out for him and find him, though he is not far from any one of us. ‘For in him we live and move and have our being.’ As some of your own poets have said, ‘We are his offspring.’ 

“Therefore since we are God’s offspring, we should not think that the divine being is like gold or silver or stone—an image made by human design and skill. In the past God overlooked such ignorance, but now he commands all people everywhere to repent. For he has set a day when he will judge the world with justice by the man he has appointed.He has given proof of this to everyone by raising him from the dead.” — Acts 17:24-31

The thing is, while all this talk of infinity might blow our minds… You don’t need a sophisticated faith, you don’t need to grasp the ungraspable. You need to grasp that moment in history where God became finite, and knowable. There is no God in the universe who is not exactly like the crucified Jesus. That is God in his majesty and love on display. That is his invisible qualities and character revealed. It’s the pinnacle of God’s creative work, and our destructive work, on display. The thing God says about what the whole world is meant to do as we understand more of it (like via science or history), is true, perhaps truest for that moment in history where he stepped into the creation and revealed himself in the most profound way.

For since the creation of the world God’s invisible qualities—his eternal power and divine nature—have been clearly seen, being understood from what has been made, so that people are without excuse. — Romans 1:20

Jesus takes those invisible qualities and makes them visible. The Gospel is the story of God making the unknowable, the invisible and infinite, knowable in the visible and finite person of Jesus. This is the story the world was built to tell, or to host, as God’s revealing canvas for his act of self-revealing in Jesus.

The Son is the image of the invisible God, the firstborn over all creation.  For in him all things were created: things in heaven and on earth, visible and invisible, whether thrones or powers or rulers or authorities; all things have been created through him and for him. He is before all things, and in him all things hold together. And he is the head of the body, the church; he is the beginning and the firstborn from among the dead, so that in everything he might have the supremacy. For God was pleased to have all his fullnessdwell in him,  and through him to reconcile to himself all things, whether things on earth or things in heaven, by making peace through his blood, shed on the cross. — Colossians 1:20

You don’t need to grasp anything else to ‘get God’…  you need to come running to the God who reaches down with the excitement of a child. I love this picture from Paul, in 1 Corinthians 13, of love and reaching for knowledge being two sides of the same coin, but being something that starts when we ‘think like a child’… there’s a richness that comes from staring at the same truth for a long time. A richness I hope to keep cultivating for eternity. Like a farmer who keeps investing gleanings and stubble back into the earth to create richer soil, and thus, better fruit. What we look forward to is our picture of the God we know in our infancy, or as we meet him for the first time, becoming more and more complete, in this process that stretches infinitely into the future.

For we know in part and we prophesy in part, but when completeness comes, what is in part disappears. When I was a child, I talked like a child, I thought like a child, I reasoned like a child. When I became a man, I put the ways of childhood behind me. For now we see only a reflection as in a mirror; then we shall see face to face. Now I know in part; then I shall know fully, even as I am fully known.

And now these three remain: faith, hope and love. But the greatest of these is love. — 1 Corinthians 13:9-13

Which all brings me to this new thing I’ll post here from time to time. One of the fun parts of being a pastor, and a Christian who is quite public about their faith online, is that I get questions from people. I love questions. Often I’ve just answered a person, and later thought “wow, that answer might be useful to store somewhere”… well. No longer. Now I’m, with the permission of the questioners, going to start sharing questions and answers from people so I don’t lose them, and in case others are asking similar questions.

You can ask questions too! Grill me. No doubt some of my answers will be wrong, heretical, or stupid. That’s part of the process of working towards truth. So feel free to join in the discussion by providing your own answers…

I’ll post up the first question tomorrow, and go from there.

What would Jesus snapchat? 10 tips for using social media (other than Facebook) as a Christian

Would Jesus use social media?

If he did, what would he post?

If we’re followers of Jesus how should we think about social media? How do we keep tabs on how teenagers are using stuff like Instagram, Snapchat when we can’t even figure Facebook out?

These are, of course, the questions of our age.

I’m going to answer them a little here by making a certain assumption, that I’ll put up front. I’ve written plenty about this elsewhere (including how people who are leaders in churches might help the people they lead think about this stuff). I’m going to assume that we, people, as God’s image bearers, are God’s social media. That God’s people have a track record, beginning in the Old Testament, of using communication mediums to tell people about God, while avoiding the dangers that come from deadly communication mediums (like idol statues). We’re naive when we assume mediums don’t matter, but we’re over-correcting when we assume mediums that can become dangerous shouldn’t be used. Creation itself was meant to reveal God’s divine character and invisible qualities, the fact that we turn God’s creation into images of things he made, and worship those images, isn’t a problem with creation as a communication medium, but with us (see Romans 1:19-25).

There’s been plenty in the news the last few weeks about how people are using Instagram — from models swearing off social media, specifically the ‘crafting’ of an image that isn’t real on social media, to models swearing at their social media followers for not doling out enough likes on their posts.

“I have created an image of myself that I think others feel is unattainable, others look at as a role model, others look at as some type of ‘perfect human’.” — Essena O’Neill

If you believe what teenagers tell you about social media, Instagram is where the action is. It’s where people are crafting an image of themselves for others to see, and where people are finding images to follow — to worship — and to be shaped by. Snapchat, another image based service, is equally interesting, and equally ignored by Christians who talk about this stuff.

“Snapchat is where we can really be ourselves while being attached to our social identity. Without the constant social pressure of a follower count or Facebook friends, I am not constantly having these random people shoved in front of me. Instead, Snapchat is a somewhat intimate network of friends who I don’t care if they see me at a party having fun… If I don’t get any likes on my Instagram photo or Facebook post within 15 minutes you can sure bet I’ll delete it. Snapchat isn’t like that at all and really focuses on creating the Story of a day in your life, not some filtered/altered/handpicked highlight. It’s the real you.” — Andrew Watts, A Teenager’s View on Social Media

One of the interesting things about Instagram and Snapchat, apart from their use of images, is that they don’t rely on the same algorithmic sorting of information that Facebook and Google use. They provide a stream of content unfiltered by an algorithm; except of course for the photos, which are ‘filtered’ first in terms of what images are shared and not shared, and ‘filtered’ in the sense of being made to look good via tweaking, often tweaking via the application of a pre-designed filter which applies an algorithm of effects to a photo. This content comes from people who people have chosen to follow, or, in the case of Instagram, content sorted via hashtags or location from newest to oldest.

Perhaps this shift to these new platforms, by our younger generations, is built on a cynicism about algorithms, and the desire to really be in control of one’s media experience.

“…a squirrel dying in your front yard may be more relevant to your interests right now than people dying in Africa.” — Facebook founder Mark Zuckerberg, describing the Facebook newsfeed philosophy

I think this, in itself, is interesting because it means the reason we’re not confronted with pictures we don’t want to see — or the reason we’re confronted with pictures that cause us outrage — is not down to an algorithm that controls what you see, but is down to your choice in who to follow.

Anyway. Here are ten tips I’m giving to a bunch of teenagers for how to use image-driven social media — mostly not thinking about Facebook — as Christians.

1. Remember that you are God’s Social Media

We were made in God’s image to represent him in his world. That’s what images of God in the ancient world did. We, from the beginning, were meant to be God’s media. That was true for Adam, true for Israel, and is true for us in Christ. God should be made known through us, and through our connection with him and with others. We’re his representatives in his world, re-created in Christ to re-represent him.

You show that you are a letter from Christ, the result of our ministry, written not with ink but with the Spirit of the living God, not on tablets of stone but on tablets of human hearts.

— 2 CORINTHIANS 3:3

And we all, who with unveiled faces contemplate the Lord’s glory, are being transformed into his image with ever-increasing glory, which comes from the Lord, who is the Spirit.

— 2 CORINTHIANS 3:18

Therefore, if anyone is in Christ, the new creation has come: The old has gone, the new is here!

— 2 CORINTHIANS 5:17

We are therefore Christ’s ambassadors, as though God were making his appeal through us. We implore you on Christ’s behalf: Be reconciled to God.

— 2 CORINTHIANS 5:20

2. Don’t worship, or become an image of, anything else.

Our human tendency is to make ourselves images of anything but God. Our first inclination is to want to be images of ourselves, rather than dependant on God. To be the pattern for life. That’s basically what Essena admitted above in the words “I have created an image of myself”… in replacing God, we actually end up worshipping ourselves, or some dead thing — an idol — and we become what we worship, and we become disconnected from the one who gave us a pattern for life.

All the stuff we know about media and the brain confirms what the Bible says about idolatry. Our brains are shaped by the things we consume, including the mediums we use to consume things. There’s a saying that’s popular in a particular branch of media studies that looks at the effects of different communication mediums being introduced into society: “We shape our tools, and then, they shape us.” Add this to the line that sums up much of what we know about how our brains take shape “neurons that fire together, wire together” and we find that it’s not just the things we present in our media, but the mediums themselves, that shape us. It’s true that we become what we worship — the objects we fix our sight, imagination, and desires on.

… Idols are silver and gold, made by human hands. They have mouths, but cannot speak, eyes, but cannot see… Those who make them will be like them, and so will all who trust in them.

— PSALM 115:4-5, 8

Do not conform to the pattern of this world, but be transformed by the renewing of your mind.

— ROMANS 12:2

3. Share Jesus.

If we are communication mediums for whatever we worship, then the way we use mediums will reflect who we are, and communicate what it is we worship. If someone looked at your social media accounts, who would they say you worship? Our job isn’t to try to make images of God, or of things we worship, but to point people to God via our lives, and via what God has made (and how we use it). God’s handiwork  — the stuff he makes, including the people he remakes in Christ — should point people to him, which for us means our ‘good works’ that he has prepared for us to do, as a subset of his creative acts, should show who we are “in Christ Jesus.”

For since the creation of the world God’s invisible qualities—his eternal power and divine nature—have been clearly seen, being understood from what has been made, so that people are without excuse.

— ROMANS 1:20

For we are God’s handiwork, created in Christ Jesus to do good works, which God prepared in advance for us to do.

— EPHESIANS 2:10

4. You must decrease. He must increase

Our human tendency is to want to be at the centre. It’s the experience of being creatures whose lives are projections of our own subjectivity — our thoughts, our imagination, our desires, are projected through our actions. The Gospel calls us to re-centre ourselves, and our lives, and our thoughts about others to make Jesus the subject, and the centre of reality, and to point people to him, not ourselves. I like the way John the Baptist describes this experience as he is confronted with the truth about who Jesus is.

He must become greater; I must become less

— JOHN 3:30

This runs counter to the way people in our world use social media to project either ourselves as the ultimate subject of reality, or to present our idols as the subject of our lives and worship.

Do nothing out of selfish ambition or vain conceit. Rather, in humility value others above yourselves, not looking to your own interests but each of you to the interests of the others

— PHILIPPIANS 2:3-4

In a practical sense, this changes the sort of stuff we tend to want to share/project into the world so that we’re not crafting an image of ourselves, but seeking to serve others (which will always, in some sense, involve sharing something of yourself). This Venn Diagram from Wait But Why’s post on 7 Ways to Be Insufferable on Facebook pretty much nails it. Instagram and Snapchat work a little differently to Facebook, but the question is who are your photos pointing to? You? Or Jesus? Who are they serving? You and the image you craft as you ‘worship’? Or Jesus, and others?

5. Don’t Fight.

Nothing looks worse on social media than you arguing with, and grumbling about, other Christians. We’re actually called to be God’s image bearing ‘social media’ together, in and through our relationships with each other as we, together, find our identity in Christ. And arguing and grumbling undermines and so destroys this ‘image’… When we want to fight, Paul’s answer is to “have the same mindset as Christ Jesus,” whose approach to status and power is described in Philippians 2, where Paul follows this instruction, and his description of Jesus’ example, with:

Do everything without grumbling or arguing, so that you may become blameless and pure, “children of God without fault in a warped and crooked generation.” Then you will shine among them like stars in the sky as you hold firmly to the word of life.

— PHILIPPIANS 2:14-16

We’ll stand out on social media as ‘shining stars’ if we make social media a place where we’re not living for our own name, or glory, but for the sake of others — and where we demonstrate this by not fighting or grumbling.

6. Online is great. Offline is greater.

Heaps of people, mostly old people, are super-negative about social media because it’s disembodied. You’re talking at people through a screen. You stare at screens rather than ‘doing life’ in a very present sense. The place you are physically put is definitely part of reality when you are a finite creature, but we’re called to hold our physical reality in balance with the eternal spiritual reality we’ve become part of. As a Christian, you’re connected to the people in your immediate vicinity, but, paradoxically, you’re also connected with God, by the Holy Spirit, and ‘in Christ’ — and through this connection you’re, in a real sense, connected to every other Christian who has ever lived, and who currently lives. Virtual connections are a pointer to this reality, and a great substitute for the physical presence we will enjoy for eternity. If this is a little too abstract — virtual, online, connections are also a way to overcome some of the limits of being finite, in order to have real and significant relationships. They’re a brilliant new way to make space and time less of an impediment for relationships with people, they become dangerous if they stop us ever being really present with the people in our lives, or if we never anticipate coming face to face with those we ‘commune’ or ‘communicate’ with via these channels.

In the old days, like the Bible days, people wrote letters to overcome the limits space and time place on our communication with others. John wrote letters like this — and they’re obviously valuable because they’re in the Bible and have continued circulating for almost 2,000 years since. He saw the value of letters, but placed a greater relational value on presence, and his letters anticipated this presence.

I have much to write to you, but I do not want to use paper and ink. Instead, I hope to visit you and talk with you face to face, so that our joy may be complete.

— 2 JOHN 1:12

What are some ways we can use social media to anticipate or invite face to face contact, even if they’re global relationships? One way is to look forward to, or anticipate, a shared eternity through a shared connection with Jesus.

7. God’s Word is the best media.

Everything God made is, in a sense, media. In that it reveals something about him to us. It helps bridge the divide between creator and creature, or writer and audience. God is most clearly revealed in Jesus, who is most clearly revealed, for us, in the Bible, which is all about him.

Whatever media practices, or social media practices, we cultivate will be best, or at least will relate best to our created purpose, if we start with media practices centred on God’s media. Not our own. And these practices are, at least significantly, to occur within our ‘social network’ as God’s people — we’re not called to plug in the headphones and focus on God as individuals as though we’re an island.

Check this out. This is a fairly famous passage from Colossians. It definitely already has a corporate sense in that the ‘dwelling among you richly’ all relies on things we do together. But our tendency is to think this is speaking particularly to us as individuals. That it’s a set of instructions for personal godliness.

“Let the message of Christ dwell among you richly as you teach and admonish one another with all wisdom through psalms, hymns, and songs from the Spirit, singing to God with gratitude in your hearts. And whatever you do, whether in word or deed, do it all in the name of the Lord Jesus, giving thanks to God the Father through him.”

— COLOSSIANS 3:16-17

But this is a problem, at least a little, because we don’t use youse. Everything about these verses is corporate. Let’s play it again, while breaking all sorts of rules — well, one — about english.

“Let the message of Christ dwell among YOUSE richly as YOUSE teach and admonish one another with all wisdom through psalms, hymns, and songs from the Spirit, singing to God with gratitude in your hearts. And whatever YOUSE do, whether in word or deed, do it all in the name of the Lord Jesus, giving thanks to God the Father through him.”

We need to focus on the message of Christ, via multimedia practices, in relationship. God’s media is media we’re to use socially. And this should both come before we pick up ‘social media’ from the world, and it might inform how we use social media. Not in that it will make us boring regurgitators of random Bible verses, but because this message of Christ should soak everything we do and say as Christians.

How can social media help you, and your ‘network’ have the message of Christ dwell among you richly?

8. Prayer is the best social networking

Prayer is how we express that we have become part of the ultimate social network — that we have, in a profound way, been united with the God who made the universe. That we have been brought into the eternal, self-giving, community of the Trinity, and invited to communicate with God, our Father, in a way that is enabled by Son and Spirit. The prayer of Jesus in John 17 is an incredibly profound demonstration of prayer, and explanation of the privilege we now have as pray-ers.

“My prayer is not for them alone. I pray also for those who will believe in me through their message, that all of them may be one, Father, just as you are in me and I am in you. May they also be in us so that the world may believe that you have sent me.”

— JOHN 17:20-21

We are members of this incredible social network, and with that, comes the privilege of communicating in this network — but also the responsibility to pray for those in every other one of our networks. There is not a person you are connected with on social media who you are not instructed to pray for. We’re called to pray for our enemies (Matthew 5:44), for our fellow Christians (which Paul models in Ephesians 1:15-18, and then instructs us to do in Ephesians 6:18-20).

How might social media help you to pray for the people in your life?

9. Use your new imagination to share Jesus on new mediums

There are plenty of pitfalls with adopting new mediums without thinking. But we’ve been adopted into a new ‘network’ in a way that gives us great freedom to act as people with renewed minds, who are being transformed by God’s media. We are creatures of imagination, and we’re invited to use these in creating and participating in media, as God’s media. Giving people a bunch of rules and regulations for how to be ‘good’ social media users is a guaranteed way to make people un-imaginative and inauthentic on social media. It’s a pitfall most social media experts fall into. The formula for success is to be generous, interesting and authentic. So. How might we use snapchat or instagram? Be creative. Tell stories. Throw attention onto others. Celebrate.

I had a great coffee with my mate Dave Miers this week and picked his brain about how he — very intentionally — uses check-ins and hashtags to share bits of what he believes with strangers on Instagram. He’s even had someone come to his church because they started following him on Instagram because he uses relevant local hashtags, and tags photos in excellent local places, while sharing snippets of what he’s thinking or reading in God’s word, or in books he’s reading in those cafes.

10. Tell real(ly thankful) stories

This follows the above. People love stories. We are creatures who live by stories as we create stories. Social media thrives on stories. Most people craft stories that are boring and self-seeking, or tap into some story that we want to imagine ourselves living. I love stuff like the 365 Grateful project that encourages people to cultivate gratitude.

And I reckon gratitude is fantastic. But I think we, as Christians, are called to appropriately direct our gratitude beyond the great people in our lives, and past the ‘universe’ which conspires to give us great experiences — and we’re called to cultivate thankfulness to the God who makes excellent media, who has re-created us to be actors in his story. That’s how we give God’s world its purpose back — how we stop falling into the trap of living for ourselves, or making the mistake of worshipping God’s great media instead of God as the imaginative creator of great media.

For everything God created is good, and nothing is to be rejected if it is received with thanksgiving, because it is consecrated by the word of God and prayer.

— 1 TIMOTHY 4:4-5

We cultivate thankfulness in the same way that people are trying to practice gratitude. By expressing it. In real ways. By being thankful for the big things, and small things, God has made. And by using social media to do that — to be thankful for what God has given us, in this world and in Jesus, and by being thankful for the people he has given us as part of our networks. That’s a natural way to soak your life in the message of Christ, and to be God’s workmanship, rather than building your own image via the things you share online.

What does an advancing Australia look like? On anthems, home, and welcomes

Australians all let us rejoice, For we are young and free…

t-shirt
Image Credit: Flogged from a site I won’t link to that is selling this hideous ideology-as-T-shirt-slogan.

It seems some Christians who love Australia are joining in the chorus of angry voices shouting variants of the “if you don’t love it, leave it” slogan at some Muslim school children who left a room while their classmates sang the national anthem in a Victorian school.

I don’t get it. I mean, I get that the national anthem is the closest thing we’ve got to a sacred song in terms of our nationalistic religion, and so walking out is an act of impiety, at best, and sacrilege, at worst. And so I expect certain sections of the community to be up in arms when believers from another religion don’t follow these cultic practices, or appear to be insulting them. But I’m confused, a little, on two fronts. The first is what sort of freedom we’re rejoicing in as we sing the national anthem if it doesn’t include the freedom not to sing, the second is how to navigate the murky pool of Christianity and patriotism, or nationalism, without forgetting that we too, are exiles, and that we too, are called to not bow the knee to nationalistic cults if such knee-bowing represents a betrayal of our religious convictions.

… we are young and free

Are we? What sort of freedom are we believing in, as Australians — and as Christians in Australia — when we echo the ‘love it or leave it’ slogan? Is there any greater curtailing of freedom than to force people to participate in something that clashes with their fundamental view of the world, or of citizenship? Do we really want to be throwing citizenship in a pluralistic, liberal, democracy — one that believes in ‘freedom’ — up against religious belief and practice? Isn’t that a privilege that we as Christians can only rely on if we deliberately forget our history — the story of the emergence of the Church, indeed, the story of the incarnation of Jesus — against hostile worldly empires? That’s the story of the Old Testament, and the story of the New, it’s the story of the Early Church, and the story of the Reformation.

It seems to me that Christians calling on faithful Muslims to leave because they can’t align their religious beliefs with Australianism, in order to be consistent, would historically have called Daniel to leave Babylon, the Israelite exiles to no longer ‘seek the welfare’ of the pagan cities they were carried off to, and would have called early Christians to pack up their bags and flee the Roman empire. It seems they’d be forced to ask, in essence, Jesus to bow the knee to Caesar.

It seems, not to be too dramatic, that if we adopt the ‘love it or leave it’ slogan to throw it at our ‘ideological enemies’ — those whose religious faith is at odds with our own — we’re in danger of becoming a bit like the Pharisees at Jesus’ trial. There’s a risk that we might become so keen to end the ‘freedoms’ of a competing religion, Islam, that we’ll sign up with any common enemy of Islam at the cost of our own soul.

From then on, Pilate tried to set Jesus free, but the Jewish leaders kept shouting, “If you let this man go, you are no friend of Caesar. Anyone who claims to be a king opposes Caesar.”…

“Here is your king,” Pilate said to the Jews.

But they shouted, “Take him away! Take him away! Crucify him!”

“Shall I crucify your king?” Pilate asked.

“We have no king but Caesar,” the chief priests answered.

Finally Pilate handed him over to them to be crucified. — John 19:12, 14-16

Christians have always had a funny relationship with the secular state. With worldly notions of nationhood. We want to live in such a way, as foreigners within our ‘home’ country, that people see where home really is, and to what kingdom we truly belong as citizens.

But you are a chosen people, a royal priesthood, a holy nation, God’s special possession, that you may declare the praises of him who called you out of darkness into his wonderful light. Once you were not a people, but now you are the people of God;once you had not received mercy, but now you have received mercy.

Dear friends, I urge you, as foreigners and exiles, to abstain from sinful desires, which wage war against your soul. Live such good lives among the pagans that, though they accuse you of doing wrong, they may see your good deeds and glorify God on the day he visits us. — 1 Peter 2:9-12

Just after this little passage, Peter describes what it looks like for Christians to live as exiles in a hostile world — a world, or empire, that crucified the king of God’s kingdom. He outlines a path towards radical change and transformation. He describes why Christians might feel a sense of pride, or belonging, as we sing a nation’s anthem (without feeling like we’ve necessarily sold our soul in order to join a civil cult).

Submit yourselves for the Lord’s sake to every human authority: whether to the emperor, as the supreme authority, or to governors, who are sent by him to punish those who do wrong and to commend those who do right. For it is God’s will that by doing good you should silence the ignorant talk of foolish people. Live as free people,but do not use your freedom as a cover-up for evil; live as God’s slaves. Show proper respect to everyone, love the family of believers, fear God, honor the emperor. — 1 Peter 2:13-17

Honouring the emperor — participating in the empire — never extended to worshipping the emperor or participating in a litmus test based on nationalistic religion. A Christian in Rome was free to not pray to the emperor — a Roman rite of passage — while still feeling like they could live in Rome and contribute to public life, ‘doing good’ and while still honouring the emperor.

In a Christian framework, you don’t have to bow the knee, or offer a sort of lip service, to the nationalistic cult. You have to participate in public life for the good of the people around you, out of love for neighbour and enemy. A letter, called the Letter to Diognetus, from some time in the second century, describes the Christian approach to life in the world, life, as it were, as exiles.

Christians are indistinguishable from other men either by nationality, language or customs. They do not inhabit separate cities of their own, or speak a strange dialect, or follow some outlandish way of life. Their teaching is not based upon reveries inspired by the curiosity of men. Unlike some other people, they champion no purely human doctrine. With regard to dress, food and manner of life in general, they follow the customs of whatever city they happen to be living in, whether it is Greek or foreign.

And yet there is something extraordinary about their lives. They live in their own countries as though they were only passing through. They play their full role as citizens, but labor under all the disabilities of aliens. Any country can be their homeland, but for them their homeland, wherever it may be, is a foreign country. Like others, they marry and have children, but they do not expose them. They share their meals, but not their wives.

The Christian message, if reduced to a shirt slogan, is not just the anti-thesis of love it or leave it, it’s not just that we look around us at our earthly home and say “if you do love it, stay”, but we look towards our eternal home and say “we love our home, come”… and the way we live now — our hopes, our practices, our participation in the public life of our place — reflects this slogan.

It might seem specious to equate the worship of a Roman emperor with the singing of a national anthem, but if the sentiment behind “if you don’t love it, leave it” or the sense that a person is, or isn’t, truly Australian based on their desire to sing the anthem or salute the flag truly represents an understanding of what it means to really be a ‘citizen’ here, then it’s not far off. In the early years of the church, when the Roman Empire was looking to weed out this disruptive sect that was threatening civic life as those in power knew it — such was the transformative power of the Christian ethos — the test applied to Christians, a citizenship test for people who considered themselves exiles in the empire, was to see if the Christian would bow the knee to Caesar, to deny Jesus. The Governor, Pliny, describes his application of this test — and motivation — to the Emperor, Trajan:

An anonymous document was published containing the names of many persons. Those who denied that they were or had been Christians, when they invoked the gods in words dictated by me, offered prayer with incense and wine to your image, which I had ordered to be brought for this purpose together with statues of the gods, and moreover cursed Christ — none of which those who are really Christians, it is said, can be forced to do–these I thought should be discharged. Others named by the informer declared that they were Christians, but then denied it, asserting that they had been but had ceased to be, some three years before, others many years, some as much as twenty-five years. They all worshipped your image and the statues of the gods, and cursed Christ.

In response, Trajan says:

“They are not to be sought out; if they are denounced and proved guilty, they are to be punished, with this reservation, that whoever denies that he is a Christian and really proves it —that is, by worshiping our gods — even though he was under suspicion in the past, shall obtain pardon through repentance.”

Is this the tradition we want Australia to stand in, is this what we want freedom to look like?

Are we asking these Muslims to deny their faith in order to participate as citizens in our nation? What are Christians doing standing behind those demands — if not a sort of obvious fear and desire for self-preservation built on some sort of belief in Australia’s ‘Christian heritage’?

We, Christians, have always celebrated our ability to live as exiles — and our commitment to not bowing the knee to Caesar, selling out Jesus for the sake of belonging in our worldly kingdom. We’ve lost that in the era of Christendom, and as we’ve simply assumed a corollary between the civil cult and Christian belief. For as long as Anzac Day services are held in Christian churches, with prayers led by Christian ministers, we’ll believe there’s a close link between the two, and so, the Muslim will be the outsider. But days are coming when the laws of our land will place similar constraints on Christian belief, and we might face very similar tests to these Muslim students about where our allegiance really lies. In these future days we’ll be looking to the sentiment expressed by the anthem — a desire for a nation built on freedom — and we might remember days like these where we weren’t so quick to extend that freedom to others.

It seems odd that we don’t want to extend this freedom — to be defined by a religious citizenship — to citizens of other religious kingdoms. Sure, the values of those kingdoms might be at odds with their host nations, and such kingdoms might indeed seek to change the nature of their home culture, or transform it according to their religious vision of the good and flourishing society, but aren’t we all actually compelled to do that? Isn’t this what pluralism, and freedom, looks like? Isn’t this what we sing about when we talk about Australia being a land we want to share with those who’ve come across the seas? Isn’t there an irony here in terms of what European settlement did to the Australian culture it was met with on arrival?

For those who’ve come across the seas
We’ve boundless plains to share;
With courage let us all combine
To Advance Australia Fair.

Isn’t courageous combining, placed alongside the ‘freedom’ of the first verse, an aspiration to live well together. To share the table of our ‘boundless plains’ with others, even if they don’t agree with us? Isn’t the unity we’re called to express in the act of singing this anthem a unity that transcends whether or not we choose to sing the anthem, and is located more in a common desire to live together for the sake of the nation of Australia ‘advancing’ towards some advancing view of the good life? And what sort of good life are we talking about if it involves the excluding of certain freedoms.

Obviously this unity requires a certain desire to ‘combine’ with courage, rather than to not combine — but assimilation isn’t really courageous combination. It’s cowardly. It involves a fear of the different, rather than a celebration. From what I can tell of the motivations of those young Muslims who did not sing the anthem with their classmates, it was not a repudiation of a desire to see Australia advance in this way, but a desire to simultaneously be committed to their religious convictions, to live, as it were, as citizens of two worlds — the world created by their religious beliefs, and the world created by a common love for Australia. Like any story that becomes part of the outrage cycle, we’ve now got extremists posturing for both camps.  The Herald Sun reports that the initial rationale behind the withdrawal was specifically linked to a religious practice.

Principal Cheryl Irving said during the month of Muharram Shi’a Muslims do not take part in joyous events, such as listening to music or singing, as it was a period of mourning.

“Muharram is a Shi’a cultural observation marking the death of Imam Hussein,” Ms Irving said. “This year it falls between Tuesday October 13 and Thursday November 12.

“Prior to last week’s Years 2-6 assembly, in respect of this religious observance, students were given the opportunity to leave the hall before music was played.

“The students then rejoined the assembly at the conclusion of the music.”

These students bravely took a stand on the basis of their convictions about the world — if these were Christians the Christian commentariat would be lauding their bravery and describing their actions as martyrdom. These students then, despite this obvious difference, returned to the gathering — an act of courageous combination with a view to participating in life with their peers, as Australians. This is, I would’ve thought, the sort of Australia we join to sing into being. Songs have the capacity to powerfully shape actions and ethics — that is one of the many reasons that Christians sing together, and it’s why nations and sporting teams create songs which foster harmony within the group. Singing the anthem is, in a sense, a speech-act, a declaration of an ideal. Perhaps this is why we mostly skip the second verse. Perhaps this is to recognise that modern Australia is not advancing the way we hoped. Perhaps it’s to put our guilty consciences at ease about the way settlers treated first Australians, or maybe it’s about our wavering commitment to sharing with those who come across the seas, and a sense that our boundless plains, or generosity might not be so boundless after all. Perhaps the second verse makes us uncomfortable because it calls us to live beyond our comfort zones.

Maybe we need to return to this ideal — whether we sing it together, or live out this courageous commitment to combining with those we disagree with for the common good. This is the Australia the anthem envisages, and so, creates as an ideal. A nation built on the courageous combination of people and worldviews, and commitment to generous sharing of our natural resources, with ‘those who’ve come across the seas.’ That, more than anything, is a gift given to us by the continued undeserved generosity of the first people to share Australia with sea-faring settlers. I’m blown away, with great regularity, by the willingness of Indigenous Australians to conduct ‘Welcome To Country’ ceremonies at different events, and with the generous manner that Indigenous elders participate in discussions about asylum seekers.

In joyful strains then let us sing, Advance Australia Fair.

Songs really are powerful. Songs really do give us a sense of home — perhaps this Muslim tradition has actually recognised something powerful that Christians have forgotten, at least if we don’t think the singing of the anthem is a big deal. I have no doubt that Christians can sing the anthem with gusto — particularly with a vision for how we might act out these words in a manner consistent with our faith, and with our calling to live as exiles who do good for the benefit of those around us, and so they might know the truth of our belief. It’s interesting that in that correspondence between Pliny and Trajan, the governor mentions that his investigations have established that Christian practice involves singing what, in the face of the belief that the Emperor was divine, a truly subversive song:

They asserted, however, that the sum and substance of their fault or error had been that they were accustomed to meet on a fixed day before dawn and sing responsively a hymn to Christ as to a god, and to bind themselves by oath, not to some crime, but not to commit fraud, theft, or adultery, not falsify their trust, nor to refuse to return a trust when called upon to do so. When this was over, it was their custom to depart and to assemble again to partake of food —but ordinary and innocent food.

Our singing loses its subversive power if we either deny the significance of the singing of the national anthem, and thus call on religious people to sing it without question, or if we assume it is a song that can truly represent our view of good citizenship apart from our true citizenship in the Gospel. Our songs, our Christian anthems, contain the subversive truth that should shape even our singing of the national anthem as it shapes our view of home, and of where we belong. Perhaps the best we have, at this, is the one that the Apostle Paul quotes in Philippians. Perhaps this should be our anthem, and perhaps it should shape our approach to other kingdoms — be it the kingdom of Australia, or the various kingdoms envisaged by our Muslim neighbours who put their trust in interpretations of the visions of the ‘good life’ as described by Mohammed. Our vision of the good life is captured in the example of the one who truly lived ‘a good life’ — who was crucified for refusing to compromise the nature of his kingdom in the face of the Empire he lived and walked in, and who, through his crucifixion, was crowned as the real king of the universe. The one who invites us home.

Who, being in very nature God,
    did not consider equality with God something to be used to his own advantage;
rather, he made himself nothing
    by taking the very nature of a servant,
    being made in human likeness.
And being found in appearance as a man,
    he humbled himself
    by becoming obedient to death—
        even death on a cross!

Therefore God exalted him to the highest place
    and gave him the name that is above every name,
that at the name of Jesus every knee should bow,
    in heaven and on earth and under the earth,
 and every tongue acknowledge that Jesus Christ is Lord,
    to the glory of God the Father.
— Philippians 2:6-11

It’s only when we forget this song, and the vision of the world it brings, that we start to believe others refusing to sing Advance Australia Fair are worth condemning. This song compels us to invite people to an eternal home, rather than calling them to leave our temporary one. It also invites us Christians to ‘courageously combine’ with each other, for the good of those around us, to, in the words which precede this song in Philippians “have the same mindset of Christ” as we live to see the nation we live in truly advance as it transforms. The result of owning this song as an anthem is never to ask people to leave — but to extend hospitality, and ask people to stay.

SNIPPET // Athanasius on the Incarnation

In case you’re wondering what the deal with these ‘snippet’ posts is. I use this site, at least in part, to store/collect interesting ideas, quotes, etc. But the things have to be suitably useful that I think other people might enjoy them too. I’m currently putting together some material for church for a series we’re going to do on the Image of God next year. So I dipped into Athanasius’ On The Incarnation of the Word, and I like all of this for different reasons. Partly because it gives us a sense of just how small the God people believe we believe in has become — most people writing popular atheism stuff are not tilting at the God Athanasius talks about here, but instead, a God who exists within nature whose supernatural intervention should be observable. This is a modern category.

This is the entire first chapter of Athanasius’ masterpiece. It’s worth stewing over a bit, I reckon. I don’t necessarily think everything Athanasius writes is 100% correct, but it is early Christian thought, and it is stimulating. I’ve bolded some bits that I found particularly fun to chew over…

Creation and the Fall

(1) In our former book we dealt fully enough with a few of the chief points about the heathen worship of idols, and how those false fears originally arose. We also, by God’s grace, briefly indicated that the Word of the Father is Himself divine, that all things that are owe their being to His will and power, and that it is through Him that the Father gives order to creation, by Him that all things are moved, and through Him that they receive their being. Now, Macarius, true lover of Christ, we must take a step further in the faith of our holy religion, and consider also the Word’s becoming Man and His divine Appearing in our midst. That mystery the Jews traduce, the Greeks deride, but we adore; and your own love and devotion to the Word also will be the greater, because in His Manhood He seems so little worth. For it is a fact that the more unbelievers pour scorn on Him, so much the more does He make His Godhead evident. The things which they, as men, rule out as impossible, He plainly shows to be possible; that which they deride as unfitting, His goodness makes most fit; and things which these wiseacres laugh at as “human” He by His inherent might declares divine. Thus by what seems His utter poverty and weakness on the cross He overturns the pomp and parade of idols, and quietly and hiddenly wins over the mockers and unbelievers to recognize Him as God.
Now in dealing with these matters it is necessary first to recall what has already been said. You must understand why it is that the Word of the Father, so great and so high, has been made manifest in bodily form. He has not assumed a body as proper to His own nature, far from it, for as the Word He is without body. He has been manifested in a human body for this reason only, out of the love and goodness of His Father, for the salvation of us men. We will begin, then, with the creation of the world and with God its Maker, for the first fact that you must grasp is this: the renewal of creation has been wrought by the Self-same Word Who made it in the beginning. There is thus no inconsistency between creation and salvation for the One Father has employed the same Agent for both works, effecting the salvation of the world through the same Word Who made it in the beginning.
(2) In regard to the making of the universe and the creation of all things there have been various opinions, and each person has propounded the theory that suited his own taste. For instance, some say that all things are self-originated and, so to speak, haphazard. The Epicureans are among these; they deny that there is any Mind behind the universe at all. This view is contrary to all the facts of experience, their own existence included. For if all things had come into being in this automatic fashion, instead of being the outcome of Mind, though they existed, they would all be uniform and without distinction. In the universe everything would be sun or moon or whatever it was, and in the human body the whole would be hand or eye or foot. But in point of fact the sun and the moon and the earth are all different things, and even within the human body there are different members, such as foot and hand and head. This distinctness of things argues not a spontaneous generation but a prevenient Cause; and from that Cause we can apprehend God, the Designer and Maker of all.

Others take the view expressed by Plato, that giant among the Greeks. He said that God had made all things out of pre-existent and uncreated matter, just as the carpenter makes things only out of wood that already exists. But those who hold this view do not realize that to deny that God is Himself the Cause of matter is to impute limitation to Him, just as it is undoubtedly a limitation on the part of the carpenter that he can make nothing unless he has the wood. How could God be called Maker and Artificer if His ability to make depended on some other cause, namely on matter itself? If He only worked up existing matter and did not Himself bring matter into being, He would be not the Creator but only a craftsman.

Then, again, there is the theory of the Gnostics, who have invented for themselves an Artificer of all things other than the Father of our Lord Jesus Christ. These simply shut their eyes to the obvious meaning of Scripture. For instance, the Lord, having reminded the Jews of the statement in Genesis, “He Who created them in the beginning made them male and female . . . ,” and having shown that for that reason a man should leave his parents and cleave to his wife, goes on to say with reference to the Creator, “What therefore God has joined together, let no man put asunder.” How can they get a creation independent of the Father out of that? And, again, St. John, speaking all inclusively, says, “All things became by Him and without Him came nothing into being.” How then could the Artificer be someone different, other than the Father of Christ?

(3) Such are the notions which men put forward. But the impiety of their foolish talk is plainly declared by the divine teaching of the Christian faith. From it we know that, because there is Mind behind the universe, it did not originate itself; because God is infinite, not finite, it was not made from pre-existent matter, but out of nothing and out of non-existence absolute and utter God brought it into being through the Word. He says as much in Genesis: “In the beginning God created the heavens and the earth; and again through that most helpful book The Shepherd, “Believe thou first and foremost that there is One God Who created and arranged all things and brought them out of non-existence into being.” Paul also indicates the same thing when he says, “By faith we understand that the worlds were framed by the Word of God, so that the things which we see now did not come into being out of things which had previously appeared.” For God is good—or rather, of all goodness He is Fountainhead, and it is impossible for one who is good to be mean or grudging about anything. Grudging existence to none therefore, He made all things out of nothing through His own Word, our Lord Jesus Christ and of all these His earthly creatures He reserved especial mercy for the race of men. Upon them, therefore, upon men who, as animals, were essentially impermanent, He bestowed a grace which other creatures lacked—namely the impress of His own Image, a share in the reasonable being of the very Word Himself, so that, reflecting Him and themselves becoming reasonable and expressing the Mind of God even as He does, though in limited degree they might continue for ever in the blessed and only true life of the saints in paradise. But since the will of man could turn either way, God secured this grace that He had given by making it conditional from the first upon two things—namely, a law and a place. He set them in His own paradise, and laid upon them a single prohibition. If they guarded the grace and retained the loveliness of their original innocence, then the life of paradise should be theirs, without sorrow, pain or care, and after it the assurance of immortality in heaven. But if they went astray and became vile, throwing away their birthright of beauty, then they would come under the natural law of death and live no longer in paradise, but, dying outside of it, continue in death and in corruption. This is what Holy Scripture tells us, proclaiming the command of God, “Of every tree that is in the garden thou shalt surely eat, but of the tree of the knowledge of good and evil ye shall not eat, but in the day that ye do eat, ye shall surely die.” “Ye shall surely die”—not just die only, but remain in the state of death and of corruption.
(4) You may be wondering why we are discussing the origin of men when we set out to talk about the Word’s becoming Man. The former subject is relevant to the latter for this reason: it was our sorry case that caused the Word to come down, our transgression that called out His love for us, so that He made haste to help us and to appear among us. It is we who were the cause of His taking human form, and for our salvation that in His great love He was both born and manifested in a human body. For God had made man thus (that is, as an embodied spirit), and had willed that he should remain in incorruption. But men, having turned from the contemplation of God to evil of their own devising, had come inevitably under the law of death. Instead of remaining in the state in which God had created them, they were in process of becoming corrupted entirely, and death had them completely under its dominion. For the transgression of the commandment was making them turn back again according to their nature; and as they had at the beginning come into being out of non-existence, so were they now on the way to returning, through corruption, to non-existence again. The presence and love of the Word had called them into being; inevitably, therefore when they lost the knowledge of God, they lost existence with it; for it is God alone Who exists, evil is non-being, the negation and antithesis of good. By nature, of course, man is mortal, since he was made from nothing; but he bears also the Likeness of Him Who is, and if he preserves that Likeness through constant contemplation, then his nature is deprived of its power and he remains incorrupt. So is it affirmed in Wisdom: “The keeping of His laws is the assurance of incorruption.” And being incorrupt, he would be henceforth as God, as Holy Scripture says, “I have said, Ye are gods and sons of the Highest all of you: but ye die as men and fall as one of the princes.”
(5) This, then, was the plight of men. God had not only made them out of nothing, but had also graciously bestowed on them His own life by the grace of the Word. Then, turning from eternal things to things corruptible, by counsel of the devil, they had become the cause of their own corruption in death; for, as I said before, though they were by nature subject to corruption, the grace of their union with the Word made them capable of escaping from the natural law, provided that they retained the beauty of innocence with which they were created. That is to say, the presence of the Word with them shielded them even from natural corruption, as also Wisdom says: “God created man for incorruption and as an image of His own eternity; but by envy of the devil death entered into the world.” When this happened, men began to die, and corruption ran riot among them and held sway over them to an even more than natural degree, because it was the penalty of which God had forewarned them for transgressing the commandment. Indeed, they had in their sinning surpassed all limits; for, having invented wickedness in the beginning and so involved themselves in death and corruption, they had gone on gradually from bad to worse, not stopping at any one kind of evil, but continually, as with insatiable appetite, devising new kinds of sins. Adulteries and thefts were everywhere, murder and raping filled the earth, law was disregarded in corruption and injustice, all kinds of iniquities were perpetrated by all, both singly and in common. Cities were warring with cities, nations were rising against nations, and the whole earth was rent with factions and battles, while each strove to outdo the other in wickedness. Even crimes contrary to nature were not unknown, but as the martyr-apostle of Christ says: “Their women changed the natural use into that which is against nature; and the men also, leaving the natural use of the woman, flamed out in lust towards each other, perpetrating shameless acts with their own sex, and receiving in their own persons the due recompense of their pervertedness.”

A video to help give you a sense of how we do church

Chances are you’re reading this because you’re my friend, you may have worked with me, gone to school with me, you might always have that nagging suspicion about my sanity because I work for a church.

Are you one of the many Aussies who grew up going to a church run school, or who occasionally got dragged along to Sunday school by a friend, or relative? Are you a little bit curious about why, given your experience of church, anyone bothers getting out of bed on a Sunday to hang around with a bunch of people they don’t really know, who they probably have no good reason to love?

We’d love to help answer this curiosity, and so, this video is something our church Media Team put together to help re-introduce the idea of church. Most churches have moved on from the sort of church you might have experienced in your childhood. We’re mostly only 10 years behind the curve now when it comes to technology and our ability to understand and make culture. But hopefully we’re catching up.

If you haven’t been to church for a while, and don’t know what to expect if ever you ‘darken the doors’ of a church now, or don’t know what it is that churches that aren’t the church you might remember from your school years, or Sunday school as a kid, here’s a little run through of how and why we do things the way we do at our church.

You might be watching this video because you work for a church and you’re trying to figure out what you have to say about your church, or what you can offer the people around you. I quite like this as a departure from some of our previous ‘vision videos’ where we describe who we are in terms of what we want to achieve. I was very involved in some of those, this time around, my version of this video involved a talking smart fridge of the future. I think we can all agree this is a better video because it didn’t go with that idea.

If you haven’t been for a while, and you live in Brisbane, then why not come check us out one Sunday — or, if you’re not in Brisbane, or nowhere near South Bank, Carina, or Springfield (where Creek Road churches meet) let me know where you live and I’ll introduce you to a church near you.

A letter to our Immigration Minister re: #Abyan

The debates around asylum seekers and the complex nature of the global refugee crisis often involve more heat than light. This is me trying to throw a little bit of light into the mix. The story of the suffering Somali Refugee Abyan has gone through at our hands has led me to shed tears, and led me to cry out for something different. Something that breaks this cycle.

Love, love is a verb.
Love is a doing word.
Feathers on my breath.
Gentle impulsion
Shakes me, makes me lighter. — Teardrop, Massive Attack

The story of Abyan, the pregnant Somali woman (allegedly) raped on Nauru, has been belting my brain about this week, and my heart. It’s such a compounding of personal, national and international tragedy that it has driven me as close to despair as the story of Aylan Kurdi. Abyan’s situation is the result of many evils, and she has been tossed around on an ocean of horror — literally even — from Somalia, to a journey involving leaky boats and people smugglers, to Nauru, and into the hands of this evil man.

I despair at the lack of options on the table for Abyan at every step on this journey. I despair at the lack of choice. I despair that her dignity has been taken from her — a little more — at every turn. And that I, as an Australian, have been complicit in some of this, and that we in our prosperity, have the potential to offer dignity and freedom much earlier in the piece, and the responsibility to offer it now. As costly as this will be for us in dollar terms. The problem is that we keep trying to outsource this cost to our government, to be paid for by our taxes, sure, but we want to wash our hands of the decision making, and keep them clean when it comes to dealing with the mess. Our government — our politicians — then become the people we send in to clean up our horrid mess, and we crucify them because their hands get dirty. That doesn’t seem fair either.

I was blown away by many things at the recent Faith and Public Office Conference (12 of them here), one was the metaphor of ‘dirty hands’ — the cost that comes with being someone who bears responsibility in public office, who has to navigate complex moral issues on our behalf, and bear the cost of often attempting to choose the lesser of two evils in order to do good. Politics can be a messy game. It’s easy to throw stones from the sidelines so that we never dirty our own hands. It’s easy to get outraged, to grandstand, to say “not in my name” — but to never put your name on the line, like our politicians have, and to never offer to get your hands dirty.

The catch in this situation — in Abyan’s story — is, I can’t see a good or convenient way out of this mess, like many can. I absolutely recognise that other people think differently on this — and are free to. But, I’m not sure the ‘clean’ answer was not simply for our government to allow her pregnancy to be terminated. Some may argue that this is the ‘least messy’ option, or even a good option, but as a Christian who believes life within the womb is human life, I don’t think ‘termination’ is a ever a ‘good’ option (it may be a least bad option — like in situations where there’s a genuine choice between the life of a mother, and her child). If I’m being consistent, it always involves the ‘termination’ — the death — of a human life. At 14 weeks, this life within Abyan, is moving, it has a beating heart. It has just learned to “grasp, squint, frown, and grimace. It may even be able to suck its thumb.” I know this because when you want to keep a baby, you treat it as a life from the moment you know it is there, there are websites and books where you read about this stuff, and you chart the milestones (especially on the first, after that, it’s all a bit passé until they take that first breath and you know you’ve run the pregnancy gauntlet).

Despite the obvious (and consistently drawn) link to unborn children in the film clip to Massive Attack’s Teardrop (featured above), I think the song is about the cost of life in this messy world (here’s a little account of the life of Elizabeth Fraser, who wrote the lyrics, including what she says the song’s metaphor means for her). I think it, both lyrically and in the video, explores the cost of life lived with death — or mess — or our broken humanity — as an ever-present consequence. The fragility of life. It’s better, perhaps, not to be born into this world, except that birth is the path to life, and life itself is inherently good. Even though it hurts. I think it offers stumbling love — love as a verb — as the solution for us as we navigate this together.

Teardrop on the fire.
Feathers on my breath.

You’re stumbling into all…
You’re stumbling into all… — Teardrop, Massive Attack (I took a while to settle on the ‘official’ lyrics of this song, because nowhere on the internet seems to agree, but José Gonzalez’s cover is relatively clear)

What does love look like here? For Abyan? In this mess? Love, I think, looks like being prepared to stand beside Abyan, to bear some of the cost, to lay down something of ourselves for her sake.

I should be filled with the same grief at the picture of an ultrasound of a refugee baby ‘terminated’ — aborted — as a result of our solution to this complex global issue as I am by the picture of a child who fled evil but didn’t make it into the care of a nation like us. I don’t think Abyan should be forced to carry the cost of this evil — any of it — perpetrated on her for the rest of her life either (I expand on this a bit in the letter below, so before you send me hate mail, read that, and then send me hate mail). In isolation, there’s no ‘good’ outcome here — but people aren’t meant to live in isolation, we’re meant to carry the cost of evil together. To dirty our own hands for the sake of pulling someone out of the mud of these horrors (in part, lest these horrors also pull us into the mud).

Ultimately what happens to this life — this baby — will be, and should be, Abyan’s choice. But at the moment, at least if we’re talking about this pregnancy as involving a life, she has no good options. We all make life and death choices about those we have a responsibility for, every day, I’m about to feed my own kids a healthy breakfast — and the choice not to serve them an unhealthy breakfast will shape their lives. But this isn’t a decision she should make alone, and it’s not a decision she should make confronted with only terrible options. That sort of decision compounds the horror of this horrible set of circumstances. I like the idea, throughout the Bible but best articulated in Deuteronomy, that our decision making is generational. That we shape the people who come after us as we make decisions that end up being decisions made on their behalf — and what marks out people who follow the living God of the Bible, is that we choose life at every turn, even if it costs us — a pattern we ultimately see in Jesus, but one that’s there in the opening books of the Bible, this was the choice facing God’s people in the Old Testament:

“I call heaven and earth to witness against you today, that I have set before you life and death, the blessing and the curse. So choose life in order that you may live, you and your descendants” — Deuteronomy 30:19

This choice is harder than it sounds. The Old Testament is the story of people failing over and over again to choose life. Making messy decisions that compound messy decisions. Generationally. We need to choose life over and over again — at our cost — to break this messy cycle in our lives. This, again, is modelled at the Cross, where Jesus chooses his own death, in order to bring life to others. He gets his hands dirty, and pays the cost. So we might live, and so that we might take up our cross and offer to lay down our lives, or get our hands dirty, for the sake of others.

I was challenged by all this — the brokenness of this situation, the ‘dirty hands’ metaphor, and the example of Jesus as a way out, the call to ‘choose life.’ So I wrote to the Hon Peter Dutton MP, the Minister for Immigration and Border Protection, and offered to get my hands dirty. Well, in a generational sense, I offered my family’s hands.

Robyn and I have offered to adopt the unborn baby, and find some way to also care for Abyan. The ‘why’ is a bit buried in the letter. So here it is:

“I’m moved to offer this generosity because I believe that this offer has first been made to me. That as a Christian the model of “getting one’s hands dirty” to solve a product not of one’s making is found in Jesus, whose hands became a bloodied mess as he solved the problems of our making at the Cross. This offer is me taking up my cross.”

I should have said “we” here, because Robyn, without hesitation, said yes to this crazy idea. And I love that. Adoption like this may not be what Abyan wants, it probably isn’t, but I guess my desire for her is simply that she have choices beyond the choices she faces today. I want for her, and for the many like her, that they have not just the same decision making capacity, dignity, and freedom they’d have without the suffering they’ve experienced and fled from, but that this would be increased because they have the offer of stumbling love from their global neighbours to add to the mix. So our offer, really, is an offer to love Abyan according to whatever terms she, and our government, might allow.

The tragedy is that there are many Abyans. The global refugee crisis creates stories like this every day. We’ve heard Abyan’s story because it has been brought to our attention, but our responsibility extends to Abyan, and beyond. Are you prepared to dirty your own hands? Maybe it’s time you told someone, someone who has had their skin in the game — via politics — for some time. Maybe it’s time we stopped haranguing — however gently — and started offering our empathy, and our assistance.

And so:

 


Dear Peter,

I’ve been praying for you, and your office this week (and for many weeks, but especially this week). I lead a church community in South Bank, Brisbane, and some of our number are refugees in the community on bridging visas. I’ve heard their stories and I know just how complicated the refugee issue is globally, and locally. I know its a situation where there are no ‘good’ or easy solutions. That millions of people have been displaced, are hurting, and are needing care. I want to make the following offers, and I explain why below.

1. I would like to find a home for Abyan’s child, it seems that a decision has been made that this child will be born. I would like to spare Abyan from as much cost involved in this decision as possible. And I would like to pay it. I’m sure there would be people in our church community who would be willing to adopt Abyan’s child, because I spoke to my wife this morning and we would be happy to adopt this child. There may be others more fitting. But somebody needs to make this offer.

2. I know this one would involve invoking your Ministerial prerogative, but I would like to offer our community’s care to Abyan, so that if she wishes, throughout her life, she might have a relationship with this child. But I would find housing and an appropriate amount of counselling and care for her within our community, or the wider Christian community in Brisbane.

My prayer for you, offered every time a story like this hits the paper, is that you would continue to act with wisdom and increasingly act with compassion. I think we can always have more compassion, and the refugee crisis is getting worse, so our compassion must keep increasing. I believe the outpouring of offers of support from within the Australian community in response to the Syrian crisis is a turning point and an example of what this might look like. People in the community stand ready, willing, and able to open our homes to those in crisis. We’re prepared to open ours for as long as it takes.

I’m moved to offer this generosity because I believe that this offer has first been made to me. That as a Christian the model of “getting one’s hands dirty” to solve a product not of one’s making is found in Jesus, whose hands became a bloodied mess as he solved the problems of our making at the Cross. This offer is me taking up my cross.

I know this situation is complex. It’s a mess — and not of our making. It’s horrific and I thank you for bearing the cost of that horror, seeing and knowing things that most of us would wish to remain ignorant of. Making decisions on the basis of data that we don’t have.

I know also, that in our prosperity, Australia has a role to play in providing that care and this role is often outsourced to the government. We want to wash our hands while yours get dirty, and at our worst, we want to point at your dirty hands as evidence of a lack of compassion, when we could instead be extending them to help.

I read the story of Abyan and her rape on Nauru with horror. Horror because there is no way that I, as an Australian, put her in this situation, as much as the people smugglers and her decision to get on a boat with them, and the horrors in Somalia are also responsible. This is a horrific situation and it is a confluence of global and local horrors. It grieves me, and moves me to compassion, as I trust it does for you too. But I know there are no easy solutions.

This situation grieves me in a slightly fuller sense, too, because like many in our community I believe there is a human life quickening in the midst of all this horror. A human life who is not guilty of the crimes committed in Somalia, by people smugglers, or by the rapist on Nauru. A life that will join an ocean of casualties from this refugee crisis without the freedom to choose between a UN camp or a rusty boat. As a Christian who believes in the inherent dignity of life — both Abyan’s and this child’s — I should feel the same when I see a picture of an ultrasound as I did when I saw that traumatic photo of Aylan Kurdi. I recognise this child’s life is in the hands of his mother, where it should be, we all have responsibility for the lives of those around us, and we all make life and death decisions, of sorts, in myriad ways, every day.

I’m not seeing many choices on the table for Abyan though — she does not have the freedom we might expect in Australia to make these life and death decisions. There aren’t that many ‘good’ options on the table here, because good options cost someone something, and good options are hard to find in situations that just seem to leave everyone with dirty hands. But I believe in these situations you’ve got to offer your hands for the sake of others. Especially if you ever want to credibly speak out against people making decisions who have offered their lives in service to our country and its interests. So, this is why I have made this offer, and why I continue to pray for you and yours. For wisdom and compassion.

I know that conventional lobbying would involve me starting a petition or something at this point. I’m not interested in playing that game. I’m interested in offering costly solutions to complex problems. I will share this letter with my network, online, in the hope that others will be moved to offer the same response to situations like this, but I want to assure you this is not an act of grandstanding, this is jumping the fence and asking to play on the field.

If you have any other ideas for ways our church community could help bear the cost of this global crisis, I would love to hear them. You, your family, and your department are in my prayers. Thank you for serving us as a member and minister of our government.

Regards,

Nathan Campbell

Why I now side with Paul, not Eutychus

On the first day of the week we came together to break bread. Paul spoke to the people and, because he intended to leave the next day, kept on talking until midnight. There were many lamps in the upstairs room where we were meeting. Seated in a window was a young man named Eutychus, who was sinking into a deep sleep as Paul talked on and on. When he was sound asleep, he fell to the ground from the third story and was picked up dead. Paul went down, threw himself on the young man and put his arms around him. “Don’t be alarmed,” he said. “He’s alive!” Then he went upstairs again and broke bread and ate. After talking until daylight, he left. The people took the young man home alive and were greatly comforted. — Acts 20:7-12

St. Eutychus: Where being boring kills.

When I changed the name of this site from nathanintownsville to st-eutychus, I did it because I thought the story of Eutychus falling out the window in Acts — to his death — was hilarious. Eutychus will eternally be known as the guy bored to death by Paul’s preaching. Paul. Potentially the most effective teacher ever to have lived. In my reading of the story, for the sake of the title, he fell into the trap of preaching too long. A trap, as a PR hack who wrote pithy 500 word press releases for a living, that I genuinely believed was deadly.

So what’s happened. Somehow in recent times the tagline of this site should almost be read as an indicative — this is the place where you might come to be drowned in words, lulled to sleep, and might fall from a window to your death. Where being boring kills. Yes.

This is deliberate. I’m raging agains the TL:DR; machine. If you want short, punchy, simplistic and inane reactive viral fodder, then, well, pith off.

I’m raging against this machine because I think Eutychus was wrong. I think being bored kills. I think Eutychus should have worked harder to pay attention to Paul, and to the world — he should have known the dangers of sitting on a window sill, in a dimly lit room, listening to someone speak for hours.

We’ve lost the ability to pay attention, and the only way we’ll gain it is to start paying attention. Copious attention. To the world, to the Gospel, to the people around us. TL:DR; (too long didn’t read) is at least as much an indictment of our collective failure to pay attention as it is on poor content that is too long and convoluted.

Sure, a thing might not be worth your attention — that’s on you to figure out, and your attention is yours to give. I’m writing as an attempt to pay attention to things myself. To notice. To seek understanding. To avoid knee-jerk outrage in response to whatever is going on in the world, and to try to understand the world as people see it, and the world as I believe people should see it. Attention is what is required to live well, and love well. It’s what prevents outrage, and what causes someone to bother with fact checking before sharing something designed to create outrage. Any pithy thing I ever do write — anything under 2,000 words, the posts I typically see shared the most — is always, always, the product of thinking I’ve extensively outlined, out loud, here already, at much greater length.

At the end of the day, I write about things that interest me, that I hope, over time, might prove of interest or value to others. You don’t need to pay attention to me or what I write. That’s fine — I don’t check stats, this stopped being about my ego or my ‘brand’ a long time ago. But I do feel like I need to keep explaining the shift of gears in this corner of the interwebs.

You don’t need to read everything I write — not even my wife or mother do that (I think dad might, hi dad) — but if I could leave you with one plea. One desperate, heartfelt, plea:

Please pay attention.

To the world.

To others.

Give it generously.

Lavish it in droves.

Use your brain, and your eyes, but think about what you’re filling them with. Ask yourself why we fill a 24-hour news cycle with 10 second grabs from spokespeople forced to reduce complex issues into a memorable zinger. Ask what that’s doing to our media, our politics, and our ability to be civil. Ask yourself why we’ve got a 24 hour news cycle that we then pad out with input from multiple devices, feeding us those same 10 second lines from those same glib speakers. Read Nicholas Carr’s famous piece Is Google Making Us Stupid. In his book, The Shallows, Carr says:

“Media aren’t just channels of information. They supply the stuff of thought, but they also shape the process of thought. And what the Net seems to be doing is chipping away my capacity for concentration and contemplation. Whether I’m online or not, my mind now expects to take in information the way the Net distributes it: in a swiftly moving stream of particles. Once I was a scuba diver in the sea of words. Now I zip along the surface like a guy on a Jet Ski.”

The internet has the capacity to stop us concentrating, and contemplating — other words for paying attention.

And then he says, according to neuroscientists and because our brains are ‘plastic’ — they change as we use them…

“We become, neurologically, what we think”

The Psalmist behind Psalm 115 says:

But their idols are silver and gold,
    made by human hands.
They have mouths, but cannot speak,
    eyes, but cannot see…

Those who make them will be like them,
    and so will all who trust in them.

We become what we behold. And what we behold isn’t just the messages we pay attention to, but the mediums that deliver them too.

Paul, in Romans, says:

Do not conform to the pattern of this world, but be transformed by the renewing of your mind. Then you will be able to test and approve what God’s will is—his good, pleasing and perfect will.

Things in this world shape us. Things external to us. You might believe you’re in control of this shaping, but the only way to be in control is to pay attention — Christian or not — testing and approving of how you live and the decisions you make is what keeps you in the driver’s seat for your brain, and what keeps us able to live well in this world.

Ask yourself if you really believe that we become what we behold — then ponder why media theorists, theologians, and neuroscientists all agree that the information we consume, and the way we consume it, has the power to shape the way we think and physically re-shape our brains and communication.

Maybe a ten second sound bite or a seven hundred word opinion piece isn’t enough to do justice on any real issues in this world. And maybe consuming these things and thinking they do our thinking for us is starting to cost us our ability to see the world well, and thus live in it well. Maybe you’ve got to read ten seven hundred word opinion pieces, or one seven thousand word opinion piece to really know what’s going on, and to react appropriately.

That’s what I think. That’s why I’ve switched camps from Eutychus to Paul. Paul was also a nice guy. He didn’t punish Eutychus for not paying attention, he saw what happened and picked him up.

And then he talked some more. From midnight to dawn. That’s a lot of words. Because sometimes its words that give life.

St. Eutychus: Where being bored kills.

 

 

Re-Enchanting the World — Episode 3: We can be heroes (and we need heroes we can be)

“Fairy tales do not tell children the dragons exist. Children already know that dragons exist. Fairy tales tell children the dragons can be killed.” — G.K Chesterton


Image credit: Marvel.com

“Temples, cathedrals, epics, plays, and other works of art focus and hold up to a culture what counts as a life worth aspiring to…When works of art shine, they illuminate and glamourise a way of life, and all other things shine in their light.” — Dreyfus & Kelly, All Things Shining

Ok. So here’s my theory — one I’ve found some support in elsewhere — if you want a form of popular art that performs this function in the modern west, where we have figures who are clearly heroes — superheroes — battling figures that are clearly villains, and ‘glamourising a way of life’ — by embodying virtues of the current age, then it’s our humble comic book superhero stories that do this. They do it because these are the popular stories of our age — but they also do it because they self-consciously present us heroes of our age. This means if we want to change, or re-enchant, our current view of the world, these stories might be a vehicle to do that. The problem is that these stories are products of a modern view of the world — just as ancient stories were a product of an ancient view of the world, so we may need a healthy dose of ‘enchantment’ thrown into the mix if these stories are going to raise our eyes to a greater significance of reality. To pull us towards the ‘transcendent’ or the idea that the world has a meaning beyond physical, material, reality.

In a piece of fairly bizarre timing, Christ And Pop Culture (one of my favourite websites) launched a new column this week called Panel Discussion, an exploration of the world of the comic book. The first cab off the rank was a piece titled Comic Books as Modern Mythology. This piece operates on the premise that: “The comics of today are American versions of Greek mythology complete with origin, philosophy, psychology, and religion.”

This is a view supported in a couple of more scholarly works on Superheroes and their function in our culture. For example, this essay ‘The Epic Hero and Pop Culture,’ that compares our modern heroes to ancient heroes like Beowulf.

“The vague origins and the sudden departures of such heroes also serve to enhance their legends. These legends in time take on almost religious status, becoming myths that provide the communities not only with models for conduct but with the kind of heightened shared experiences which inspire and unify their members.”  — Roger B. Rollin, ‘The Epic Hero and Pop Culture,’ The Superhero Reader

…And this book Superheroes: An Analysis of Popular Culture’s Modern Myths by David Reynolds, who looks to Socrates and Plato and their understanding of the function of myth in conveying truth about the world, and fostering virtuous character, to suggest we should read these modern stories asking similar questions that we (and others, historically) ask of their ancient equivalents — epic myths:

The cultural function of mythic heroes such as those from Greek, Roman, and Norse cultures has attracted significant scholarly attention. Yet, what is the relevance of those ancient heroes today, and what are we to make of their hitherto academically neglected modern equivalents, popular superhero figures, such as Superman, Spider-Man, and Batman? A culture’s prominent narratives become that culture’s myths, reinforcing cultural values and disseminating norms of social behaviour… — David Reynolds, Superheroes: An Analysis of Popular Culture’s Modern Myths

Reynolds charts three ages of comic book mythology — the gold, silver, and bronze ages. He draws the boundaries of these ages in slightly different places to some sort of comic convention — suggesting ‘golden’ age heroes appeared in stories from the modernist world, up to and including WW2. The heroes in this age served the establishment. Silver age heroes emerged after the war, with the creation of Spider-Man. They have more human flaws, this period spans the gap from modernism to post modernity and its stories introduce a greater sense of world-building and story integration. Bronze age heroes are all dark, gritty, post-modern and somewhat nihilistically hopeless — a product of our cynical age. The ‘epic’ function of superheroes developed over these epochs.

The shining ‘heroes’ of the ‘golden age’

Heroes, as the central characters in our modern works of art — especially stories — show us how to live. They become combatants in the mission to help us see the world rightly — they’re products either of an enchanted world embedded with meaning, or a mechanical world where heroes are made, mostly accidentally, not born with a divine purpose. Most of our modern comic book heroes are products of a mechanical, or immanent, world. They’re (largely) spawned by the immanent world going very right, or very wrong — science, and science gone bad, accounts for the super-powers of plenty of our heroes.

When they are their most ‘epic’, or enchanted, heroes don’t just show us that dragons (or villains) can be defeated, but at their best present us with a path to immortality. That’s been a theme of the epic tale since Gilgamesh — see also the Arthurian knights in their perpetual quest for the Holy Grail.

It’s interesting to consider what a quest for immortality — or an epic quest — looks like in an immanent world, where the infinite is collapsed into the finite. What does salvation look like in this sort of frame? The secret to immortality is likely to be either a product of scientific innovation, or immortality will be dismissed as a pipe-dream, and replaced with the quest for some more rational form of immortality — like a name that lasts.

Often, in epic stories where the hero is clearly mortal — like, say, Beowulf  — immortality is captured when a hero’s name lives on, on account of their glorious deeds. Immortality in an immanent world is about making a name for yourself. A name that lasts. That’s the best a modern myth can imagine, or aim for.

Heroes model virtues. But not just any old virtues — virtues set against the backcloth of the current view of the world, or, they may embody a virtuous ideal, linked to an ideal vision that they are working towards — within the story, and as the story (as a tool of a story teller). Heroes, through these stories, articulate a picture of human flourishing. We readers are invited to share this vision, but we’re invited more to see the character as embodying a certain type of heroism, a type of heroism that we are free to imitate in our own world. Heroes are model imaginators — they help us see the world as enchanted because they model what it looks like to have an imaginative vision for the transformation of the world, and show us a bit of what it might cost to change — to re-create — the world as we know it to the world as we imagine it could be.

Heroes that only solve very ‘domestic’ issues are a little too small. Epic heroes — heroes that may pull us somewhere other than where we are — need a sense of being larger than life. They need to shine. They need to stand for something bigger than themselves.

“All of these heroes are larger than life; some are merely larger than others. But what the hero is and does in terms of objective reality are less important than what he represents to our inner reality. The local man who saves a child from drowning is of less enduring interest to us than our fictive or historical heroes: the former wants symbolism, and unless local mythopoeia provides him with it, we tend to displace him in our consciousness with the more value-charged heroes we seem to need.” — Roger B. Rollin, ‘The Epic Hero and Pop Culture,’ The Superhero Reader

And, as Chesterton says, the heroes of these stories teach us to kill dragons, or vanquish evil — they fight evils that are larger than life too. Everything is exaggerated. C.S Lewis agreed with him, he says heroes, especially enchanted ‘radiant ones,’ provide us with a more comforting picture of the defeat of evil than even thinking about real, immanent, heroes, like the police.

“Let there be wicked kings and beheadings, battles and dungeons, giants and dragons, and let villains be soundly killed at the end of the book. Nothing will persuade me that this causes an ordinary child any kind or degree of fear beyond what it wants, and needs, to feel. For, of course, it wants to be a little frightened… For in the fairy tales, side by side with the terrible figures, we find the immemorial comforters and protectors, the radiant ones; and the terrible figures are not merely terrible, but sublime. It would be nice if no little boy in bed, hearing, or thinking he hears, a sound, were ever at all frightened. But if he going to be frightened, I think it better that he should think St George, or any bright champion in armour, is a better comfort than the idea of the police.” — C.S Lewis, Sometimes Fairy Stories May Say What’s Best to be Said

Despite the new ages of comics-as-epics that make the characters more human, flawed, and twisted by their agenda — the golden age hero, or how they were used — might teach us something about a hero can be presented to people in this epic sense.

‘Golden age’ heroes as propaganda

There’s a fine line between characters being orchestrated to deliberately depict a cultural view of virtue and the stories these characters appear in functioning as propaganda. This is a fine line that has, at least according to David Reynolds, historically been obliterated in America, in the form of comic book stories, especially in the so-called Golden Age, and especially in the archetypal heroes from the DC world, Superman and Batman.  Their origin stories, heroic powers, and their respective ‘missions’ position them to be perfect carriers of an ideological agenda.

Superman is the last survivor of the planet Krypton, sent to earth as an infant. As a Kryptonian on Earth, Superman is gifted with an array of superpowers ranging from superstrength to x-ray vision. Raised by the “everyman” Kent family on a farm in Smallville, Superman was raised to embody the ideal American norms of honesty and justice. As a superhero, Superman is dedicated to “truth, justice, and the American way.” Batman, on the other hand, witnessed the murder of his millionaire parents as a young child, and swore an oath dedicating his life to fight crime. He is at the peak of human physical and intellectual performance. While fighting crime, Batman utilizes a vast array of gadgetry, such as his batbelt, batarangs, and the batmobile. He represents the epitome of human physical fitness and intellectual conditioning and, by extension, he symbolizes how people may unlock their true potential through will and determination. — David Reynolds, Superheroes: An Analysis of Popular Culture’s Modern Myths 

This propaganda function came of age when America itself was under external threat — during World War 2. It’s interesting to see how the propaganda functions now when the greatest threat is perceived as a threat from within — radicalisation — Marvel has this Civil War storyline that seems fascinating, and may, I understand, even be part of the storyline of the forthcoming Captain America movie. Because Marvel’s characters are participants in the ‘real’ world, they were able to directly participate in the war effort (incidentally, my introduction to Phantom comics was a reprint of the Phantom’s foray into World War 2). Superman and Batman, functioning as the heroic citizen of the ‘every city’ stayed home and played a more symbolic role, embodying a responsible, patriotic, ideal that encouraged civilians to support the war effort via the American way of life.

Superman noticeably shifts his ideology such that his adventures begin linking patriotism to legitimate business, while he consistently thwarts illicit business… The original Superman of 1938, hero of the underprivileged working class, has given way to the new Superman of the war effort, supporting complacent consumerism and upholding the values of the capitalist, industrial empire… most popular comic book characters, like Superman and Batman, also served to remind soldiers of home and “reinforce the purpose of the war in their minds… Since the most popular superheroes of the war effort adopted strong, responsible consumerist values, their following mythoi have built steadily upon those values and that style of crime fighting. However, although the modern superhero finds its cultural roots in consumerism, some recent storytellers have begun to challenge the superhero’s traditional role of blindly supporting hegemonic values…

… the narratives were directly affected by the political and social climate of the time. Not only were they affected by the social context, but they were employed as a means to affect the culture as well, as a medium to spread war-time propaganda. — David Reynolds, Superheroes: An Analysis of Popular Culture’s Modern Myths 

Comic stories as vehicles for complex ethical questions

In order for comic books to keep reflecting the values of a culture, and to keep providing ‘shining’ examples, comic heroes had to shift from embodying idyllic certainty to embodying questions. The door for this change was opened, at least a little, with the creation of Spider-Man, a flawed hero who wanted to use his new-found powers for gain, only for that to cost him the life of his uncle, which propelled him (along with that line from his uncle: ‘with great power comes great responsibility’) into a life of web-slinging heroism. But this trajectory didn’t stop with more relatable, more human, more broken, heroes. It continued into what Reynolds calls the ‘bronze age’ — which he suggests begins with the creation of The Dark Knight version of Batman, and Watchmen. 

“Many sophisticated elements of comics today that we now take as givens – the way they raise questions of justice and vengeance, their exploration of the ethics of vigilantism, and their depiction of ambivalent and even hostile reactions towards superheroes from the general public as well as from government – are largely traceable to these works. These two titles deconstructed the superhero genre so thoroughly that for several years any superhero comic that continued in the traditional vein of storytelling seemed like nothing more than a bad parody of the superhero genre… Miller and Moore deconstructed the established tropes of the superhero genre, challenging readers to confront the issues surrounding justice and vigilantism.” — David Reynolds, Superheroes: An Analysis of Popular Culture’s Modern Myths 

This move ends up producing a depressing — rather than radiant — hero. One who’s not much good for doing anything but keeping us squarely in our immanent frame. Watchmen creator Allen Moore agrees:

“Obviously, we’ve to some degree doomed the mainstream comics medium to a parade of violent, depressing postmodern superheroes, a lot of whom, in addition to those other faults, are incredibly pretentious. I stand accused.”— Allen Moore, cited in Geoff Klock, ‘The Revisionary Superhero Narrative,’  The Superhero Reader

This, in a sense, is a reflection of our modern culture and its cynical inability to find anything virtuous, or anybody heroic. For a hero to re-enchant the world they now have to pull us out of this culture, by giving us something we believe in. But something that is still real and relatable, that grapples honestly with the questions and challenges of life in the real world.

Comic stories as myths that explore models of the (fallen) world

There’s a guy, Joseph Campbell, who is generally held to be pretty cluey when it comes to thinking the shape of myths, and especially the mythic journey of the ‘hero.’ Here’s a TED talk featuring his view of mythology — in which he sees every hero (and every ‘god’) being described as going on a journey that involves a three stage process of: separation, initiation, and return.

It’s pretty fascinating, even if its given birth to a bunch of dumb ideas about Jesus being exactly the same as any other god. This same story — this journey — takes place throughout the ages, the same pattern, but against a different backdrop, the stories happen against the model of the world that produces it.

“Myth has to deal with the cosmology of today… a mythological image that has to be explained to the brain is not working… then, you’re out of sync.” — Joseph Campbell, cited in David Reynolds, Superheroes: An Analysis of Popular Culture’s Modern Myths 

It’s interesting to consider the stories that are produced by the ‘cosmology of today’ — a cosmology that is not enchanted, that is immanent, in many ways they’re the stories we see in The Dark Knight and Watchmen. Myths reflecting the real world means the bar is lower for us, as readers, to enter the story, and helps us see our world with fresh eyes. Reflecting the real world means reflecting the world in its brokenness. And it does. The world presented in these stories is a broken world. Broken, in part, by villains. The heroes want to help perfect the world, according to their utopian vision, while the villains want to stop them, either to keep the world the way it is or to see it fall apart even more, or indeed to continue the affects of the Fall. Vreekill is a villain from a 1940s Batman/Superman crossover story who invents a machine that makes steel fall apart. He embodies this sort of villain-as-truly-fallen trope.

“Vreekill’s bald head and functional costume signify him clearly as a ‘mad scientist’. There is no exploration of the psychology that leads Vreekill to use his discovery for the pursuit of crime:

“With my machine I can become the most powerful man in the world! I can hold it as a club over those who deal in steel constructions.”

This is clearly not a sociological view of the roots of crime. The mythology underlying the text is that of the Old Testament, and, most specifically, the Temptation and Fall. Vreekill is a prototype for many ‘Fallen’ characters which Batman and other superheroes have encountered through the years — the Joker, Two-Face, Lex Luthor, Doctor Doom, Magneto, Ozymandias. All are corrupted by power, and power in the particular form of knowledge. ‘Ye shall be as gods, knowing good and evil’ promises the serpent in Genesis 3… If history is to be understood as a progress towards Utopia, a significant tension can be adduced between superheroes (assisting this process) and villains (thwarting the Utopia builders, or ‘those who deal in steel constructions’).” — Richard Reynolds, Super Heroes: A Modern Mythology

 

So heroes have this job of representing the ideals of our modern world — especially ‘unfallen’ ideals, and pulling us back towards the paradise lost at the Fall — part of that paradise, I suggest, is a rekindling of our capacity to see the world as enchanted, as an artwork itself that points us to the great artificer. The God who spoke this world into being and continues to sustain it, the God whose divine nature and character are on display in this world, if only we were able to see them.

Marvel v DC — The man of iron v the man of steel

When it comes to modern comic book stories — and comic book heroes — that achieve this for me — it’s the Marvel characters that most connect me to modern ideals. I’d rather learn how to live from Iron Man, or other Avengers, than from Superman and the Justice League. As a disclaimer: I don’t read the comic books, but I watch the movies and TV shows, so it may be that my reflections are easily dismissed by real comic fans.
I don’t know how much my preference for Marvel is determined by the question of the space the stories take place in — that Superman is in the fictional ‘every city’ of Metropolis — I suspect that’s only a marginal factor (see Episode 1). I think its more to do with the ideal on display in each world.
When some of my friends were discussing my last question — what difference the city setting makes — my friend Craig Hamilton made the observations that:
“The DC universe is about the ideal whereas Marvel is about struggling to live up to an ideal. DC heroes are almost pure archetypes while Marvel are heroes with feet of clay.”
There are DC characters who break this type — Arrow, and The Flash are less archetypal than Superman, and, indeed, Craig points out that DC has deliberately become more Marvelesque (Marvellous?) over time.
“It wasn’t until the mid-1980s with Crisis on Infinite Earths that DC, in my opinion, tried to become more Marvel-esque. In the post-Crisis DCU they shipped in John Byrne and Frank Millar to redefine Superman and Batman. You can’t get more Marvel-esque creators than those two.”

The ‘man’ in the mask (Marvel) v the ‘masked man’ (DC)

In a piece in the Christian Research Journal titled ‘The Gospel According to Marvel’ a guy named Jason McAteer made a similar observation.

“The biggest difference between Marvel and DC is that Marvel heroes are ordinary people disguised as superheroes. Whereas DCs Superman is really an alien (Kal-El) disguised as an average guy (Clark Kent), Marvel’s Spider-Man is just an ordinary teenager named Peter Parker dressed up in red Spandex. Even DC’s Batman is using the persona of millionaire playboy Bruce Wayne to distract from his true identity as a vigilante hero. Bruce Wayne’s drinking and womanizing is all an act. Contrast Marvel’s Iron Man whose true identity is Tony Stark, a millionaire playboy who really is as obnoxious as Bruce Wayne pretends to be. Marvel heroes are complex characters with all the imperfections of real-life human beings. They’re not all that “heroic” in comparison to a Golden Age DC character such as Superman, who came to embody a kind of idealized moral perfection. The original DC heroes are mostly aliens (such as Superman and Wonder Woman) or self-made men (such as Batman). Marvel’s heroes, on the other hand, are flawed ordinary people who gain unusual powers. They have extraordinary abilities thrust upon them whether they like it or not, usually through accidental exposure to “radiation” of some sort or another. Furthermore, Marvel heroes always have other real-life problems to deal with in addition to fighting crime.”

I think this is true — and its part of the reason I prefer Marvel’s heroes to DC’s. One of the implications of this ‘type’ of heroism on display in the DC world is that DC’s heroes can be so idealised that we’re unable to relate to them, and as a result, unable to imitate them. They hold up such a strong ideal that we can only dream about doing what they do. These dreams might still enchant us, and cause us to see goodness and virtue differently, but goodness and virtue always appear just that little bit beyond us. Because the real Superman is not Clark Kent, but the heroic guy in the cape — the masked man — we’re not invited into the story via the relatable human brokenness of the hero, we’re invited to enjoy the story as pure idealistic myth.

Superman is always ‘other’ — always fully super (except around kryptonite) — and only ever disguised as human (somehow this doesn’t annoy me as much when it comes to Thor). There’s nothing particularly imitable about Clark Kent, who, when trouble strikes, disappears in order for Superman to appear and save the day. You know that underneath the nerdy Clark Kent disguise there’s a godlike figure waiting to emerge to save the day. Iron Man is always Tony Stark in the suit. And when he puts the mask on he’s the same guy, just wearing a suit that lets him make a difference. The humanity is the driver of the story and the source of narrative tension, his humanity is not a disguise, a mask he wears to hide his real identity

Identity is an interesting motif in superhero stories — in the Marvel world, especially the world of the Avengers, the heroes don’t have a ‘secret identity’ — they are who they are. Even in a Marvel story where the hero keeps who they are a secret — like in Spider-Man — the hero’s identity is the human, Peter Parker puts on a mask and becomes Spider-Man, Spiderman doesn’t take off the mask to become Peter Parker. You could compare Stark’s Iron Man and Bruce Wayne’s Batman at this point — both use their significant means to transform the world according to their imaginative vision of a better place. Stark is a complicated mess of arrogant over-confidence and a real desire to do good, the stories he features in function as stories of his sanctification — he moves through that journey towards humility, even if he always remains true to himself. His personal demons are things he works out as a human, and they’re exaggerated when he puts his super-suit on. Batman is Bruce Wayne’s actual identity. The Bat is the manifestation of his damaged psychology. We wrestle with his demons when he puts the mask on and becomes himself. Batman is Batman, and like Superman, Bruce Wayne is an alter-ego. A projection. A persona he adopts — even though Batman is thoroughly shaped by the young Bruce’s experiences — these experiences fundamentally change who Bruce Wayne is. Wayne’s foppish ‘adult’ persona is an act, a disguise. We know the real, heroic, Bruce Wayne is revealed when Bruce puts on the mask, not when he takes it off. This is following an ancient pattern of behaviour of mythic heroes who only become ‘heroic’ by revealing their true selves in and through violent chaos.

“Heroes cannot, however, remain lambs: crises call for lions… crises usually require violent solutions. Violence indeed seems to be the reality of their worlds, and it is in violent situations that heroes are defined. Superman is somehow more “real” than the mousey “Clark Kent,” Batman more “real” than the do-gooder “Bruce Wayne.” Indeed, in this “civilian” alter ego, each of these heroes is suspected of being, like the youthful Beowulf, “slack, a young man unbold.” — Roger B. Rollin, ‘The Epic Hero and Pop Culture,’ The Superhero Reader

Ultimately I find Marvel’s heroes more compelling, and more useful for looking to for models of workable heroism and/or virtue. It’s interesting that my gut-feel preference is also for their city setting, and their exploration of the consequences of ‘heroic’ action in the real world, rather than for DC’s fictional ‘every cities.’  

Marvel v Marvel: Iron Man v Daredevil

Marvel’s world has two types of hero — much as DC’s world does in Batman and Superhero. Heroes shaped by a modern sensibility. Heroes best typified, at least for my purposes of comparison, by Iron Man and Daredevil. They’re both typical modern heroes in that they’re essentially loners, thrust into a network of relationships at least, in part, because of their desire to make a difference to the world. To re-imagine it as something different.

“A new kind of popular hero had emerged: the self-reliant individualist who stands aloof from many of the humdrum concerns of society, yet is able to operate according to his code of honour, to take on the world on his own terms, and win. For Americans, the historical path from Munich to Pearl Harbor coincides with the emergence of Superman and Captain America — solitary but socialized heroes, who engage in battle from time to time as proxies of US foreign policy. A darker side of the Lone Wolf hero is embodied by the Batman, a hero whose motivations and emotions are turned inward against the evils within society, and even the social and psychological roots of crime itself. The tension between these two veins in the superhero tradition remains to the present day.” — Richard Reynolds, ‘Masked Heroes,’ The Superhero Reader

Daredevil adopts the cowl of the Batman like ‘Lone Wolf’ hero, while Iron Man operates in a similar vein to Superman, without his humanity ever being compromised. In fact, its his full humanity that makes him compelling — even as his imagination causes huge destruction on the global landscape.
When it comes to the modern cinematic heroes that I find most compelling as myths that help me see the world differently, I like Daredevil. I like the idea that Daredevil — at least the Netflix iteration — operates in a world where people are truly enchanted (ala Thor), or super-human products of science gone wrong (ala Spider-Man, The Hulk, Captain America), or are humans with a big imagination for how transformation might take place — but whose ambitions sometimes end up causing more destruction than hope — ala Iron Man — but while this is true of the world Daredevil operates in, he is grounded (as is his world).
I like Iron Man because he’s a flawed guy trying to do the best with what he’s got. He’s both incredibly human, and incredibly super-heroic. Daredevil has smaller ambitions, and lives in a world dealing with the mess these guys created, but also sees the world differently to the people around him. He isn’t endowed with superpowers, but more intra-powers. His senses are sharpened by the loss of his sight. It’s fun to imagine Daredevil as a guy who is imitating Iron Man, simply without the means to do quite so much damage, and without the same grand ‘global’ vision.
“I see a suit of armour around the world”. — Tony Stark (Iron Man), The Avengers: Age of Ultron
Stark has a big vision, and the incredible resources to make it a reality. He bankrolls the Avengers for this purpose (in Age of Ultron — when S.H.I.E.L.D isn’t around). His vision for the world is, as it turns out, quite destructive. And its only when he listens to those around him — in humility — that the destruction is mitigated. But this destruction comes at a cost, on a local level. And that’s where Daredevil steps in. He’s in the same world, and he’s left to clean up Stark’s mess.

“[Daredevil] carries no water for the larger franchise to which it’s connected. There’s a reference in series creator Drew Goddard’s pilot script to “death and destruction raining from the sky” above New York City and its effect on property values in Hell’s Kitchen; later, if you don’t blink, you’ll spot a “BATTLE OF NEW YORK” front page hanging in the office of crime reporter Ben Urich (a wonderfully careworn Vondie Curtis-Hall). But that’s it. No one gets a job offer from Samuel L. Jackson or stumbles upon a Cosmic Cube; at no point does Tony Stark drop by for shawarma. We’re meant to understand that this is the same New York where men with unimaginable power kick other men through buildings on the regular, but we’re also allowed, and in some sense encouraged, to forget that as soon as it’s established.” — Alex Pappademas, ‘Giving the Devil His Do-Rag Why Netflix’s Daredevil is The Least Marvel-y Marvel Property Yet,‘ Grantland

Matt Murdock’s Daredevil is the sort of hero endemic to Hell’s Kitchen, and to the sort of world shaped by Stark’s grand vision meeting his humanity. When Stark goes to battle for his vision, the collateral damage is immense. Stark acts global, while Daredevil acts local. Even Wilson Fisk (Kingpin) the villain in the Daredevil story mocks him for his transformative vision being too small. Daredevil plays the heroic game on a local level, not a global one.
Fisk: You first. That’s what I thought. You and I have a lot in common.
Daredevil: We’re nothing alike.
Fisk: That’s what you’ll tell yourself.
Daredevil: You’re feeding off this city like a cancer.
Fisk: I want to save this city, like you… only on a scale that matters.

The world of Netflix’s Daredevil is a product of Stark’s vision, but the localisation of its story is part of the way it paints a compelling and heroic vision for those who encounter it as ‘art’ in the functional sense. Daredevil is the model of a localised hero. A real flesh-and-blood hero for our times, and your place.

Despite the difference in scale, both Daredevil/Murdock and Iron Man/Stark are flawed heroes, bringing their humanity to the table as they work towards their transformative ‘heroic’ vision — the better world they imagine. In All Things Shining, Dreyfus and Kelly describe a sort of approach to heroic life that’s a bit like Tony Stark’s — or at least like Iron Man’s at a particular stage of the story arc in every Iron Man/Avengers story — and like Matt Murdock’s — as he alienates his friends through the pursuit of his vision of a better Hell’s Kitchen — this serves to make these guys a bit more relatable as characters, and makes their heroic triumph a triumph over the limitations of their human nature, as well as over whatever is going on in the world.
“The man of self-confidence is often a compelling figure. Driven and focused, he is committed to bringing the world into line with his vision of how it should be. He may genuinely believe that his vision for the world is a good one,  that the world will be a better place if he can shape it to his will, and sometimes he is capable of making changes for the better. But there is a danger to this attitude as well. Too often it turns out that the blustery self-confidence of such a person hides its own darker origins: it is really just arrogance combined with ambition, or worse yet, a kind of self-delusion. As a result, when his plans fail, as they are bound to do at least some of the time, the self-confident man is often unable to recognise the failure. Stubbornly and inflexibly committed to his vision of how things ought to be, he has no ability to respond to the world as it actually is. The self confident man believes that confidence is its own virtue.” — Dreyfus &  Kelly, All Things Shining
I can totally relate to this. Daredevil/Matt Murdock can relate to this too, on a smaller scale. Coming out of this over-confidence and into an approach to service that involves humility and teamwork is part of the journey of most Marvel heroes. It’s the journey we’re invited to take as we use the lens of these stories to examine our selves, and to truly see a path to decision making in our own life. These stories always play up the heroes as paradoxically fully human and fully super.
Christ and Pop Culture published a great piece exploring Daredevil’s model of heroism — of martyrdom even. There’s some great stuff in this piece about the complex relationship between heroism, violence, suffering in traditional superhero stories, and an exploration of how Daredevil breaks this pattern — including the relational disconnect that comes when the hero understands themselves as ‘suffering for’ the city, not suffering with it, that seems to go hand in hand with a lack of concern for the damage the fight for a city does to a city (seriously, read the piece). Daredevil/Matt Murdock even breaks the pattern of ‘self-confidence’ — or has it broken — through his relationships with others. Unlike Stark, it’s a bunch of ‘normal’ others who choose to be heroic, rather than superheroes, that move Daredevil away from arrogance, and towards a new and different sort of virtue.

“Matt Murdock is a part of Hell’s Kitchen, and though he’s often tempted to be a lone vigilante, he learns again and again that the true way to preserve his community is to recognize and enter into communal brokenness, not to try to save it from without. In Daredevil, the significance of relationships trumps the rightness of violence done in their name… Matt Murdock’s story, with those of his friends, positively reinforces the idea that heroes should suffer with their communities rather than standing apart and suffering for them…

Wilson Fisk’s character also reinforces this idea—only his does so negatively. Fisk is always portrayed as apart from Hell’s Kitchen, the community both he and Matt Murdock say they want to save. Fisk lives high above them in luxury; when he bombs the Russian-controlled parts of town, he and his girlfriend watch them burn from the wide windows of a high-rise restaurant…I think one reason the standard “suffers-for” hero is so attractive is that a lot of people are intrigued and allured by the idea that they might stand apart, adored and admired. They may suffer, but there will always be someone there to gaze adoringly and express gratitude. But that’s not the only, or the best, kind of heroism. And as Christians, while we might sometimes suffer for each other, we are also called to suffer with each other—to enter into community with others, to carry their sorrows and help them in their work and through their struggles.” — Julie Ooms, Daredevil, Hell’s Kitchen, and the Good Samaritan, Christ and Pop Culture

Daredevil’s local, incarnate, form of heroism is overtly influenced by a religious — even a Christian — vision of heroism. The Good Samaritan functions as a metaphor throughout the series, developing this vision of a heroism built on incarnation and sacrifice.
“Claire: You know, the only thing I remember from Sunday school is the martyrs… the saints, the saviours… they all end up the same way. Bloody and alone.
Matt: I never said I was any of those.
Claire: You didn’t have to.” — Claire and Matt Murdock, Netflix’s Daredevil
The pay off for this metaphor comes when Fisk, himself, makes it clear that he is not the good samaritan, he and Matt are not as similar as he claimed (see above), it turns out that the from-the-community-hero, Daredevil, is good Samaritan. The neighbour to those who are suffering.
“I’m not a religious man but I’ve read bits and pieces over the years. Curiosity more than faith. But this one story There was a man. He was traveling from Jerusalem to Jericho when he was set upon by men of ill intent. They stripped the traveler of his clothes, they beat him, and they left him bleeding in the dirt. And a priest happened by saw the traveler. But he moved to the other side of the road and continued on. And then a Levite, a religious functionary, he came to the place, saw the dying traveler. But he too moved to the other side of the road, passed him by. But then came a man from Samaria, a Samaritan, a good man. He saw the traveler bleeding in the road and he stopped to aid him without thinking of the circumstance or the difficulty it might bring him. The Samaritan tended to the traveler’s wounds, applying oil and wine. And he carried him to an inn, gave him all the money he had for the owner to take care of the traveler, as the Samaritan, he continued on his journey. He did this simply because the traveler was his neighbor. He loved his city and all the people in it. [sighs deeply] I always thought that I was the Samaritan in that story. It’s funny, isn’t it? How even the best of men can be deceived by their true nature. What the hell does that mean? It means that I’m not the Samaritan. That I’m not the priest, or the Levite. That I am the ill intent who set upon the traveler on a road that he should not have been on.” — Wilson Fisk, Daredevil
Despite its religious allusions, Daredevil is a hero for an immanent age — a hero borne out of a community, and its concerns, in response to an external, but still immanent, threat. Fisk is not a demi-god, like Loki in The Avengers. He is a villain — a devious, wealthy, businessman — with an alternative vision for Matt’s city. He has no interest in pursuing immortality, his interest is in shaping his city, according to a virtuous vision, by loving his neighbour. He’s the perfect hero for a gritty, earthy, real, disenchanted age. Embodying the best bits of the post-modern milieu of The Dark Knight and Watchmen, but offering the hope that a visionary hero (albeit a blind hero) might be able to effect positive change on the city they belong to, rather than spiralling into a bleak and vicious cycle. The note of hope comes via the offer of a solution proffered in the form of this virtuous, incarnate, connected, hero — whose heroism is on display both under the mask, and apart from it. Murdock’s fight against Fisk, his fight for his city, is simultaneously carried out by the masked hero and his unmasked alter-ego. Matt Murdock and Daredevil are one and the same. Matt Murdock, the lawyer who has a vision for something greater for Hell’s Kitchen, and Matt Murdock, the vigilante, who steps in to fight the battles the law is unable to reach. In both fights he suffers with the people around him, and that’s the way he attempts to mitigate some parts of the ‘fallenness’ of his immanent world. But though he avoids the aforementioned traps of the ‘Golden Age’ figures like Batman and Superman, and, more narrowly, the depressingly hopeless traps for vigilantes grappled with in the Miller-esque ‘Bronze Age,’ Daredevil is still a flawed ‘epic’ hero — he doesn’t offer a path to enchantment, or to immortality. We still need transcendent heroes.

Superman, Iron Man, Daredevil and the God-Man: Our quest for an imitable, but transcendent, hero

I think it’s interesting to explore the idea that stories about our mythic heroes either tend to emphasise the human nature of the hero or their super-human nature.
There’s been plenty of stuff written comparing Superman to Jesus — and the similarities are evident —but I’ve always had are a couple of problems with the metaphor because Superman is never actually human, and so he’s never someone who can truly be imitated. Superman, in his ‘human incarnation’ is an imitation human.
Classical, creedal, Christianity has always been exceptionally keen to emphasise that in his incarnation; Jesus is fully human, and fully divine. He’s not a superhero play-acting at being human, or a human play-acting at being super. He is not masked — a human playing at being God, or God playing at being a man. He is, in a sense, God unmasked. God made fully known. There is no transcendent God apart from the God made known and on display in Jesus. There is no disconnect between his human nature and his divinity. His identity is not confused, a bizarre mish-mash of humanity and hero where we’re left asking if the real Jesus is human or divine. He is fully both. He makes no secret about his identity. Both his humanity and his divinity are heroic — in fact, its as these parts of his being work in concert, in harmony, that we see a path to true heroism.
In fact, through these aspects of his being — his humanity and divinity — working together we are invited to move beyond our immanent existence and participate in his transcendent nature. Unlike Superman, who always remains fully other, Jesus invites us to share in his divinity, and in the Christian story this participation comes as God’s Spirit dwells in us.
“My prayer is not for them alone. I pray also for those who will believe in me through their message, that all of them may be one, Father, just as you are in me and I am in you. May they also be in us so that the world may believe that you have sent me. I have given them the glory that you gave me, that they may be one as we are one— I in them and you in me—so that they may be brought to complete unity. Then the world will know that you sent me and have loved them even as you have loved me.” — John 17:20-23
Jesus also makes the ‘transcendent’ immanent. He becomes flesh and blood. Truly human. And his humanity is enough to mediate the triune God’s transcendent nature to us.
Whoever has seen me has seen the Father. How can you say, ‘Show us the Father’? Do you not believe that I am in the Father and the Father is in me? The words that I say to you I do not speak on my own authority, but the Father who dwells in me does his works.” — John 14:9-10
And rather than heroically wielding power to perpetrate violence to solve the violence of the world, hiding behind a mask to avoid truly facing this violent reality, or to somehow buffer himself from his violent nature — as some sort of divine avatar — Jesus submits himself to violence in order to defeat it.
Who, being in very nature God,
    did not consider equality with God something to be used to his own advantage;
rather, he made himself nothing
    by taking the very nature of a servant,
    being made in human likeness.
And being found in appearance as a man,
    he humbled himself
    by becoming obedient to death—
        even death on a cross!
Therefore God exalted him to the highest place
    and gave him the name that is above every name — Philippians 2:6-9
A hero who adopts this ‘transcendent’ view of heroism, and the world, doesn’t live for the immortality of their own name, but secures immortality — a share in Christ’s heroic victory — by living for his name. And rather than epic, radiant, larger than life battles against super-villains, real heroism looks like humble service in accordance with the divine pattern for life, as agents of the divine will. This is what makes us shine, and what gives the world a new, enchanted, lustre. We’ll be ‘bigger’ than others because we are noticeably less ‘warped and crooked’…

“… continue to work out your salvation with fear and trembling, for it is God who works in you to will and to act in order to fulfill his good purpose. Do everything without grumbling or arguing, so that you may become blameless and pure, “children of God without fault in a warped and crooked generation.” Then you will shine among them like stars in the sky as you hold firmly to the word of life.” — Philippians 2:13-16

It’s this story — this hero — who invites us to see the world through fresh eyes, who enchants it again, and also provides us with a new model of virtue to imitate in an ‘immanent’ sense — physically, in this world. Marvel’s heroes, in their very human ‘immanence’ — especially in Daredevil’s gritty local, incarnate, immanence — give us something to imitate — but in most cases they don’t give us something ‘other’ — a sort of saviour who can truly save us from ourselves. A saviour who can pull us from our humanity by offering us a humanity that is not flawed, and a real path to immortality — a path our immanent heroes can only dream about treading in fictional worlds that don’t age or change. Jesus does what these heroes fail to do, and provides us with a new way to see and imagine the world. The real world is changed by its heroes, heroes who capture and articulate a vision for world creation and the creation of meaning for us as we look at our world through their eyes. In a future episode I’ll unpack the idea of Jesus being a God coming into the machine (a deus in machina) — an unlikely happy ending — and the implications this has for our view of heroism.
The disenchanted world we live in needs heroes — both from above, and below — if its any hope of being lifted from despair, of the effects of the Fall, especially death, being dealt with, and if we’re to have ‘radiant ones’ people who shine like the stars, to imitate. The beauty of Daredevil’s incarnate heroism is that it provides us with a place to start. We start by doing something, anything, just that little bit heroic.
“If anyone on the verge of action should judge himself according to the outcome, he would never begin. Even though the result may gladden the whole world, that cannot help the hero; for he knows the result only when the whole thing is over, and that is not how he became a hero, but by virtue of the fact that he began.” ― Søren Kierkegaard, Fear and Trembling