Tag: inscriptions

Origin Story — Why be a brickman when you can be a brick, man?

This is an amended version of a sermon I preached at City South Presbyterian Church in 2022. If you’d prefer to listen to this (Spotify link), or watch it on a video, you can do that. It runs for 43 minutes.

Do you want your name to last beyond your time here on Earth? I don’t know my grandfather’s father’s name on either side of my family. Do you?

It’s unlikely any of us will be remembered in a hundred years. And I’m increasingly okay with that—I guess because I realize that there are people whose names we remember because they did outrageously awful things, like Judas, Hitler, Nimrod, or John Dring, who invented the first instant coffee in 1771.

We can try to make a name for ourselves—but others have sought to make a name for their city or nation.

Building projects—making giant stuff—is one way to put a place ‘on the map,’ like Coffs Harbour with its Big Banana, Nambour with its Big Pineapple, or the Gold Coast with its Big Clive. If anybody has tried to make a name for themselves in Australia this year—Nimrod style—it’s the guy who has put up billboards and images of himself everywhere.

This isn’t just an Aussie thing—we do like our big things—but in Brazil, there’s a town trying to make a name for itself using the name and image of Jesus.

Obviously, Rio de Janeiro has had its Christ the Redeemer statue for ages; this town, Encantado, has built a taller Jesus statue—five meters taller—Christ the Protector.

I just love this image from construction time.

But now, you can take photos from his heart.

How lovely.

Just what Jesus and the first commandment wanted us to do.

You can book your holidays now—and while you’re there—maybe you could book a trip to the Creation Museum in America— built by Aussie Ken Ham— where work is beginning on a Tower of Babel; a life-size replica.

Human projects are so often part of us attempting heaven on Earth projects in our name, not God’s. And look, neither the Jesus statues nor the replica Tower of Babel are only built to make a person or town’s name famous, but they feel like other big things. Tourist attractions rather than architecture representing heaven on Earth like—say—the Temple in the Old Testament.

I can’t help thinking the builders of these projects haven’t quite nailed the way the Bible approaches monumental building projects—whether they’re bricks and mortar, or ways to promote His name.

So the Babel story has some background. One way to read it is as a prequel to the events we read last week because here the whole world’s got one language (Genesis 11:1). In chapter 10, in the table of nations, the text says these nations spread across the world each with their own languages (Genesis 10:5). It’s also more of the Bible’s origin story of Babel — Babylon— which we were told Nimrod built last week (Genesis 10:10). The passage starts on the plain of Shinar (Genesis 11:2-3), a word that’s also translated as “Babylonia” in the Old Testament, like in Daniel (Daniel 1:3). We’ll see that this story relates to other origin stories, and especially the Enuma Elish, the story of the creation of the city of Babylon and its temple tower as a gateway between the heavens and the earth.

There’s also some Genesis backstory that I reckon should inform the way we see this. Let’s remember that in the beginning, God created the heavens and the Earth (Genesis 1:1), and that for the first readers of this text, their concept of reality was that heaven is high above the earth—through the dome. God created humans to represent Him on Earth like God rules—with the ‘us’ He speaks to in Genesis 1—in the heavens (Genesis 1:26-28, Psalm 8:5-6).

We’ve seen how there are other heavenly beings who are part of a divine council — heavenly rulers — in the Bible’s story, and how some of these sons of God tried to bring heaven to Earth on their own terms in the whole Nephilim episode; they try to bring heaven down (Genesis 6:4). I mentioned then that Babel is a mirror of that story with humans trying to bring heaven and Earth together from the ground, even from bricks made from the ground (Genesis 11:4).

There’s just a couple of other things to bear in mind here too — we open with this final move eastward (Genesis 11:2). This is as far east of Eden as we get in the story of Genesis; that movement that began with humanity’s exile from the garden ends here in Babylon (Genesis 3:24, 4:16), and the construction of a city (Genesis 11:4). So far cities have been bad places in Genesis; human versions of the garden, but without God. The only other use of the word city that’s used here is for the city Cain built, that became the city of his violent descendant Lamech (Genesis 4:17). The word used for city means fortified or guarded place. What’s interesting here is that the word for garden that we get in Genesis is literally an enclosed place (Genesis 2:8).

We’ve got these two sorts of places that are marked out as ‘not the wilderness’ — and I reckon they unfold in contrasting ways; one type of non-desolate land is made by God, with boundaries He establishes, while the other’s made by humans who’re trying to recreate heavenly life outside Eden — with the walls we put up, and trying to shove heavenly life in on our terms.

Walls were an interesting part of nation building — the capacity to shift life in the ancient world from nomadic to something like urban life. You can read a bunch about them in this book Walls: A History of Civilisation in Blood and Brick.

Walls separated the desolate and uninhabited land in the ancient world — where nomadic warrior people and shepherds would roam, fighting off predators, plundering the weak — from the cultured city space where people lived in comfort and security, protected from the wilderness, where they would carry their goods — and bricks — in baskets. Here’s a quote:

“The world outside their walls was not exactly uninhabited, but it was, in the eyes of the basket carriers, dangerous. This was civilization in its infancy: every city its own frontier, never far from hostile neighbors in the mountains, desert, or steppe.”

People living behind walls found comfort, security, and wealth, so kings through the ancient world would brag about their wall building as the source of their power.

Chapter 1 of Walls explores exactly this period in history — life before Babel. Before baked bricks. Before bricks walls were just mud, and they’d sink, and you couldn’t defend them. Baked bricks, like we find in Babel, brought a whole new era of building stuff to make a name for yourself, and to build with ambition; a whole new way to make new Edens, or cities. Here’s another quote:

“Lacking sufficient fuel to bake all their mud bricks, the Mesopotamians settled for drying them in the sun, a process that created building blocks of such dubious quality that they could not withstand even occasional rain.”

So we zero in on the origin story for this city — Babel — Babylon — the story of Nimrod the warrior king from chapter 10 getting people together to build a city trying to bring heaven on Earth, to make a name for himself like he’s a Nephilim; so he’s not just a mighty warrior, but a man of name. They’re on a plain — not a mountain — and he’s using this new brick technology (Genesis 10:10).

Genesis is retelling the story of the god-king Gilgamesh — whose epic is an origin story shaping the life of other nations in Mesopotamia. On the very first tablet of the Gilgamesh Epic, one of the very first boasts is that he built the wall and the temple of the city of Uruk — which Genesis 10:10 said was one of the cities Nimrod built.

Here are some quotes from the Gilgamesh Epic:

“He carved on a stone stela all of his toils, and built the wall of Uruk-Haven, the wall of the sacred Eanna Temple, the holy sanctuary. Look at its wall which gleams like copper…

Go up on the wall of Uruk and walk around, examine its foundation, inspect its brickwork thoroughly. Is not even the core of the brick structure made of kiln-fired brick…

One league city, one league palm gardens, one league lowlands, the open area of the Ishtar Temple, three leagues and the open area of Uruk the wall encloses.”

Nimrod, in the Israelite imagination, is Gilgamesh.

The Epic says these walls were made from kiln-fired bricks, and the walls encompassed this whole open area — the temple, the city, and the plains. Where that epic tells the story of Uruk, Genesis zeroes in on the Nimrod-Gilgamesh character building Babylon. We’re going to meet a later Babylonian brickman in a bit — but for now the camera’s pointed on Nimrod and his quest moving from a forgettable nomad to a builder of cities — from being a warrior on the Earth, to a warrior king directing earthworks — building walls and filling the space behind them.

Look what the goal is here as they build a city and then a tower to reach the heavens from the Earth; literally it’s a tower with its head in the heavens (Genesis 11:4). It’s the same word for the top of the mountains in the flood (Genesis 8:5). They want to make a name for themselves and not be scattered — only, we’ve just seen the nations scattered already; so we know how that’s going to go, and we know that humans were meant to fill the Earth — spreading — spreading a garden meeting place between heaven and earth made by God rather than a city made by humans (Genesis 1:28, 11:4). Remember too, somewhere in the Israelite imagination, at least according to Ezekiel, Eden was a mountain (Ezekiel 28:13-14). In Genesis 3, Eden was a meeting place between heaven and Earth, where God walked — and — that’s exactly what Nimrod and his buddies are trying to build (Genesis 3:8).

This tower to the heavens is what is called a ziggurat — a type of temple from the ancient world. It’s more than a temple, it’s a gateway between heaven and Earth. A set of steps that the gods could climb down, so Nimrod the Brickman builds one of these Ziggurats.

We have names recorded for ziggurats from nations around the same time — that are all variations on the theme ‘Mountain House’ — these buildings — like this one in Ashur that was called “the house of the mountain” — this was man-made, and its ruins look like a mountain.

Or there’s this one in Nippur called “the house of the mountain of heaven and earth” — these were man-made mountains with their heads in the heavens.

The Mesopotamian region had their own walled-garden-mountain-temple idea — their own Eden, and that’s what is being built here; a gateway, in a city, to bring divine beings — God, or sons of God — down to earth. It’s a staircase to make the events of Genesis 6 happen again — bringing heavenly life to earthly people to make their name. It’s a monumental project.

In Babylon’s own creation story the Enuma Elish, there’s a tower just like this. Only in that story the tower is built by the gods so they can come down. In this story, Marduk, the chief god, tells humans to build Babylon by making bricks. Here are some quotes:

“Build Babylon, the task you have sought. Let bricks for it be moulded, and raise the shrine!” The Anunnaki wielded the pick. For one year they made the needed bricks.

They raised the peak of Esagil, a replica of the Apsû. They built the lofty temple tower of the Apsû.”

Then:

“Be-l seated the gods, his fathers, at the banquet. In the lofty shrine which they had built for his dwelling, Saying, “This is Babylon, your fixed dwelling, Take your pleasure here! Sit down in joy!”

When they “raise the peak of Esagil,” that’s a word that translates as “the house that raises its head,” it’s a replica of the Apsû — which are those flowing living waters in the Babylonian story. A mountain where the waters of life flow out (that sounds like Eden). They build a lofty temple tower. So the gods come down and party with them in Babylon — their “fixed dwelling,” this lofty tower.

The Babel story turns this on its head.

The Gilgamesh-Nimrod king who wants to be a Nephilim — who wants to make a name for himself — he’s not a grand heavenly player who is godlike; he’s a wannabe. He has this grand unity plan to make himself a god on earth, but things don’t go the way he wants. There’s no divine party. Before they even finish the tower that is meant to bring heaven to earth, God comes down (Genesis 11:5).

He takes one look at this tower project — and there’s an echo of Genesis 3 here — where there he says “they’ll be like one of us” — when they already were, he says if they finish this “nothing they plan will be impossible” (Genesis 11:6). This is another push to be godlike — heavenly humans on earth, but they’re doing it wrong.

They’re trying to build a Garden of Eden — a place where God dwells on earth with His people — rather than receiving that as a gift from God. It’s an attempt to build security and paradise and a name on earthly terms, with baked earth, rather than letting God make His name great through His earthly representatives — images of His heavenly rule — given life by His breath.

So God — just like he does in Genesis chapter 1 — says “Let us” (Genesis 1:26, 11:7). There’s a plural here that could be God talking within the Trinity, or it could be God talking to the divine council — and there’s a reason to think that’s what’s in view here that we’ll see in a minute. Then rather than the humans coming up into heaven, or building a tower that enables God to come down — God comes down to confuse — which is the same word for Babel or Babylon in Hebrew — He Babylons the people, scattering them all over the world, and the city doesn’t even get finished — this heaven on Earth project doesn’t work out; even if Babylon is going to look great, and bricky, and powerful with its garden mountains and lofty temples and big walls — it isn’t Eden. It offers no security.

And this scattering—into nation states around the earth—it’s an act of judgment on these nations (Genesis 11:8-9). We’ve picked up Deuteronomy 32 a couple of times in this series—back when we were talking about the sons of God, where we noticed that there’s a good reason to translate this verse as God setting up the boundaries of the nations according to the numbers not of the sons of Israel, who haven’t been born yet when the nations are scattered in Genesis 10 and 11, but according to the sons of God (Deuteronomy 32:8-9). This act of scattering in Genesis is him disinheriting the nations—giving them to the sons of God, these other heavenly beings in the divine council to be ruled by these powers and principalities—while God keeps his own people, Israel, as his portion—his own inheritance.

There’s a warning here about what’ll happen if God’s upright people—Jeshurun means upright—abandon the God who made them—fathered them—and who saves them—to bow down to these gods—idols, and literally here in bold demons—a word only used twice in the Old Testament—but the nations aren’t condemned for this idolatry here (Deuteronomy 32:15-17). Just Israel, who’re God’s children. The punishment for this people; it’s to be scattered and to have their name erased (Deuteronomy 32:26). It’s exactly what the people in Babel wanted to avoid; and what happens to everyone at Babel.

Reading Deuteronomy this way—picking up a thread from Babel—I reckon, is compelling when you look at how Genesis moves from the people who want to make a name to the line of the son of Noah whose name is Name, the line that now runs all the way to Abram, whose name God is going to make great as he blesses the nations (Genesis 12:1-3). We’ll see more of Abram’s story next week—and there’s another good reason to read Deuteronomy 32, and its commentary on God’s relationship to the nations and to Israel this way that comes a little earlier in Deuteronomy, in chapter 4, where God says all the other nations have been given over to the worship of these other heavenly bodies—the host of heaven, while Israel has been brought out of the furnace of Egypt—like a cast idol statue—a baked people—as God’s inheritance (Deuteronomy 4:19-20). It’s similar to the language Exodus uses when it talks about Israel as a kingdom of priests (Exodus 19:5-6).

God’s people are called out of the scattering that happens when Nimrod builds this temple city of Babylon to make a name for himself; this walled centre of security trying to bring heaven and earth together on human terms. Cities can be like this — centres of human security without God appearing to set the boundaries, which is part of the story for Israel through its history as it comes to have its own cities, and its own walls, and its own heaven on earth spaces—the tabernacle, while they’re living as people without walls; people roaming the earth heading towards a destination—the promised land.

On their journey, we’re often told about the cities in the land as though they’re little Babylons—walled cities full of violent people—led by giant kings—that was what scared the spies who were sent into the promised land (Numbers 13:28). On their journey, we’re told about these big cities, with big walls and giant people—like King Og, or the Anakites, as though these walls offer security against God’s plans (Deuteronomy 3:3-5, 9:1-2), but like Jericho with its famous wall tumbling story—these walls weren’t a barrier to God.

Israel is warned that when they turn to idolatry and get scattered—these same walls, in their cities, won’t protect them either. He’ll bring a nation against them from far away. A nation whose language they won’t understand, who’ll tear down their city walls, and cart them off. They’ll be scattered just like the people in Babel—only they’ll be scattered into Babel itself (Deuteronomy 28:50-52, 64). The seeds for the exile are planted in the Babel story, and in the way the Old Testament picks up these threads.

So this becomes a particularly interesting story for Israel while they’re in exile in Babylon. Nimrod isn’t the only Gilgamesh figure in the Bible. He’s not the only brickman. What he does with his cities and the Babel story in Genesis, king Nebuchadnezzar repeats—and Daniel wants us to see the repeat of the name-making warrior king—a Nimrod—who wants his own version of heaven on Earth; his own Eden.

Babylon’s king Nebuchadnezzar was a mighty warrior king in history who expanded Babylon’s empire—including by taking the southern kingdom of Judah into exile—he might’ve inspired just how popular the Gilgamesh Epic became by being a city-building god-king. He was a famous brickman. Like Nimrod who built with baked bricks and tar, he built walls (Genesis 11:3).

There are stacks of surviving inscriptions like this one about his building projects; where he brags about the strong wall he made with bitumen and baked bricks, building this as high as a mountain. Just like in Gilgamesh. Just like in Babel.

Here’s a translation from some of the inscriptions:

“I built a strong wall that cannot be shaken with bitumen and baked bricks… I laid its foundation on the breast of the netherworld, and I built its top as high as a mountain.

I added to the palace and raised it as high as a mountain with bitumen and baked brick.

I constructed a strong, sixty-cubit spur of land along the Euphrates River and thereby created dry land. With bitumen and baked brick, I secured its foundation on the surface of the netherworld, at the level of the water table, and raised its superstructure.

As for the merciless, evil-doer… I drove away his arrows by reinforcing the wall of Babylon like a mountain. I strengthened the protection of Esagil and established the city of Babylon as a fortress.”

Nebuchadnezzar the Nimrod brags over and over about building brick mountains. Even that he made dry ground on the waters—like Genesis, but also like the tower in Babylon’s creation story—and in Babel—out of bitumen and baked brick. He brags about driving back Babylon’s enemies and protecting the ‘house that rises its head’—establishing Babylon as a fortress.

And every brick laid was Nebuchadnezzar making a name for himself—it’s estimated there were 15 million bricks used in his construction projects—bricks like this one.

Each one was imprinted with his name and a list of his achievements as a temple builder who made tower-mountains that reached the heavens. These braggy inscriptions were on every brick, on every wall, and built into the foundation of every project.

You want to make a name for yourself in Babylon, you be a brick-man. A Nimrod. A Nebuchadnezzar.

Daniel draws a link between Nebuchadnezzar and the Babel story.

He starts off with Israel being brought to the plain of Shinar, and then, over time, has Nebuchadnezzar getting too big for his boots in a ‘head in the heavens’ scene. This time it’s not with bricks but with gold. Nebuchadnezzar, like Nimrod, goes to the plains of Babylon and he builds a giant tower with its head in the heavens (Genesis 11:2-4, Daniel 3:1), only this tower isn’t a ziggurat, it’s a giant image — it uses the same word as Genesis 1 just in Aramaic — it’s a giant golden image of God, representing his rule.

He does this right after Daniel interprets a dream where Nebuchadnezzar’s kingdom was a gold bit of a statue made from different materials; it’s just the head (Daniel 2:38-39). He wakes up and builds the entire ‘man’ of his dreams from gold. He’s claiming his kingdom and name will last forever; that he’s the one who’ll bring heaven and earth together as he unites all people under his rule; people of every language bowing and worshipping on his command (Daniel 3:4-5). What a Nimrod.

Just imagine for a moment reading the Babel story while you’re in Babylon. That’s where the big story of Israel’s history — Genesis to 2 Kings — ends up. Imagine reading about Nimrod while carting around bricks with Nebuchadnezzar’s name on them, building his towers. The book of Daniel is a kind of ‘after the event’ commentary on faithful life in this moment in history, but the Genesis story invites you to see Babylon and its mountainous buildings that are trying to link Babylon to the gods, and its Gilgamesh-like king who is uniting the earth while trying to make his name great with these building projects as a dead end. As a path to disinheritance and being scattered, and being brought down. Nebuchadnezzar is a Nimrod; and so is anyone who tries to unite heaven and earth without God.

But God has a heaven and earth reunion project he’s working on through history (Daniel 2:44), one that centers on a king who brings heaven to earth in a forever kingdom as he lives not for his own name, but for God’s — a son of Abraham — who brings blessing and restoration to all nations.

Another inversion of the Babel story comes with the nations, not just Israel, being not disinherited but re-adopted. That’s the story Paul tells when he visits Athens; a modern-to-his-day Babylon, with amazing walls and lots and lots of idol images (Acts 17:26, 30-31). He looks at these images as attempts to reach heaven, and how God’s plan was to bring all people back to himself, even after they’re given the boundaries of their lands, Deuteronomy 32 style; given over to the powers and principalities and this temple building idolatry. He says something has shifted in the heavens and the earth, where the God who “isn’t served by human hands building stuff out of bricks” has revealed himself through this one man; Jesus, who is now the ruler of the heavens and the earth — and all nations. Jesus the anti-Nimrod, who calls us out of our own building projects and into his.

Those are two threads tied up, but what about the bricks and the temple building? Our “brickman” tendencies to get swept up in the name-building project of our empires? Or even our own name-building, image-making efforts; whether that’s to make a name for ourselves now, in our own spaces, or to be like a Nimrod or a Nebuchadnezzar or a Big Clive, or a Donald, trying to build a kingdom that will last.

Here’s a fun payoff for that thread. Babel was a temple-building project, trying to bring heaven and earth together, which is ultimately God’s plan for the renewal of the heavens and the earth. At the end of the Bible’s story we see the heavenly city descend so humans live with God, and have his name written on us (Revelation 21:1-2, 22:4). There’s a rabbit hole here where the Hebrew word for “brick” is basically “white stone,” and the faithful church gets a white stone with a new name written on it, as we’re called out of Babylon in Revelation (Revelation 2:17).

But we’re not called to be brickmen — Nimrods, Nebuchadnezzars, or Clives — we’re called to be a brick… Man.

We’re not people who use bricks to make a name for ourselves, but bricks swept up and joined together in God’s building project — connected to the living stone — Jesus. Jesus, God’s living image who reveals what life lived for God’s name looks like; the true Israel and the forever king, who calls us to join in his Exodus-styled kingdom of priests—his living temple—as we journey towards this heavenly home (1 Peter 2:4-5).

The idea isn’t to build monuments or monumental lives so our names’ll be remembered like Nebuchadnezzars—but for our lives to be temple-like monuments to him; as we become a living temple, together, proclaiming the name of Jesus because we know that God remembers our names and we are heirs with Jesus who live lives with this as our story. Nebuchadnezzar might’ve built Babylon with 15 million bricks with his name on them; God is building a heavenly temple with billions of living bricks, through history, with his name written on us.

We’re not brick builders trying to bridge heaven and earth on our own terms, but bricks with God’s name stamped on us, showing the world what God’s bridge between heaven on earth looks like as we get swept up in his program to proclaim the name of Jesus. Being part of this building project is the anti-Babel way to invite people to meet the anti-Nimrod king who brings the nations back into relationship with God through his death, resurrection, and the pouring out of God’s Spirit to give us heavenly life here on earth.

Reading the Bible (and life) as the story of God ‘re-creating’ and ‘re-vivifying’ broken images of God: Part 1 — By the rivers of Babylon

In which, over a two part epic, I quote significant chunks of Babylonian religious propaganda to make the case that we should understand being made in the ‘image of God’ as a call to play a part in representing God in his world, while our idolatrous hearts keep leading us to play that part for idols.

This post is fairly epic in size, but the good news is, I’ve split it in two. Ok. So here’s a fun way to read the Bible, in sum, think of this as the TL:DR; version of what follows:

  1. The Bible is the story of God giving life to his image bearers — making living images or idols to represent himself — and then restoring life to those images when they stop serving that function. Part of this restoration involves the image being ‘revivified’ — given life, breath, and a function — near or through water. This vivification, or revivification, happens through a ritual ceremony that was a ceremony used throughout the ancient world to give and restore life to broken idol statues.
  2. God’s people are meant to function for him the way idol statues function for the other gods of the ancient world — to represent the presence of his kingdom, to, in a sense, manifest his rule and give legitimacy to it.
  3. The flip side of this reading is that the stuff in the Bible about not making idols to represent God is actually a pointer to the truth that only the living God can make representatives of himself, that share his qualities, because all things that are made by makers reflect their maker. The problem with the gods of the nations — gods of stone, shaped from the human imagination but based on things that God made — is that its an overturning of the created order, in which it is God who makes images (humans), not humans who make gods.

God creates his images (and gives them breath and a purpose, near water)

Creation as ‘giving something a function’…

Old Testament scholar John Walton has written a bunch of stuff about how the Genesis creation account relates to its ancient near eastern context. One really important point he makes is that we, as modern readers, bring modern concerns to the text as well as modern notions of what it means ‘to be’ (a modern ontology). We think ‘being’ is meaningfully tied to questions of what substance a thing is made of, our ontology is material. This wasn’t the case in the ancient world, nor, (just to give you a sense of how this question plays out significantly in different times, while we might take our modern thinking for granted) for some time after that. The Greeks, for example, as described in Plato, saw being as a thing reflecting some perfect infinite form, and a thing’s ‘being’ was measured, in some way, against this ideal. The significance of this, in the Greek world, was that people often separated a thing’s physicality from its ‘ideal form’ — prioritising the ‘spiritual’ over the physical. This question matters more than we think it might. In the world the Bible came from, existence was tied not to its material essence, or a thing’s ‘ideal form’, but to the function it was given within a system of functioning things. The ancient world had what Walton calls a ‘functional ontology’… Here’s a quote where he explains what this means:

“WHAT DOES IT MEAN FOR SOMETHING to exist? It might seem like an odd question with perhaps an obvious answer, but it is not as simple as it may seem. For example, when we say that a chair exists, we are expressing a conclusion on the basis of an assumption that certain properties of the chair define it as existing. Without getting bogged down in philosophy, in our contemporary ways of thinking, a chair exists because it is material. We can detect it with our senses (particularly sight and touch). The question of existence and the previous examples introduce a concept that philosophers refer to as “ontology.” Most people do not use the word ontology on a regular basis, and so it can be confusing, but the concept it expresses is relatively simple. The ontology of X is what it means for X to exist… When we speak of cosmic ontology these days, it can be seen that our culture views existence, and therefore meaning, in material terms… Since in our culture we believe that existence is material, we consequently believe that to create something means to bring its material properties into existence. Thus our discussions of origins tend to focus on material origins.

If we are going to understand a creation account from the ancient world we must understand what they meant by “creation,” and to do that we must consider their cosmic ontology instead of supplying our own. What did it mean to someone in the ancient world to say that the world existed?

People in the ancient world believed that something existed not by virtue of its material properties, but by virtue of its having a function in an ordered system. Here I do not refer to an ordered system in scientific terms, but an ordered system in human terms, that is, in relation to society and culture… In this sort of functional ontology, the sun does not exist by virtue of its material properties, or even by its function as a burning ball of gas. Rather it exists by virtue of the role that it has in its sphere of existence, particularly in the way that it functions for humankind and human society… In a functional ontology, to bring something into existence would require giving it a function or a role in an ordered system, rather than giving it material properties… Unless people (or gods) are there to benefit from functions, existence is not achieved. Unless something is integrated into a working, ordered system, it does not exist… Consequently, the actual creative act is to assign something its functioning role in the ordered system. That is what brings it into existence.” — John Walton, The Lost World of Genesis One: Ancient Cosmology and the Origins Debate

Walton obviously takes a position on how this affects the way we read the nature of ‘creation’ in Genesis 1, but that’s a red herring in this discussion. His observation is borne out through a study of the sort of things ‘created’ and what is said of them throughout the Bible (it’s always linked to function, rather than form), and also in texts apart from the Bible — other creation accounts, and other stories about people ‘creating’ things in the Ancient world. I think its fair to say this ‘ontology’ is not disputed, and you might have to take it to whatever conclusions are necessary when it comes to how to read the Genesis accounts as they relate to our ‘material ontology’ and the questions we might want Genesis to answer. I’m going to go in a very different direction though, and specifically consider the questions this creates for us when Genesis talks about us. Humans. Where we’re made in God’s ‘image’ and likeness. I think the likeness part captures a sense that we share some qualities of God in how we operate in the world, we reflect him, but the ‘image’ part is also functional and is tied to us representing him.

I’m suggesting that to be made in God’s image in the sense in which Genesis (and the rest of the Bible talks about it), is not just to be something, but also to do something. And that something is caught up with the idea that we are the living, speaking, God’s living, speaking, statues, in the same way that dead and dumb statues represented dead and dumb gods.

The Hebrew word for image selem is often translated as idol, both later in the Old Testament (rarely, because there are a few different words used), and elsewhere in the ancient near east (frequently, like, this is a very common word for how the nations describe their statues), it does come up a few times like:

Speak to the sons of Israel and say to them, ‘When you cross over the Jordan into the land of Canaan, then you shall drive out all the inhabitants of the land from before you, and destroy all their figured stones, and destroy all their molten images and demolish all their high places; and you shall take possession of the land and live in it, for I have given the land to you to possess it. — Numbers 33:51-53

“You also took the fine jewellery I gave you, the jewellery made of my gold and silver, and you made for yourself male idols and engaged in prostitution with them.” — Ezekiel 16:17

The verbs used for God’s creation of humanity in Genesis 1 and 2 are later used when talking about the forming of idols, or to refer back to God’s creation of humankind.

There’s a consensus emerging amongst a stream of good Bible scholars — people who believe the Bible is God’s word, and is about Jesus — that Genesis 1-2 should be read as the story of God creating his cosmic temple, a place for him to dwell, and rest, and be worshipped. I don’t think this is controversial. This is the ‘ordered system’ then that we are placed in and given the function we’re given as ‘images’… The word for ‘image’ in Hebrew, selem, has an ancient near eastern link to the word used elsewhere for idol statue, salmu. We’ve added vowel sounds to Hebrew, which was traditionally just written as consonants, so slm. 

There are some steps to notice in what happens as God makes an image of himself in Genesis 2.

  1. Formed and fashioned, near water (and symbolically, in a sense, moved through water, it’s interesting that God places the man in the garden twice, once before the mention of the water, and once after) (Genesis 2:6, 8, 10-15)
  2. Inspired, or given ‘breath’ so that it the image is vivified. It is to be thought of as a living representation of the God whose image it bears. (Genesis 2:7)
  3. Declared fit for purpose within a system, and via connection to God. (Genesis 1:26-31)
  4. Placed (or enthroned) in the Temple/garden sanctuary and given a job within the Temple. (Genesis 2:8-9, 15
  5. The images are provided for with food and drink. (Genesis 2:16-17)
  6. The image fulfills a function in representing the God behind the image (Genesis 2:19-20)

These steps are pretty much a summary of the steps required for people to create images of God in the ancient world. The sequencing is interesting here because 3 actually happens in Genesis 1, and then Genesis 2 zooms in to sequentially cover 1-2 and 4-5. Genesis 1 also supplies the sense in which 5 happens. God creates and rules by speaking good things (and a good system) into being. God creates humans to rule over the things he has made — especially the other living things — as his images. And in Genesis 2, Adam ‘names the animals’ by speaking their names into being, and thus rules them — in the Ancient Near East, to name something was to express your authority over it.

Humans are meant to serve as God’s images in his temple — his living breathing representatives.

The creation, and re-creation, of images of God in the ancient world

The notion of ‘images of God’ in the ancient world, outside the Bible, was linked to the role the king of an ancient nation would play in being the representative of that nation’s god as both priest and king of the nation’s cult. Here are some things written about a couple of kings. The image of the king, and the image of the nation’s god were so closely tied that the king of a successful nation almost always became God.

“He [the king] alone is the image of Enlil, attentive to the voice of the people, to the counsel of the land.” — EPIC OF TUKULTI-NINURTA

 

“The King’s image, made brilliant like the heavenly stars, was set up before the eyes of the God Enlil”  — A HYMN DEDICATED TO SULGI OF UR

 

He created his royal image with a likeness of his own countenance and placed it before the God Ninurta.”— INSCRIPTION DESCRIBING ASSURNASIRPAL, KING OF ASSYRIA

Some of the words in this bit are going to seem foreign — because they are. Not just foreign, but ancient. Just let those bits wash over you, but as you read (if you read the chunks of quotes from inscriptions) try to notice the similarities, and the differences, to how the Bible describes the making of an image of God. The Genesis account comes from a world much closer to these tablets than to our modern world. What’s really striking, I think, is how much the conclusion from the first section, and those steps present in making an image of God (and supplying a function), is supported in the ancient world — and what sort of comparison is struck between the Bible’s story of God’s creation of humanity, and the ancient, human, stories of how people were to make images of God. Those same 6 steps are there, with a couple of key subversions, in an ancient Babylonian ritual called Mîs-pî, where images are created, given the job of representing the god(s) who made the universe, and enthroned. Here’s the text of the ritual. There’s heaps of stuff here that sounds like it could be said about the God of the Bible, what’s interesting is what changes if you remember that this is a person speaking to the gods, about the creation of an image of a god. An image that is a statue where they need to create a sort of cognitive dissonance because the statue does not breathe or move, which brings into question just how powerful these gods are. The king/image-creator would say (the times ‘statue’ appears from here on in are ‘salmu’):

Ea, Ṧamaš, and Asalluḫi, the great gods, who judge the heavens and the earth, who determine the destinies, who fix decisions, who make sanctuaries great, who set the foundations of the throne daises, who lay out the plan, who outline the ordinances, who apportion the lots, who watch over sanctuaries, who keep the rites pure, who creates the rites of purification, it is in your hands to determine fates, to draw plans, you alone establish the fate of life, you alone draw the plans of life, you alone make the decisions of life, you inspect all the throne daises of god and goddess, you alone are the great gods who direct, the decisions of the heavens and earth, of springs and seas, your utterance is life, your pronouncement is well-being, the work of your mouth is life itself,  you alone bestride the farthest heavens, you dispel evil (and) establish the good, you loosen the evil portents and signs, disturbing and bad dreams, who cut through the cord of evil. I am the chief exorcist who <knows> the pure rites of Eridu, I have poured out water; I have cleansed the ground for you;  I have set up pure thrones for your sitting; I have dedicated clean red garments for you; I have set up the pure offering arrangements for you; I poured out for you a pure libation; I set up for you an adakurru-bowl with našpu-beer.

I libated for you wine and best beer. Because the completion of the rites of the great gods and the direction of the plan of the purification rite rest with you, on this day be present: for this statue which stands before you ceremoniously grant him the destiny that his mouth may eat, that his ears might hear. May the god become pure like heaven, clean like the earth, bright like the center of heaven. May the evil tongue stand aside! — Mîs-pî Ritual Tablet

After this had been recited, the king would “set up a libation for the gods Kusu, Ningirima, Ninkura, Ninagal, Kusigbanda, Ninildu, Ninzadim,” and ritually carry some incense and a torch past the image of these gods that had already been created. Then, the king would approach the new image that was being given life (vivified).

“You purify him with the egubbû-basin and (then) perform the Mīs Pî ritual, you set up a libation and the āšipu-priest stands to the left of that god. You recite three times the incantation “When the god was made” — Mîs-pî Ritual Tablet

The words of this incantation make it clear, or attempt to, that these statues are the products of all these other gods. Ignore all the funny types of Babylonian stone, and notice where those names of the gods mentioned above come up. And their ‘involvement’ as makers, but the key bits that are bolded. This is an exercise in overcoming the knowledge that these images are crafted by people, and can’t actually do what they symbolise.

“When the god was fashioned, the pure statue completed, and the god appeared in all the lands, then bearing an awe-inspiring radiance totally suited to rule with perfect strength; surrounded on all sides with splendour, endowed with a sparkling-pure appearance, he appears magnificently, the statue shines brilliantly; in the heavens, it was crafted; on earth, it was crafted. This statue was crafted in the entire heavens and earth… this statue grew up in the forest (of) Tir-ḫašur (ḫašur-cedar); this statue went out from a mountain, the pure place; the statue is the product of gods and humans; the statue (has) eyes that Ninkura has made; the statue (has) … that Ninagal has made; the statue (has) features that Ninzadim has made; the statue is of gold and silver that Kusibanda has made; [the statue ] that Ninildu has made; [the statue ] that Ninzadim has made; this statue of ḫulālu-stone, ḫulāl īni-stone, muššaru-stone, pappardillû-stone, pappardildillû-stone, ḫulālu parrû elmešu, by the skill of the gurgurru-craftsman, this statue that Ninkura, Ninagal, Kusibanda, Ninildu, Ninzadim have made,  this statue cannot smell incense without the ‘Opening of the Mouth’ ceremony. It cannot eat food nor drink water…” — Mîs-pî Ritual Tablet

These eyes can’t see. These features can’t do what they represent — see, or smell, or hear. These gods are made of gold and silver. These gods are statues. They are made by craftsmen, not gods. And here’s the ritual that ‘opens’ its mouth, that gives it life and breath and the ability to manifest the presence of the god it represents.

Water of the Apsû, brought from the midst of Eridu, water of the Tigris, water of the Euphrates, brought from a pure place: tamarisk, soapwort, heart of palm, šalālu-reed, multi-colored marsh reed, seven small palms, juniper, (and) white cedar throw into it; in the garden of the canal of the pure orchard build a bīt rimki. Bring him out to the canal of the pure orchard, to the bīt rimki. Bring out this statue before Shamash. Put again at their place the adze that was driven (into the wood), the chisel that carved it, the saw that cut it, and the master craftsmen who prepared it. With a scarf bind their hands; with a tamarisk knife cut off the fists of the stoneworkers who touched him. This is the statue that Ninkura, Ninagal, Kusibanda, Ninildu, (and) Ninzadim made. Kusu, the chief purification priest of Enlil, has purified it with a holy-water-basin, censer, and torch with his pure hands. Asalluḫi, the son of Eridu, made it resplendent. The apkallu and the abriqqu-priest of Eridu have opened your mouth twice seven times with syrup, ghee, cedar, (and) cypress.

May this god become pure like heaven, clean like the earth, bright like the center of heaven. May the evil tongue stand aside.” — Mîs-pî Ritual Tablet

The ceremonial ‘cutting off the hands’ of the stoneworkers to ritually deny human involvement fascinates me. The whole process to this point has been so very human. The king has been in the driving seat both in terms of speaking life into the god, via the incantations, and in terms of organising the design and creation of the god. This human involvement is clear from the number of “I did X” statements. It’s a very human process and this little ritual shows how much the idol maker must operate with a weird doublethink, the “I made this, it is my god” thing that Isaiah nails when he talks about how idol makers cook their food over half a lump of burning wood, and worship the other half. I say ‘ceremonial’ because tthe knife is wooden so I don’t think they actually chopped the hands off. After this ritual the statue is ‘commissioned’ by this prayer, and then carried to its temple.

“In the ear of this god you shall say the following: “Among your brothers you are counted,” you shall whisper into his left ear. “From this day let your fate be counted as divinity; among your brother gods may you be counted; draw near to the king who restored you; approach your temple…. To the land where you were created be reconciled.” — Mîs-pî Ritual Tablet

Notice the water mentioned at the start, is ‘water of the Apsû,’ the Apsû is the divine source of water in the ancient near east so this is ‘divine water’ from the mids of the god Eridu, which is said to come from two rivers. This water is brought into the place where this ritual happens, a ritual that happens in a garden-canal area in a ‘pure orchard,’ you may have identified all six of those elements of the Genesis creation narrative I mentioned above too, but check this out.

A river watering the garden flowed from Eden; from there it was separated into four headwaters. The name of the first is the Pishon; it winds through the entire land of Havilah, where there is gold. (The gold of that land is good; aromatic resin and onyx are also there.) The name of the second river is the Gihon; it winds through the entire land of Cush. The name of the third river is the Tigris; it runs along the east side of Ashur. And the fourth river is the EuphratesThe Lord God took the man and put him in the Garden of Eden to work it and take care of it.” — Genesis 2:10-15

This, then the subsequent creation of Eve, is how God places his images in his Garden/sanctuary/temple. To ‘work it and take care of it’ — and, for bonus points, the two verbs translated as ‘work it and take care of it’ are later used, and only ever used in this pairing, or construction, as describing the role of the priests in God’s temple. It’s also interesting that when God essentially ‘re-creates’ humanity, his images, a few chapters later through Noah, his family, and the waters of the flood, much of the same process repeats.

But God remembered Noah and all the wild animals and the livestock that were with him in the ark, and he sent a wind over the earth, and the waters receded. Now the springs of the deep and the floodgates of the heavens had been closed, and the rain had stopped falling from the sky. The water receded steadily from the earth. At the end of the hundred and fifty days the water had gone down, and on the seventeenth day of the seventh month the ark came to rest on the mountains of Ararat… Then God said to Noah, “Come out of the ark, you and your wife and your sons and their wives. Bring out every kind of living creature that is with you—the birds, the animals, and all the creatures that move along the ground—so they can multiply on the earth and be fruitful and increase in number on it. So Noah came out, together with his sons and his wife and his sons’ wives. All the animals and all the creatures that move along the ground and all the birds—everything that moves on land—came out of the ark, one kind after another.  Then Noah built an altar to the Lord and, taking some of all the clean animals and cleanbirds, he sacrificed burnt offerings on it.” — Genesis 8:1-3, 16-20

Then God blessed Noah and his sons, saying to them, “Be fruitful and increase in number and fill the earth. The fear and dread of you will fall on all the beasts of the earth, and on all the birds in the sky, on every creature that moves along the ground, and on all the fish in the sea; they are given into your hands. Everything that lives and moves about will be food for you. Just as I gave you the green plants, I now give you everything. — Genesis 9:1-3

Here, God re-creates humanity in his image. We see God:

  1. Forming a new people for himself through water (6:1-8:4),
  2. Placing them where the ark — his vessel for salvation — lands on a mountain (8:4, 16),
  3. Giving them a function in this cosmic system — he gives Noah and his family the job he gave his image bearers in Genesis 1 (8:17, 9:1)
  4. Providing food for them (9:3).

And we see Noah and his family ‘representing God’ — even if temporarily, as he builds an altar/sanctuary (8:20), and then as he, ‘a man of the soil,’ gardens, like Adam did (9:20).

There are also plenty of connections here to the later creation of Israel, through the waters of the red sea and the Exodus, to be placed in the Promised Land with it pictured as a rich, fruitful land marked by flowing water… When God speaks of his creation of Israel he talks in terms of creating a nation of priests, he does that through the waters of the exodus, and he moves them from Egypt to the Promised land (where, as they’re about to enter the land, he makes it very clear they’re not to follow any sorts of images given life by empty man-conducted rituals.

Now if you obey me fully and keep my covenant, then out of all nations you will be my treasured possession. Although the whole earth is mine, you will be for me a kingdom of priests and a holy nation.’ These are the words you are to speak to the Israelites.” — Exodus 19:5-6

Note the similarities here to the things humanity was meant to rule, and read it remembering who humans are meant to be.

You saw no form of any kind the day the Lord spoke to you at Horeb out of the fire. Therefore watch yourselves very carefully, so that you do not become corrupt and make for yourselves an idol, an image of any shape, whether formed like a man or a woman, or like any animal on earth or any bird that flies in the air, or like any creature that moves along the ground or any fish in the waters below. And when you look up to the sky and see the sun, the moon and the stars—all the heavenly array—do not be enticedinto bowing down to them and worshiping things the Lord your God has apportioned to all the nations under heaven. But as for you, the Lord took you and brought you out of the iron-smelting furnace, out of Egypt, to be the people of his inheritance, as you now are.

The Lord was angry with me because of you, and he solemnly swore that I would not cross the Jordan and enter the good land the Lord your God is giving you as your inheritance. I will die in this land; I will not cross the Jordan; but you are about to cross over and take possession of that good land. Be careful not to forget the covenant of the Lord your God that he made with you; do not make for yourselves an idol in the form of anything the Lord your God has forbidden. For the Lord your God is a consuming fire, a jealous God. — Deuteronomy 4:15-24

Just as Israel is about to be placed, like a divine image, in the promised land — a new Eden — there’s this reminder of who they’re to be, and a warning that if they do turn away from God, they’ll end up captured and taken into exile — God’s images removed from this temple — where they’ll worship ‘man-made gods of wood and stone, which cannot see or hear or eat or smell’ (Deut 4:25-28).

Images broken by exile, restored through waters

Ok. Here’s an extra fun part. When an image — as in the statue in a temple — was captured by an enemy army and taken into exile it lost its power. The God behind it was emptied, the statue was de-vivified. When nations went against nation they went after the idol statues in their temples. Statues functioned a bit like a flag in a game of capture the flag, if a nation held another nation’s statue of their god it was meant to show how little power the nation and its king had, and the king couldn’t exactly say ‘hey that statue is a fraud’ because the statue guaranteed the king’s own power — oh, yeah, the story of the capture of the Ark of the Covenant and its little power struggle with Dagon in 1 Samuel 5 is a fun example of this. If ever a nation captured back its statue, or if the winning nation wanted to take the power and prestige of the god behind the statue as a means to control the captured nation then the statue had to be re-vivified using a pretty similar ceremony, essentially following those same steps (this is fun background to read when we see foreign kings allowing Israel to restore the temple or practice their religion during exile).

There was a king of Assyria, Esarhaddon (he gets a mention in the Bible, in 2 Kings 19), who, famously restored the idols he’d captured in one of his conquests. I say ‘famously’ because Esarhaddon had his restoration of the Babylonian gods he (and his family) had captured inscribed in stone to shore up his own personal claims to divinity. Here are some bits of what he says in the inscription. In this you get a picture of the role the king played when it came to setting up an image of god, and the kind of kudos that came with it. The TL:DR; version, if you want to skip this quote, is that the king claimed divine right to create gods, found the craftsmen to do it, then decorated the image with gold and jewels to make them ‘more radiant than before,’ before conducting the same ceremony conducted to give them life in the beginning.

“When in the reign of an earlier king there were ill omens, the city offended its gods and was destroyed at their command. It was me, Esarhaddon, whom they chose to restore everything to its rightful place, to calm their anger, to assuage their wrath. You, Marduk, entrusted the protection of the land of Assur to me. The Gods of Babylon meanwhile told me to rebuild their shrines and renew the proper religious observances of their palace, Esagila. I called up all my workmen and conscripted all the people of Babylonia. I set them to work, digging up the ground and carrying the earth away in baskets… When in heaven and on earth signs favourable for the renewal of the statue of the gods occurred, then I, Esarhaddon, king of the universe, king of the Land of Ashur, the apple of Ashur’s eye, the beloved of the great gods, with the great intelligence and vast understanding, which the great Nudimmud, the wise man of the gods, bestowed on me, with the wisdom which Ashur and Marduk entrusted to me when they made me aware of the renewal of the the statue of the great gods, with lifting of hands, prayers, and supplication, I prayed to the divinities Ashur, king of the gods and to the great Lord Marduk: “Whose right is it, O great gods, to create gods and goddesses in a place where man dare not trespass? This task of refurbishing the statues, which you have constantly been allotting to me by oracle, is difficult! Is it the right of death and blind human beings who are ignorant of themselves and remain in ignorance throughout their lives? The making of images of the gods and goddesses is your right, it is in your hands, so I beseech you, create the gods, and in your exalted holy of holies may what you yourselves have in your heart be brought about in accordance with your unalterable word. Endow the skilled craftsmen whom you ordered to complete this task with as high an understanding as Ea, their creator. Teach them skills by your exalted word; make all their handiwork succeed through the craft of Ninshiku… When in the reign of an earlier king there were ill omens, the city offended its gods and was destroyed at their command. It was me, Esarhaddon, whom they chose to restore everything to its rightful place, to calm their anger, to assuage their wrath. You, Marduk, entrusted the protection of the land of Assur to me. The Gods of Babylon meanwhile told me to rebuild their shrines and renew the proper religious observances of their palace, Esagila. I called up all my workmen and conscripted all the people of Babylonia. I set them to work, digging up the ground and carrying the earth away in baskets… With red gold, the product of Arallu, ore from the mountains, I decorated their images. With splendid ornaments and precious jewelry I adorned their necks and filled their breasts, exactly as the great lord Marduk wanted and as pleased queen Sarpanitu. They the artisans made the statues of their great divinity even more artistic than before. They made them extremely beautiful and they provided them with an awe-inspiring force, and they made them shine like the sun… I, Esarhaddon, led the great god in procession. I processed with joy before him. I brought him joyfully into the heart of Babylon, the city of their honour. Into the orchards, among the canals and parterres of the temple E-kar-zaginna, the pure place, they entered by means of the office of the apkallu, mouth washing, mouth opening, washing and purification, before the stars of heaven, before Ea, Samas, Asalluhi, Belit-ili, Kusu, Ninigirim, Ninkurra, Ninagal, Kusibanda, Ninildu, and Ninzadim.” — Esarhaddon Inscription

It’s a bunch of foreign ‘super-powers’ like Esarhaddon who cart Israel off into exile, and gods like those he decorates in jewellery that Israel are so enamoured by, who so capture their hearts, to their peril. Not only are the Israelites taken into exile, as a result of worshipping stone idols dressed in fancy stones, they are ‘de-vivified’ — they lose the essence of their life as they lose connection with the life giver. They need restoration. Isaiah nails the ‘man made’ nature of the nation’s gods, and their destructive capacity, so too Psalm 115. Their idolatry leaves them exiled, and with hearts of stone. No longer living images of the living god in his temple, but dying images of dead gods captured by the foreign kings.

Here’s the thing — to bring this all home to 21st century you and me — we are all Esarhaddons. We don’t have ‘kings’ and ‘national cults’, but we all build pretty idols and become ensnared by them. Our hearts are led astray. We think we’re super impressive, we make life all about us, and our idols, though they don’t speak, are the things we look to, apart from God, for a sense of self worth or a picture of success. They guarantee our self-rule. Only. They destroy us. Because they take us away from God. That tendency you have to put yourself at the centre of the universe, the ‘Lord,’ as David Foster Wallace puts it, ruling your own skull shaped kingdom, that is going to kill you.

Everybody worships. The only choice we get is what to worship. And an outstanding reason for choosing some sort of god or spiritual-type thing to worship – be it JC or Allah, be it Yahweh or the Wiccan mother-goddess or the Four Noble Truths or some infrangible set of ethical principles – is that pretty much anything else you worship will eat you alive… The insidious thing about these forms of worship is not that they’re evil or sinful; it is that they are unconscious. They are default settings. They’re the kind of worship you just gradually slip into, day after day, getting more and more selective about what you see and how you measure value without ever being fully aware that that’s what you’re doing. And the world will not discourage you from operating on your default settings, because the world of men and money and power hums along quite nicely on the fuel of fear and contempt and frustration and craving and the worship of self. Our own present culture has harnessed these forces in ways that have yielded extraordinary wealth and comfort and personal freedom. The freedom to be lords of our own tiny skull-sized kingdoms, alone at the centre of all creation.”

David Foster Wallace is right about the destructive power of worship, but wrong that there is anything other than God the creator who won’t ‘eat you alive’ — there’s only one right option. And the worship of self, which provides this apparent freedom, actually enslaves. We become what we behold. We cut ourselves off from the voice that set creation into being, and that’s why, to pinch another phrase from that famous DFW speech, we have that sense of having had, and lost, some infinite thing. We are, as a result of our worship of things other than God, in exile from God. De-vivified. In need of new breath. In need of re-imaging so we might re-imagine life as God’s people, his images, again. So that we might speak, and taste, and see, and smell, the world the way we were made to, not the way our senses are dulled as we pursue hollow gods.

Israel’s situation, in exile, is dire. They are images waiting to be restored. That Psalm made famous by Bony M, which, somewhat poetically, pictures those waters the Babylonians believe brought life to their statues, picture Israel losing their lives, and their identity and their ability to speak, or sing, as they were meant to — as God’s representatives.

By the rivers of Babylon we sat and wept
    when we remembered Zion.
There on the poplars
    we hung our harps,
for there our captors asked us for songs,
    our tormentors demanded songs of joy;
    they said, “Sing us one of the songs of Zion!”

How can we sing the songs of the Lord
    while in a foreign land?
If I forget you, Jerusalem,
    may my right hand forget its skill.
May my tongue cling to the roof of my mouth
    if I do not remember you,
if I do not consider Jerusalem
    my highest joy. — Psalm 137:1-6

The hope expressed by the prophets, especially Ezekiel, is that life will be restored to God’s people, that they’ll function as his images again. Re-vivified (given life and breath), re-commissioned, and replaced in his temple, through water, with God providing them with food. See how many of the six elements of Genesis 2 you can spot here.

“For I will take you out of the nations; I will gather you from all the countries and bring you back into your own land. I will sprinkle clean water on you, and you will be clean; I will cleanse you from all your impurities and from all your idols. I will give you a new heart and put a new spirit in you; I will remove from you your heart of stone and give you a heart of flesh. And I will put my Spirit in you and move you to follow my decrees and be careful to keep my laws. Then you will live in the land I gave your ancestors; you will be my people, and I will be your God. I will save you from all your uncleanness. I will call for the grain and make it plentiful and will not bring famine upon you. I will increase the fruit of the trees and the crops of the field, so that you will no longer suffer disgrace among the nations because of famine.” — Ezekiel 36:24-30

Or, in chapter 37…

Then he said to me: “Son of man, these bones are the people of Israel. They say, ‘Our bones are dried up and our hope is gone; we are cut off.’ Therefore prophesy and say to them: ‘This is what the Sovereign Lord says: My people, I am going to open your graves and bring you up from them; I will bring you back to the land of Israel. Then you, my people, will know that I am the Lord, when I open your graves and bring you up from them. I will put my Spirit in you and you will live, and I will settle you in your own land. Then you will know that I the Lord have spoken, and I have done it, declares the Lord.’”… I will take the Israelites out of the nations where they have gone. I will gather them from all around and bring them back into their own land. I will make them one nation in the land, on the mountains of Israel. There will be one king over all of them and they will never again be two nations or be divided into two kingdoms. They will no longer defile themselves with their idols and vile images or with any of their offenses, for I will save them from all their sinful backsliding, and I will cleanse them. They will be my people, and I will be their God. My servant David will be king over them, and they will all have one shepherd. They will follow my laws and be careful to keep my decrees. They will live in the land I gave to my servant Jacob, the land where your ancestors lived. They and their children and their children’s children will live there forever, and David my servant will be their prince forever. I will make a covenant of peace with them; it will be an everlasting covenant. I will establish them and increase their numbers, and I will put my sanctuary among them forever. My dwelling place will be with them; I will be their God, and they will be my people. Then the nations will know that I the Lord make Israel holy, when my sanctuary is among them forever.’” — Ezekiel 37:11-14, 21-28

 

Where and how this restoration happens is part 2.

Written in stone

The essay I’m working on currently requires the use of “primary sources” from Rome. This means reading a bunch of inscriptions which were either sycophantic pandering to the emperor or imperial bragging.

But this is cool. Next time somebody you’re talking to about what possible explanation there might be for Jesus body not being in the tomb on Easter Sunday here’s a piece of relevant Roman legislation.

Imperial edict – Date disputed (either Augustus, Tiberius or Claudius)
White marble stele – possibly form Nazareth

Edict of Caesar. It pleases me, in regard to graves and tombs, whoever has made them for the cult of ancestors, or children, or kinsmen, that these things remain undisturbed forever; and if someone reports that anyone has either destroyed or in any other way removed the buried dead or has moved them to other locations with evil intentions to the injustice of the buried dead or if the tombstones or stones have been moved, against a person of this sort I order that a trial be started, just as in the case of gods, just so for the cults of mortals. There will be much greater need to honour the buried dead. In general, nobody will have permission to move them; otherwise such a person will be liable to capital punishment on a charge of violation of sepulchre. This is my wish.