I’ve heard this song on the Js a few times. I really like it.
Here’s an acoustic version.
Here’s a cover of Simon and Garfunkel’s Cecilia…
I’ve heard this song on the Js a few times. I really like it.
Here’s an acoustic version.
Here’s a cover of Simon and Garfunkel’s Cecilia…
Music. Apparently. Cop this playa haters… Triple J run a competition to track down the best 100 songs of all time. They make the process democratic… and bam. No female artists. In fact, very little female presence at all.
The SMH is running a left-wing fuelled paranoid condemnation of the countdown (or the voters… well not really, it’s more an opinion piece bemoaning the results) – and yet the facts don’t lie. Males are superior.
However, as the countdown progressed, something sinister emerged: of the 100 tracks that ended up comprising the list, there were no female artists. Not even “equal but different”. Lets see you artsy lefties trying to condemn the church on gender roles now…
The only women to appear in any notable capacity were The White Stripes’ drummer Meg White (Seven Nation Army, number 20), Massive Attack guest vocalists Elizabeth Fraser (Teardrop, 22) and Shara Nelson (Unfinished Sympathy, 93), Pixies bassist Kim Deal (Where Is My Mind, 29), Smashing Pumpkins bassist D’arcy Wretzky (1979, 35; Bullet with Butterfly Wings, 51; Today, 78), and Pulp keyboardist Candida Doyle (Common People, 81). And that’s it. Female artists with a history of solid Triple J airplay disappeared from the proceedings: Frente, P. J. Harvey, Tori Amos, Hole, Missy Elliott, Garbage, The Mavis’s, Bjork and Missy Higgins. They were all, to borrow Maya Arulpragasam’s stage name, M.I.A.
When you want to make big bucks in radio you begin with ABC. It’s a sad fact of life that JJJ, and more broadly the ABC, cultivate 90%* of the media talent in this world, and they all eventually leave.
Roy and HG have had many trists and dalliances with commercial TV through their Olympic broadcasts and the like – but until now have remained true to their radio roots with “This Sporting Life” on JJJ on a Sunday afternoon. But no more. They’re off to the greener pastures of MMM. They did manage to stay there much longer than Merrick and Rosso, or Wil Anderson – and they command respect for that…
But for some reason this makes me angry. I was probably so ingrained by the left leaning creative types at uni that I scream “sell out” every time someone makes money out of their creativity. It’s a hard line to tread. The thing is – even JJJ radio personalities make an exhorbitant amount of money on the professional MC circuit.
Even ABC breakfast radio hosts command more than $10,000 an appearance** – and that’s pretty close to the base rate. Seriously, this is easier than painting some obscure blue poles on canvas. You get 100 of these gigs a year (assuming 1 mid week and 1 a weekend over 52 weeks) and that’s a million bucks. Why you can’t stick to your principles and stay committed to the station that nurtured your talent is beyond me. I guess this is the only way new talent is allowed an opportunity. But I find it all a little mercenary.
*arbitrarily selected figure
** One extroverted mathematician in particular, ex JJJ, we had him up here for a function a while back…