Tag: singing

What does an advancing Australia look like? On anthems, home, and welcomes

Australians all let us rejoice, For we are young and free…

t-shirt
Image Credit: Flogged from a site I won’t link to that is selling this hideous ideology-as-T-shirt-slogan.

It seems some Christians who love Australia are joining in the chorus of angry voices shouting variants of the “if you don’t love it, leave it” slogan at some Muslim school children who left a room while their classmates sang the national anthem in a Victorian school.

I don’t get it. I mean, I get that the national anthem is the closest thing we’ve got to a sacred song in terms of our nationalistic religion, and so walking out is an act of impiety, at best, and sacrilege, at worst. And so I expect certain sections of the community to be up in arms when believers from another religion don’t follow these cultic practices, or appear to be insulting them. But I’m confused, a little, on two fronts. The first is what sort of freedom we’re rejoicing in as we sing the national anthem if it doesn’t include the freedom not to sing, the second is how to navigate the murky pool of Christianity and patriotism, or nationalism, without forgetting that we too, are exiles, and that we too, are called to not bow the knee to nationalistic cults if such knee-bowing represents a betrayal of our religious convictions.

… we are young and free

Are we? What sort of freedom are we believing in, as Australians — and as Christians in Australia — when we echo the ‘love it or leave it’ slogan? Is there any greater curtailing of freedom than to force people to participate in something that clashes with their fundamental view of the world, or of citizenship? Do we really want to be throwing citizenship in a pluralistic, liberal, democracy — one that believes in ‘freedom’ — up against religious belief and practice? Isn’t that a privilege that we as Christians can only rely on if we deliberately forget our history — the story of the emergence of the Church, indeed, the story of the incarnation of Jesus — against hostile worldly empires? That’s the story of the Old Testament, and the story of the New, it’s the story of the Early Church, and the story of the Reformation.

It seems to me that Christians calling on faithful Muslims to leave because they can’t align their religious beliefs with Australianism, in order to be consistent, would historically have called Daniel to leave Babylon, the Israelite exiles to no longer ‘seek the welfare’ of the pagan cities they were carried off to, and would have called early Christians to pack up their bags and flee the Roman empire. It seems they’d be forced to ask, in essence, Jesus to bow the knee to Caesar.

It seems, not to be too dramatic, that if we adopt the ‘love it or leave it’ slogan to throw it at our ‘ideological enemies’ — those whose religious faith is at odds with our own — we’re in danger of becoming a bit like the Pharisees at Jesus’ trial. There’s a risk that we might become so keen to end the ‘freedoms’ of a competing religion, Islam, that we’ll sign up with any common enemy of Islam at the cost of our own soul.

From then on, Pilate tried to set Jesus free, but the Jewish leaders kept shouting, “If you let this man go, you are no friend of Caesar. Anyone who claims to be a king opposes Caesar.”…

“Here is your king,” Pilate said to the Jews.

But they shouted, “Take him away! Take him away! Crucify him!”

“Shall I crucify your king?” Pilate asked.

“We have no king but Caesar,” the chief priests answered.

Finally Pilate handed him over to them to be crucified. — John 19:12, 14-16

Christians have always had a funny relationship with the secular state. With worldly notions of nationhood. We want to live in such a way, as foreigners within our ‘home’ country, that people see where home really is, and to what kingdom we truly belong as citizens.

But you are a chosen people, a royal priesthood, a holy nation, God’s special possession, that you may declare the praises of him who called you out of darkness into his wonderful light. Once you were not a people, but now you are the people of God;once you had not received mercy, but now you have received mercy.

Dear friends, I urge you, as foreigners and exiles, to abstain from sinful desires, which wage war against your soul. Live such good lives among the pagans that, though they accuse you of doing wrong, they may see your good deeds and glorify God on the day he visits us. — 1 Peter 2:9-12

Just after this little passage, Peter describes what it looks like for Christians to live as exiles in a hostile world — a world, or empire, that crucified the king of God’s kingdom. He outlines a path towards radical change and transformation. He describes why Christians might feel a sense of pride, or belonging, as we sing a nation’s anthem (without feeling like we’ve necessarily sold our soul in order to join a civil cult).

Submit yourselves for the Lord’s sake to every human authority: whether to the emperor, as the supreme authority, or to governors, who are sent by him to punish those who do wrong and to commend those who do right. For it is God’s will that by doing good you should silence the ignorant talk of foolish people. Live as free people,but do not use your freedom as a cover-up for evil; live as God’s slaves. Show proper respect to everyone, love the family of believers, fear God, honor the emperor. — 1 Peter 2:13-17

Honouring the emperor — participating in the empire — never extended to worshipping the emperor or participating in a litmus test based on nationalistic religion. A Christian in Rome was free to not pray to the emperor — a Roman rite of passage — while still feeling like they could live in Rome and contribute to public life, ‘doing good’ and while still honouring the emperor.

In a Christian framework, you don’t have to bow the knee, or offer a sort of lip service, to the nationalistic cult. You have to participate in public life for the good of the people around you, out of love for neighbour and enemy. A letter, called the Letter to Diognetus, from some time in the second century, describes the Christian approach to life in the world, life, as it were, as exiles.

Christians are indistinguishable from other men either by nationality, language or customs. They do not inhabit separate cities of their own, or speak a strange dialect, or follow some outlandish way of life. Their teaching is not based upon reveries inspired by the curiosity of men. Unlike some other people, they champion no purely human doctrine. With regard to dress, food and manner of life in general, they follow the customs of whatever city they happen to be living in, whether it is Greek or foreign.

And yet there is something extraordinary about their lives. They live in their own countries as though they were only passing through. They play their full role as citizens, but labor under all the disabilities of aliens. Any country can be their homeland, but for them their homeland, wherever it may be, is a foreign country. Like others, they marry and have children, but they do not expose them. They share their meals, but not their wives.

The Christian message, if reduced to a shirt slogan, is not just the anti-thesis of love it or leave it, it’s not just that we look around us at our earthly home and say “if you do love it, stay”, but we look towards our eternal home and say “we love our home, come”… and the way we live now — our hopes, our practices, our participation in the public life of our place — reflects this slogan.

It might seem specious to equate the worship of a Roman emperor with the singing of a national anthem, but if the sentiment behind “if you don’t love it, leave it” or the sense that a person is, or isn’t, truly Australian based on their desire to sing the anthem or salute the flag truly represents an understanding of what it means to really be a ‘citizen’ here, then it’s not far off. In the early years of the church, when the Roman Empire was looking to weed out this disruptive sect that was threatening civic life as those in power knew it — such was the transformative power of the Christian ethos — the test applied to Christians, a citizenship test for people who considered themselves exiles in the empire, was to see if the Christian would bow the knee to Caesar, to deny Jesus. The Governor, Pliny, describes his application of this test — and motivation — to the Emperor, Trajan:

An anonymous document was published containing the names of many persons. Those who denied that they were or had been Christians, when they invoked the gods in words dictated by me, offered prayer with incense and wine to your image, which I had ordered to be brought for this purpose together with statues of the gods, and moreover cursed Christ — none of which those who are really Christians, it is said, can be forced to do–these I thought should be discharged. Others named by the informer declared that they were Christians, but then denied it, asserting that they had been but had ceased to be, some three years before, others many years, some as much as twenty-five years. They all worshipped your image and the statues of the gods, and cursed Christ.

In response, Trajan says:

“They are not to be sought out; if they are denounced and proved guilty, they are to be punished, with this reservation, that whoever denies that he is a Christian and really proves it —that is, by worshiping our gods — even though he was under suspicion in the past, shall obtain pardon through repentance.”

Is this the tradition we want Australia to stand in, is this what we want freedom to look like?

Are we asking these Muslims to deny their faith in order to participate as citizens in our nation? What are Christians doing standing behind those demands — if not a sort of obvious fear and desire for self-preservation built on some sort of belief in Australia’s ‘Christian heritage’?

We, Christians, have always celebrated our ability to live as exiles — and our commitment to not bowing the knee to Caesar, selling out Jesus for the sake of belonging in our worldly kingdom. We’ve lost that in the era of Christendom, and as we’ve simply assumed a corollary between the civil cult and Christian belief. For as long as Anzac Day services are held in Christian churches, with prayers led by Christian ministers, we’ll believe there’s a close link between the two, and so, the Muslim will be the outsider. But days are coming when the laws of our land will place similar constraints on Christian belief, and we might face very similar tests to these Muslim students about where our allegiance really lies. In these future days we’ll be looking to the sentiment expressed by the anthem — a desire for a nation built on freedom — and we might remember days like these where we weren’t so quick to extend that freedom to others.

It seems odd that we don’t want to extend this freedom — to be defined by a religious citizenship — to citizens of other religious kingdoms. Sure, the values of those kingdoms might be at odds with their host nations, and such kingdoms might indeed seek to change the nature of their home culture, or transform it according to their religious vision of the good and flourishing society, but aren’t we all actually compelled to do that? Isn’t this what pluralism, and freedom, looks like? Isn’t this what we sing about when we talk about Australia being a land we want to share with those who’ve come across the seas? Isn’t there an irony here in terms of what European settlement did to the Australian culture it was met with on arrival?

For those who’ve come across the seas
We’ve boundless plains to share;
With courage let us all combine
To Advance Australia Fair.

Isn’t courageous combining, placed alongside the ‘freedom’ of the first verse, an aspiration to live well together. To share the table of our ‘boundless plains’ with others, even if they don’t agree with us? Isn’t the unity we’re called to express in the act of singing this anthem a unity that transcends whether or not we choose to sing the anthem, and is located more in a common desire to live together for the sake of the nation of Australia ‘advancing’ towards some advancing view of the good life? And what sort of good life are we talking about if it involves the excluding of certain freedoms.

Obviously this unity requires a certain desire to ‘combine’ with courage, rather than to not combine — but assimilation isn’t really courageous combination. It’s cowardly. It involves a fear of the different, rather than a celebration. From what I can tell of the motivations of those young Muslims who did not sing the anthem with their classmates, it was not a repudiation of a desire to see Australia advance in this way, but a desire to simultaneously be committed to their religious convictions, to live, as it were, as citizens of two worlds — the world created by their religious beliefs, and the world created by a common love for Australia. Like any story that becomes part of the outrage cycle, we’ve now got extremists posturing for both camps.  The Herald Sun reports that the initial rationale behind the withdrawal was specifically linked to a religious practice.

Principal Cheryl Irving said during the month of Muharram Shi’a Muslims do not take part in joyous events, such as listening to music or singing, as it was a period of mourning.

“Muharram is a Shi’a cultural observation marking the death of Imam Hussein,” Ms Irving said. “This year it falls between Tuesday October 13 and Thursday November 12.

“Prior to last week’s Years 2-6 assembly, in respect of this religious observance, students were given the opportunity to leave the hall before music was played.

“The students then rejoined the assembly at the conclusion of the music.”

These students bravely took a stand on the basis of their convictions about the world — if these were Christians the Christian commentariat would be lauding their bravery and describing their actions as martyrdom. These students then, despite this obvious difference, returned to the gathering — an act of courageous combination with a view to participating in life with their peers, as Australians. This is, I would’ve thought, the sort of Australia we join to sing into being. Songs have the capacity to powerfully shape actions and ethics — that is one of the many reasons that Christians sing together, and it’s why nations and sporting teams create songs which foster harmony within the group. Singing the anthem is, in a sense, a speech-act, a declaration of an ideal. Perhaps this is why we mostly skip the second verse. Perhaps this is to recognise that modern Australia is not advancing the way we hoped. Perhaps it’s to put our guilty consciences at ease about the way settlers treated first Australians, or maybe it’s about our wavering commitment to sharing with those who come across the seas, and a sense that our boundless plains, or generosity might not be so boundless after all. Perhaps the second verse makes us uncomfortable because it calls us to live beyond our comfort zones.

Maybe we need to return to this ideal — whether we sing it together, or live out this courageous commitment to combining with those we disagree with for the common good. This is the Australia the anthem envisages, and so, creates as an ideal. A nation built on the courageous combination of people and worldviews, and commitment to generous sharing of our natural resources, with ‘those who’ve come across the seas.’ That, more than anything, is a gift given to us by the continued undeserved generosity of the first people to share Australia with sea-faring settlers. I’m blown away, with great regularity, by the willingness of Indigenous Australians to conduct ‘Welcome To Country’ ceremonies at different events, and with the generous manner that Indigenous elders participate in discussions about asylum seekers.

In joyful strains then let us sing, Advance Australia Fair.

Songs really are powerful. Songs really do give us a sense of home — perhaps this Muslim tradition has actually recognised something powerful that Christians have forgotten, at least if we don’t think the singing of the anthem is a big deal. I have no doubt that Christians can sing the anthem with gusto — particularly with a vision for how we might act out these words in a manner consistent with our faith, and with our calling to live as exiles who do good for the benefit of those around us, and so they might know the truth of our belief. It’s interesting that in that correspondence between Pliny and Trajan, the governor mentions that his investigations have established that Christian practice involves singing what, in the face of the belief that the Emperor was divine, a truly subversive song:

They asserted, however, that the sum and substance of their fault or error had been that they were accustomed to meet on a fixed day before dawn and sing responsively a hymn to Christ as to a god, and to bind themselves by oath, not to some crime, but not to commit fraud, theft, or adultery, not falsify their trust, nor to refuse to return a trust when called upon to do so. When this was over, it was their custom to depart and to assemble again to partake of food —but ordinary and innocent food.

Our singing loses its subversive power if we either deny the significance of the singing of the national anthem, and thus call on religious people to sing it without question, or if we assume it is a song that can truly represent our view of good citizenship apart from our true citizenship in the Gospel. Our songs, our Christian anthems, contain the subversive truth that should shape even our singing of the national anthem as it shapes our view of home, and of where we belong. Perhaps the best we have, at this, is the one that the Apostle Paul quotes in Philippians. Perhaps this should be our anthem, and perhaps it should shape our approach to other kingdoms — be it the kingdom of Australia, or the various kingdoms envisaged by our Muslim neighbours who put their trust in interpretations of the visions of the ‘good life’ as described by Mohammed. Our vision of the good life is captured in the example of the one who truly lived ‘a good life’ — who was crucified for refusing to compromise the nature of his kingdom in the face of the Empire he lived and walked in, and who, through his crucifixion, was crowned as the real king of the universe. The one who invites us home.

Who, being in very nature God,
    did not consider equality with God something to be used to his own advantage;
rather, he made himself nothing
    by taking the very nature of a servant,
    being made in human likeness.
And being found in appearance as a man,
    he humbled himself
    by becoming obedient to death—
        even death on a cross!

Therefore God exalted him to the highest place
    and gave him the name that is above every name,
that at the name of Jesus every knee should bow,
    in heaven and on earth and under the earth,
 and every tongue acknowledge that Jesus Christ is Lord,
    to the glory of God the Father.
— Philippians 2:6-11

It’s only when we forget this song, and the vision of the world it brings, that we start to believe others refusing to sing Advance Australia Fair are worth condemning. This song compels us to invite people to an eternal home, rather than calling them to leave our temporary one. It also invites us Christians to ‘courageously combine’ with each other, for the good of those around us, to, in the words which precede this song in Philippians “have the same mindset of Christ” as we live to see the nation we live in truly advance as it transforms. The result of owning this song as an anthem is never to ask people to leave — but to extend hospitality, and ask people to stay.

Corporate singing. One heartbeat.

You know how sound waves, when they’re in sync, amplify – making the sound louder. It turns out that not only are our voices working in concert when we sing together in church, but our hearts beat together too (the study).

“Using pulse monitors attached to the singers’ ears, the researchers measured the changes in the choir members’ heart rates as they navigated the intricate harmonies of a Swedish hymn. When the choir began to sing, their heart rates slowed down.

“When you sing the phrases, it is a form of guided breathing,” says musicologist Bjorn Vickhoff of the Sahlgrenska Academy who led the project. “You exhale on the phrases and breathe in between the phrases. When you exhale, the heart slows down.”

But what really struck him was that it took almost no time at all for the singers’ heart rates to become synchronized. The readout from the pulse monitors starts as a jumble of jagged lines, but quickly becomes a series of uniform peaks. The heart rates fall into a shared rhythm guided by the song’s tempo.”

Cool hey. Coming soon to a video script near you…