Author: Nathan Campbell

Nathan runs St Eutychus. He loves Jesus. His wife. His daughter. His son. His other daughter. His dog. Coffee. And the Internet. He is the pastor of City South Presbyterian Church, a church in Brisbane, a graduate of Queensland Theological College (M. Div) and the Queensland University of Technology (B. Journ). He spent a significant portion of his pre-ministry-as-a-full-time-job life working in Public Relations, and now loves promoting Jesus in Brisbane and online. He can't believe how great it is that people pay him to talk and think about Jesus. If you'd like to support his writing financially you can do that by giving to his church.

How “creatives” overcome creative block

Nothing sucks more than writer’s block. Well, actually, that sentence is clearly untrue. Being squirted in the eye with lemon juice hurts more than writer’s block. If I ever have writer’s block I just make an absolute statement and try to come up with creative exceptions. Here you try it – what sucks more than writer’s block – did someone say black holes?

Anyway. Here’s a fascinating article interviewing a bunch of creative people about how they get the creative juices flowing. Some good tips. The consensus seems to be that if you want to be creative you need to become familiar with the works of other creative people – or just branch out into a type of creativity you’re not being paid to produce. For the writer this might mean sketching.

One guy came up with this relatively delicious solution.

The solution to a problem–

Slice and chop 2 medium onions into small pieces.
Put a medium sized pan on a medium heat with a few glugs of Olive oil.
Add the onions to the pan, and a pinch of salt and pepper.
Chop finely three varieties of fresh chilli (Birds Eye, Scotch Bonnet & Green/Red).
Add the chilli’s to the pan, stir together and cook for eight minutes.
Add about 500g of extra lean Beef mince to the pan.
Stir in so that the Beef is coated and lightly browned (should take approx. 2 minutes).
Add salt and pepper.
Add Red Kidney Beans and tinned chopped Tomatoes.
Stir well.
Add a pinch of Cinnamon.
Cook on a low heat for approximately 20 mins.

Measure a cup and a half of Basmati Rice into a medium pan.
Add two and a quarter cups (the same cup you measured the Rice in) of cold water to the pan with the Rice.
Boil on a high heat until the lid rattles.
Turn down the heat to about half way and cook for eight minutes.
After eight minutes turn the heat off the rice, leave for four minutes (with the lid on).

Plate up the Rice (on the side), add the chilli.

Large glass of Red wine (preferably Australian or New Zealand).

Now the important problem solving part–
Take the plates & pans to the sink.
Run a mixture of hot and cold (not too hot) water.
Add a smidgeon of washing up liquid (preferably for sensitive skin).
Start washing up, the mundane kicks in.
The mind clears and new thoughts and ideas appear.

Enjoy a second glass of wine to savour the moment.

Measuring in coffee

The coffee bean should really be a standard measure. Someone else out there (from the genetics department at the University of Utah) agrees with me. They’ve created this cool zoom in/zoom out infographic that displays the size of cells relative to the size of a coffee bean.

Artistic Ninja Turtles

Most people of my generation learned 76% of their renaissance art history from the Teenage Mutant Ninja Turtles. Once you know about Leonardo Da Vinci, Donatello, Raphael and Michaelangelo you’re set at dinner parties for the rest of your life. But the original series was terrible at teaching anybody about modern art. Which is why these guys took it on themselves to introduce some new turtles to the bunch, and in the process they presented them in the style of their namesake.


How to type in Greek and Hebrew on a Mac

Macs make typing in foreign languages ridiculously easy. But if you haven’t figured it out yet here are some handy links.

How to set your language to Greek and use special characters.

How to type in Hebrew (I haven’t figured out how to get the vowels under the letters yet) (and a second helpful look at the keyboard layout).

Teenage Mutant Bacon Turtles

I like Bacon. I like our pet turtles. I can’t say I’ve ever thought of combining the two before. But some turtle fan out there has piqued my interest and whet my appetite. Mmm. Bacon. What a mutation.

20100212-turtleburgers.jpg

How not to cut yourself with sharp knives

I love reading professionals giving tips for everyday living. This interview with a butcher is fascinating. He gives five tips (in detail) that I’ll summarise here on how not to cut yourself.

  1. Keep the knife in your hand

    “You should hold your knife like the butt of a pistol, fingers wrapped tightly around the grip “like someone was trying to take it away from you.” Some people hold a boning knife like a conductor’s baton during a particularly slow part of Pachelbel’s Canon. This is wrong. You will either drop your knife through your fingers, causing you to cut your knife hand with your knife, or, more likely, lose track of it in your brain’s motor control center and cut the hand holding the meat.”

  2. Don’t cut towards yourself

    Putting all your strength into a brazen “take it to the board” type of cut is a sure way to bury a knife in your chest, belly, femoral artery or … genitals. We’re not talking stitches here, we’re talking surgery at best and coffin at worst.

  3. Keep everything clean.

    We take care to avoid fat buildup on our knife handles to prevent what I like to call “the knife handshake,” which consists of having your lubricated fist slip over the grip and onto the length of the blade. Wash your hands. Wash your knives. Thoroughly. Often.

  4. Do not leave knives on the table, ever.

    This applies mainly in a butcher shop. The reason we wear somewhat garish knife scabbards on our hips is to avoid ever setting a knife on the table. Why? Our pieces of meat are large and heavy, and knives can be well hidden. Add force and weight, and you can imagine what might happen to your hand or forearm. Gross.

  5. Bones can be really sharp.

    Bones, particularly the chine and feather bones along the spinal column, become extremely sharp and dangerous when cut by a carcass splitter.

Speaking of knives – I’ve been looking for an opportunity to plug a bunch of knives I bought online recently that have turned out to be incredibly awesome and very sharp. They’re also cheap. They are Thai restaurant style chef’s knives and cleavers and they’re the sharpest knives I’ve ever played with (not that playing with knives is a good idea).

On clichés and stereotypes

I did not know this. Did you?

Etymology is cool.

In printing, a cliché was a printing plate cast from movable type. This is also called a stereotype.When letters were set one at a time, it made sense to cast a phrase used repeatedly as a single slug of metal. “Cliché” came to mean such a ready-made phrase. The French word “cliché” comes from the sound made when the matrix is dropped into molten metal to make a printing plate.

From wikipedia, via Seth Godin

Mad Skillz: Ali on being poetic

Ali writes a poetic blog. Which by default means it’s deep. It’s not necessarily all about poetry but it’s the type of blog where just reading makes you feel more artistic and creative. That’s her milieu (to steal an artistic French word). To my knowledge we’ve never met – but we’ve both lived in Townsville. Ali is a former “Steve Irwin” style animal wrangler (as indicated by her link). This gives her some sort of credibility with those who don’t like poetry…

Here are Ali’s tips on how to be, or appear, poetic.

Let me first just say, I don’t get around calling myself a ‘poet’ so I feel like this is something of a joke, and there are those out there who with more credibility than me, so feel most free to comment/differ/add stuff. (My other option was editing, which might have been more use to some but would have been just as farcical. However, if you would like to know how to catch a koala, read here.

I supplemented this with some material from a course I did with Judith Beveridge, so you get something from a real expert.

  1. Read poetry. Read lots of it, and read the great poetry so your bar is high, but also read contemporary poetry (they are not necessarily mutually exclusive, but a lot of the known greats are actually dead). Having said that, the thing that actually started me writing poetry – even though I’d read it since school – was a friend giving me a poem they wrote for me, and it suddenly came within the realm of possibility, when I had never really thought about it before.
  2. Find out what sort of poet you are, your sympathies and approach. Then learn by imitation. It is actually the way to learn all art forms.
  3. Know the elements and rules of poetry. Read a book like “Rules for the Dance” by Mary Oliver (otherwise this post will never end). Only when you know the rules (rhythm, metre, line, form, sound, image, metaphor etc) can you break them effectively and do the “freefall” (as Mark Tredinnick called it) nicely (same goes for grammar might I add – that’s what MT was actually talking about). As with all creative writing, show and don’t tell. (So mostly don’t use abstractions – eg a word like “beautiful” is an abstraction so describe the elements of the beauty instead – or else interpret the concept/abstraction with an object eg “quiet as a house in which the witch has just stopped dancing” – “quiet” is the concept, the rest is the object (and obviously the whole thing is a metaphor) – I snitched this example from Judith Beveridge.)
  4. Work hard on language and find the language appropriate to the experience, and the appropriate form. The style and the content are inseparable. With the language you want the reader to feel like they are going through the experience and to be engaged on a sensory level. The vocabulary doesn’t need to be sophisticated necessarily but using ordinary words in different ways is good. (This is a kind of summary of stuff from the Judith Beveridge course.)
  5. As with all creative writing or creativity or skill, keep practicing and writing and also revising and editing and be prepared to fail along the way. (Seeing some drafts from the masters is enlightening – we tend to think poetry just rolls effortlessly off the tongue of the greats – not so, so be encouraged.)

A better analogy for church planting

Stuart didn’t think much of my Woolworths v 7/11 analogy. I admin that it has limits. He has called for a better analogy. And I think I’ve come up with one. We’ll see.

The gospel is only useful as a piece of communication. This communication requires metaphorical communication technology – think of your ubiquitous mobile phone. Mobile phones work all over the country because there is infrastructure all over the country to support them. Mobile towers create the ability for people in regional Australia to be linked to the service. If you lice in an area with no service it’s really frustrating. You see the service that city people enjoy and you get a bit mad that nobody loves you.

We should be thinking of churches like broadcast towers. We want to be a country that has full ministry coverage – ministry available in every area. It’s right to have strong signals and good infrastructure where there are more people – like in Sydney – but the reason people previously griped about many telcos is that their rural and regional service is so poor.

This metaphor also highlights the problem with the “for the rest of the country to be strong we need to keep Sydney strong” line. It’s a given that we want to keep Sydney strong. What these people are suggesting is that in order to keep Sydney strong we need to overinvest in infrastructure in Sydney. It’s a build it and they will come mentality. Building heaps of communications towers in one place doesn’t improve the signal in regional Australia – it improves the signal locally – and regional Australia packs up and moves to the city. Especially when one of the prevailing messages people who attend evangelical conferences in Sydney hear is “you need to find a good church you can serve in” what do you do if you’re somewhere with no good churches? You move to Sydney.

If the government feels the need to legislate and create a company in order to service the needs of all Australians – why are we not treating the issue in the same manner?

Mad Skillz: Dave on regional ministry

Dave Walker is the boss of AFES in Townsville. Or the “executive pastor”. Really he’s just the senior staff worker. He has been in North Queensland for nine years. He has, on occasion, blogged here. He is so skilled that he has actually made two submissions to this program.

Dave is, of course, an “expert” in regional ministry and this input is so timely one might assume I asked him to write it.

Here are his tips.

  1. Keep heaven, hell, the bible and the gospel clearly in focus. Soon, no one’s going to care where they lived here.
  2. Be content for your gifts to be used less than they could be, or for your reputation to be smaller than it might be — for the sake of loving people. (And if that feels too hard, then think of your wife’s pattern of life raising children. Or Jesus. Either’s fine.)
  3. If God enables you, have children and grandchildren – spiritually. Most regional places suffer because there are no evangelical grandparents, ministers who have stuck around in the area for a generation or two. They don’t stick around because it’s hard, and often it’s right they move on. I’m guessing, though, (I’m only 9 years in!) that persuading other people to stay and minister with or near you is a key to going long term. (But if it is time to go to the big smoke, then do it!)
  4. Grow up. It’s lovely having some older, senior leader around to tell you that what you’re doing is great, or where you should go next, or that you’re ‘really needed’ where you are. But it’s a luxury, and God may put you somewhere where you don’t have that kind of leadership around. (And if I can facetiously slip in a corollary: Don’t stay in Sydney just because Phillip says you’re needed there!)
  5. Live in a nice house, where possible. This is pure pragmatism, and fraught with danger. But it helps.

Don’t stop Mario now

I’m not a big Queen fan – but I am a big Mario fan – so this video is right up my alley. Four levels of Mario have been cleverly overlaid to create Queen’s Don’t Stop Me Now. It seems Queen is good fodder for musically inclined geeks. This reminds me of that other thing I posted of computer peripherals playing Bohemian Rhapsody.

Finding new friends

According to a comment on Izaac’s blog – if I blog about how Guy Sebastian is a genre crossing fashion tragic I’ll get some new commenters who have google alerts set up to monitor mentions of Guy Sebastian. I’ve never sat near Guy Sebastian – but I don’t like his v-necked jumpers. I hope I’ve spelled his name properly.

Izaac, by the way, recently celebrated 200 posts. If you’re not already reading him you should.

Any monkey can take a photo

I like photography. But my photos are never as good as I thought they were when I look at them a week later. Here’s a little bit of proof that photography actually requires no innate gifting – or that the gift is not limited to humans. This Orangutan called Nonja was a photographer for a recent Samsung campaign.

X-rayted conversation

This is a gif of a head being x-rayed while talking. It is pretty cool.

From here – where there’s another one.

I suspect Hebrew would look very different.

A hand blown cuppa

Robyn is getting into tea a bit. We have a kettle, a teapot and a nice variety of teas. If you come around for a cuppa we won’t be serving your tea using the lost art of teapot blowing.

I did try it last night with some success.