Archives For writing tips

Tips for writing good circulate the Internet like La Niña weather systems, or the flu. There’s a batch around the place now, most of these lists have been collated at The Guardian and at BigHow.com.

Writing Tips Wordle

Image Credit: Wordle of the lists linked above

I’ve had a little look through the advice given, and these, by frequency, are the top ten tips from famous, and usually good, writers. Writers who often contradict each other. Which says something about the quality of such advice. Most of the advice is ridiculously obvious, but there’s nothing wrong with stating the obvious.

I do think there’s something in some of the tips being held in tension – like “just write” and “write to a meticulous plan” – one is more about honing your voice, the other is more about producing something with it. I also think there’s something in most of these for any communicator who uses words.

I tried to capture the essence of most of the advice given when I was collating these. And I’ve ordered this list by frequency, rather than in logical, or chronological, order. The numbers in brackets represent the number of times something came up.

  1. Be Clear. Don’t overwrite.

    Practice clarity of expression and thinking. Short words. The right words. Make adverbs, adjectives, and description functional, not ornamental, but mostly avoid them. Leave out bits people don’t want to read.  Punctuate well. Carry dialogue with said. No frills. Clear sentences. Concrete thought. Edit harshly to achieve this. Make every sentence do something to a character, or for your plot. Write till the sentence/paragraph/page/book is its best, but it’ll never feel good enough. Good ideas often do away with bad. Be prepared to change things. Finish. (46)

  2. Plan and be disciplined.

    Avoid distractions like TV and the Internet. Schedule writing time. Writing is work. Keep going. Try to love it. Know we’re your work is going, go there. Nowhere else. Only include what is necessary. Know your structure and cover it with apt words and phrases. (42)

  3. Edit Hard.

    Write. Pause. Edit. Rewrite. Often. If it sounds like writing, rewrite it. Improve. Pull the trigger on the bad stuff (and cop it when someone else does). Edit at the end, or as you go, but edit well. Be self-critical, trust and care about your reader, don’t waste their time.  (36)

  4. Write from your heart.

    Write about what you know and believe. What you have lived. What you imagine (probe the unknown). Think well. Write powerfully. Write truth. With compassion. Tell a story you care about. Write to engage (yourself first). Then persuade and transform. If it’s fiction – live your story. (33)

  5. Just write.

    Every day.  Anywhere. Write lots. Don’t worry too much about plot or structure. Practice. Start anywhere. Get something down. As it happens. Keep writing. Stop mid sentence/idea and resume the next day knowing where you were going. Finish when you want to continue. (32)

  6. Read widely.

    Read good writing, including poetry. Immerse yourself. Observe structure, figure out how writing works and what works. Borrow good turns of phrase, vocab, etc. From anywhere. But make them yours and avoid cliché and jargon (and most similes and metaphors), bad writing is contagious. (31)

  7. Figure out your style.

    Read your work aloud. Think about rhythm and pace. Care about style. But use it to suit. Ignore rules if need be. Style is about getting you out of the way. Know and be aware of grammar but be prepared to break the rules. Think about your voice, be authentic. (30)

  8. Capture inspiration.

    Ideas and inspiration come from everywhere. Including your feelings. Go to places. Think with your senses. Life is a story. Carry a notebook. Keep a diary. (21)

  9. Know your audience, and yourself.

    Listen to people/readers you respect, but don’t care too much what other people think. The reader is your friend. But don’t write for them or for the “market.” (21)

  10. Characterise well.

    Characters should be necessary, and their necessity obvious. Introduce characters early. Think about psychology and motives. Make characters relatable, and appropriately likeable or unlikeable. Present them consistently so actions and words match character. Make them confront stuff. (17)

Guides to good writing are a dime a dozen in these parts. But I like reading them. And this seems as good as any a place to collate them. So here are some good principles for better prose from author Janet Fitch.

There are more details on each heading at the original link.

1. Write the sentence, not just the story
Learn to look at your sentences, play with them, make sure there’s music, lots of edges and corners to the sounds. Read your work aloud. Read poetry aloud and try to heighten in every way your sensitivity to the sound and rhythm and shape of sentences… A terrific exercise is to take a paragraph of someone’s writing who has a really strong style, and using their structure, substitute your own words for theirs, and see how they achieved their effects.

2. Pick a better verb
Most people use twenty verbs to describe everything from a run in their stocking to the explosion of an atomic bomb. You know the ones: Was, did, had, made, went, looked… One-size-fits-all looks like crap on anyone.

3. Kill the cliché.
When you’re writing, anything you’ve ever heard or read before is a cliché… You’re a writer and you have to invent it from scratch, all by yourself. That’s why writing is a lot of work, and demands unflinching honesty.

4. Variety is the key.
Most people write the same sentence over and over again. Try to become stretchy–if you generally write 8 words, throw a 20 word sentence in there, and a few three-word shorties.

5. Explore sentences using dependent clauses.
A dependent clause helps you explore your story by moving you deeper into the sentence… Often the story you’re looking for is inside the sentence. The dependent clause helps you uncover it.

6. Use the landscape.
Always tell us where we are… Use description of landscape to help you establish the emotional tone of the scene. Keep notes of how other authors establish mood and foreshadow events by describing the world around the character.

7. Smarten up your protagonist.
Your protagonist is your reader’s portal into the story. The more observant he or she can be, the more vivid will be the world you’re creating… Keep them looking, thinking, wondering, remembering.

8. Learn to write dialogue.
Dialogue as part of an ongoing world, not just voices in a dark room. Never say the obvious. Skip the meet and greet.

9. Write in scenes.
A scene starts in one place emotionally and ends in another place emotionally. Starts angry, ends embarrassed… Something happens in a scene, whereby the character cannot go back to the way things were before. Make sure to finish a scene before you go on to the next. Make something happen.

10. Torture your protagonist.
We create people we love, and then we torture them. The more we love them, and the more cleverly we torture them along the lines of their greatest vulnerability and fear, the better the story.

CS Lewis on writing

Nathan Campbell —  June 30, 2010

Craig linked to this list of 8 writing tips from CS Lewis. There are eight of them…

  1. Turn off the radio.
  2. Read good books and avoid most magazines.
  3. Write with the ear, not the eye. Make every sentence sound good.
  4. Write only about things that interest you. If you have no interests, you won’t ever be a writer.
  5. Be clear. Remember that readers can’t know your mind. Don’t forget to tell them exactly what they need to know to understand you.
  6. Save odds and ends of writing attempts, because you may be able to use them later.
  7. You need a well-trained sense of word-rhythm, and the noise of a typewriter will interfere.
  8. Know the meaning of every word you use.

How to write well

Nathan Campbell —  March 2, 2010

Amy linked to this list of tips for writers the other day. It applies to any application of the written word. A bunch of authors supplied tips to the Guardian on how to be a writer – this has got to be one of the most comprehensive collections of these types I’ve ever seen assembled. It’s so big it has been split over two entries.

  • If you use a computer, constantly refine and expand your autocorrect settings. The only reason I stay loyal to my computer is that I have invested so much ingenuity into building one of the great auto­correct files in literary history. Perfectly formed and spelt words emerge from a few brief keystrokes: “Niet” becomes “Nietzsche”, “phoy” becomes ­”photography” and so on. ­Genius!
  • A story needs rhythm. Read it aloud to yourself. If it doesn’t spin a bit of magic, it’s missing something.
  • Editing is everything. Cut until you can cut no more. What is left often springs into life.