The (music) disciples: By dress shall all men know…

Photographer James Mollison came up with a pretty fascinating photographic concept here. He set up a photo booth outside concerts from 62 different artists, and snapped shots of the bands’ fans. Turning them into a coffee table book called The Disciples, and providing a little bit of a surface level analysis of different sub cultures. I like it.

Here are some samples.

George Michael

Oasis

Marylin Manson

Morrisey

Via The Atlantic.

The author

Nathan runs St Eutychus. He loves Jesus. His wife. His daughter. His son. His other daughter. His dog. Coffee. And the Internet. He is the campus pastor at Creek Road South Bank, a graduate of Queensland Theological College (M. Div) and the Queensland University of Technology (B. Journ). He spent a significant portion of his pre-ministry-as-a-full-time-job life working in Public Relations, and now loves promoting Jesus in Brisbane and online. He can't believe how great it is that people pay him to talk and think about Jesus.

2 thoughts on “The (music) disciples: By dress shall all men know…”

  1. Seems like just an attempt to find some fans that look sufficiently like the artists… I really like the Cure, but heck, I don’t dress like Robert Smith.

    1. I thought maybe an attempt to demonstrate that people will dress like the artist as part of an attempt to belong to a “tribe”… I suspect the comment is more on what people will do when they congregate with others from that tribe, in the presence of the tribe’s messianic figure. I see no reason to dress like the bands I like, because I see no reason to belong to their particular sub-sub-culture, it doesn’t mean I don’t like the bands, but it does mean I’m not a “disciple” of that band, or its associated culture – some artists (like the Insane Clown Posse) make the bar a little higher by essentially instructing their fans to dress and act in a particular way. I think that’s interesting from a sociological perspective, and I think these photographs capture something interesting about the way we try to belong, and the way we create associations with people of influence. What would be interesting would be doing a percentage breakdown of the number of people at each gig who dressed like the singer – that’d be a measure of the artist’s stickiness. Or something.

Comments are closed.